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Baatarnarany Tsetsentsolmon

Biographic Data

ID3774519
NAMEBaatarnarany Tsetsentsolmon
GIVEN NAMESBaatarnarany
FAMILY NAMETsetsentsolmon
SIGNATURETSETSENTSOLMON B
AFFILIATIONS1 National University of Mongolia Ulaanbaatar Mongolia [email protected]
ORCID0000-0001-6265-4980
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS6
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Music in Cultural Construction: Nationalisation, Popularisation and Commercialisation of Mongolian Music

    Baatarnarany Tsetsentsolmon•ARTICLE•Inner Asia•2015•Cited by: 1•References: 6

    The paper aims to examine the concept of 'national' or 'folk' music within the state culture-building process in both the socialist and post-socialist eras in Mongolia. By focusing on process of nationalisation, commercialisation and popularisation, the paper argues that musical culture was and has been politicised in both eras. Furthermore, it argues that musical culture in post-socialist Mongolia can be regarded as the continuation, transformat…

  • The ‘gong beat’ against the ‘uncultured: Contested notions of culture and civilization in Mongolia

    Baatarnarany Tsetsentsolmon•ARTICLE•Asian Ethnicity•2014•Cited by: 5•References: 5

    This article explores the Mongolian concept of ‘culture’ (soyol) and its transformation in the state socialist and post-socialist eras. The notion of culture and those without it – the soyolgui or ‘uncultured’ – played enormously important parts in the construction of the new society of the Mongolian People’s Republic. The history of the twentieth century shows a transformation of this highly normative concept from a category associated with teac…

  • The ‘gong beat’ against the ‘uncultured: Contested notions of culture and civilization in Mongolia

    Baatarnarany Tsetsentsolmon•ARTICLE•Asian Ethnicity•2014•Cited by: 5•References: 5

    This article explores the Mongolian concept of ‘culture’ (soyol) and its transformation in the state socialist and post-socialist eras. The notion of culture and those without it – the soyolgui or ‘uncultured’ – played enormously important parts in the construction of the new society of the Mongolian People’s Republic. The history of the twentieth century shows a transformation of this highly normative concept from a category associated with teac…

  • Music in Cultural Construction: Nationalisation, Popularisation and Commercialisation of Mongolian Music

    Baatarnarany Tsetsentsolmon•ARTICLE•Inner Asia•2015•Cited by: 1•References: 6

    The paper aims to examine the concept of 'national' or 'folk' music within the state culture-building process in both the socialist and post-socialist eras in Mongolia. By focusing on process of nationalisation, commercialisation and popularisation, the paper argues that musical culture was and has been politicised in both eras. Furthermore, it argues that musical culture in post-socialist Mongolia can be regarded as the continuation, transformat…

  • The ‘gong beat’ against the ‘uncultured: Contested notions of culture and civilization in Mongolia

    Baatarnarany Tsetsentsolmon•ARTICLE•Asian Ethnicity•2014•Cited by: 5•References: 5

    This article explores the Mongolian concept of ‘culture’ (soyol) and its transformation in the state socialist and post-socialist eras. The notion of culture and those without it – the soyolgui or ‘uncultured’ – played enormously important parts in the construction of the new society of the Mongolian People’s Republic. The history of the twentieth century shows a transformation of this highly normative concept from a category associated with teac…

  • Music in Cultural Construction: Nationalisation, Popularisation and Commercialisation of Mongolian Music

    Baatarnarany Tsetsentsolmon•ARTICLE•Inner Asia•2015•Cited by: 1•References: 6

    The paper aims to examine the concept of 'national' or 'folk' music within the state culture-building process in both the socialist and post-socialist eras in Mongolia. By focusing on process of nationalisation, commercialisation and popularisation, the paper argues that musical culture was and has been politicised in both eras. Furthermore, it argues that musical culture in post-socialist Mongolia can be regarded as the continuation, transformat…

Aesthetics (2 works) · Law (2 works) · Nationalism (2 works) · Philippine History and Culture (2 works) · Political science (2 works) · Politics (2 works) · Rangeland Management and Livestock Ecology (2 works) · Sociology (2 works) · Art (1 works) · China (1 works)

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