Katie Milestone
Biographic Data
| ID | 3780176 |
|---|---|
| NAME | Katie Milestone |
| GIVEN NAMES | Katie |
| FAMILY NAME | Milestone |
| SIGNATURE | MILESTONE K |
| AFFILIATIONS | Manchester Metropolitan University |
| ORCID | 0000-0001-7291-5881 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 47 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Sexual harassment in the creative and hospitality industries
This article investigates British newspaper coverage of workplace sexual harassment in the creative and hospitality industries during 2024 to assess the mobilising power and limitations of #MeToo across sectors. Despite high prevalence rates of harassment reported in national surveys, the hospitality industry receives negligible media attention. In contrast, coverage of the creative industries is extensive, yet overwhelmingly dominated by celebri…
‘Northernness’, gender and Manchester’s creative industries
This article explores northernness and gender in the context of creative industries in Manchester. I argue that a version of northernness has been mobilised by those within the creative industries and that this identity is strongly linked with masculinity. The article examines the emergence of new creative industries in Manchester from the 1980s onwards. Many of these new creative industries were connected with music and club culture and often pr…
Individualization, Gender and Cultural Work
In the ‘new’ economy the virtues of creative and cultural industry production are widely promoted and idealized. For women, set free from their ‘feudal chains’, the ‘cool creative and egalitarian’ cultural economy — particularly in areas such new media, music, design and fashion — appears to offer paths to workplace freedom. But is this really so? Using evidence from the digital ‘new media’ sector, this article builds on the work of Lash and Adki…
Urban Myths
This article uses Manchester (England) as a case study to examine some relationships between the city and the popular culture that emerges from, or seeks to represent, this city. We focus on post‐war popular culture that has been widely disseminated such as film, television and popular music. The article considers whether these examples of popular culture reflect wider urban, social and cultural change and discuss what impact this popular culture…
Sound Tracks
What Difference does it Make? Women's Pop Cultural Production and Consumption in Manchester
This paper explores the experiences of women in small cultural businesses and is based upon interviews with women working in a range of contexts in Manchester's popular music sector. The research seeks to promote wider consideration of women's roles in cultural production and consumption. We argue that it is necessary that experiences of production and consumption be understood as inter-related processes. Each part of this process is imbued with …
Individualization, Gender and Cultural Work
In the ‘new’ economy the virtues of creative and cultural industry production are widely promoted and idealized. For women, set free from their ‘feudal chains’, the ‘cool creative and egalitarian’ cultural economy — particularly in areas such new media, music, design and fashion — appears to offer paths to workplace freedom. But is this really so? Using evidence from the digital ‘new media’ sector, this article builds on the work of Lash and Adki…
Urban Myths
This article uses Manchester (England) as a case study to examine some relationships between the city and the popular culture that emerges from, or seeks to represent, this city. We focus on post‐war popular culture that has been widely disseminated such as film, television and popular music. The article considers whether these examples of popular culture reflect wider urban, social and cultural change and discuss what impact this popular culture…
What Difference does it Make? Women's Pop Cultural Production and Consumption in Manchester
This paper explores the experiences of women in small cultural businesses and is based upon interviews with women working in a range of contexts in Manchester's popular music sector. The research seeks to promote wider consideration of women's roles in cultural production and consumption. We argue that it is necessary that experiences of production and consumption be understood as inter-related processes. Each part of this process is imbued with …
What Difference does it Make? Women's Pop Cultural Production and Consumption in Manchester
This paper explores the experiences of women in small cultural businesses and is based upon interviews with women working in a range of contexts in Manchester's popular music sector. The research seeks to promote wider consideration of women's roles in cultural production and consumption. We argue that it is necessary that experiences of production and consumption be understood as inter-related processes. Each part of this process is imbued with …
Sound Tracks
Urban Myths
This article uses Manchester (England) as a case study to examine some relationships between the city and the popular culture that emerges from, or seeks to represent, this city. We focus on post‐war popular culture that has been widely disseminated such as film, television and popular music. The article considers whether these examples of popular culture reflect wider urban, social and cultural change and discuss what impact this popular culture…
Individualization, Gender and Cultural Work
In the ‘new’ economy the virtues of creative and cultural industry production are widely promoted and idealized. For women, set free from their ‘feudal chains’, the ‘cool creative and egalitarian’ cultural economy — particularly in areas such new media, music, design and fashion — appears to offer paths to workplace freedom. But is this really so? Using evidence from the digital ‘new media’ sector, this article builds on the work of Lash and Adki…
‘Northernness’, gender and Manchester’s creative industries
This article explores northernness and gender in the context of creative industries in Manchester. I argue that a version of northernness has been mobilised by those within the creative industries and that this identity is strongly linked with masculinity. The article examines the emergence of new creative industries in Manchester from the 1980s onwards. Many of these new creative industries were connected with music and club culture and often pr…
Sexual harassment in the creative and hospitality industries
This article investigates British newspaper coverage of workplace sexual harassment in the creative and hospitality industries during 2024 to assess the mobilising power and limitations of #MeToo across sectors. Despite high prevalence rates of harassment reported in national surveys, the hospitality industry receives negligible media attention. In contrast, coverage of the creative industries is extensive, yet overwhelmingly dominated by celebri…
Cultural Industries and Urban Development (5 works) · Sociology (5 works) · Aesthetics (4 works) · Media studies (4 works) · Art (3 works) · Fashion and Cultural Textiles (2 works) · Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · History (2 works) · History (2 works)