Alexandra Woodall
Biographic Data
| ID | 3782747 |
|---|---|
| NAME | Alexandra Woodall |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | Woodall |
| SIGNATURE | WOODALL A |
| AFFILIATIONS | University of East Anglia |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
On Object Dialogue Boxes
Museums and the objects they hold are full of noise, yet at the same time, they are silent. This paper explores the oxymoronic ‘deafening silence’ of the museum object by investigating ‘Object Dialogue Boxes’ and visitors’ responses to these. Made by artists Karl Foster and Kimberley Foster, these boxes contain surreal things made as interpretive or pedagogical art objects. Use of these objects, as a form of ‘material interpretation’ enables visi…
Exhibitions
EXHIBITION REVIEW ESSAYS Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York Nonstop Modernity: Renovating the Rijksmuseum A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s EXHIBITION REVIEWS The Museum of Old and New Art, Hobart Indigenous Australia: Enduring Civilisation, British Museum, London Photography: A Victorian Sensat…
No prominent works on this page.
Exhibitions
EXHIBITION REVIEW ESSAYS Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York Nonstop Modernity: Renovating the Rijksmuseum A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s EXHIBITION REVIEWS The Museum of Old and New Art, Hobart Indigenous Australia: Enduring Civilisation, British Museum, London Photography: A Victorian Sensat…
On Object Dialogue Boxes
Museums and the objects they hold are full of noise, yet at the same time, they are silent. This paper explores the oxymoronic ‘deafening silence’ of the museum object by investigating ‘Object Dialogue Boxes’ and visitors’ responses to these. Made by artists Karl Foster and Kimberley Foster, these boxes contain surreal things made as interpretive or pedagogical art objects. Use of these objects, as a form of ‘material interpretation’ enables visi…
Art (2 works) · Sociology (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Art history (1 works) · Cultural Industries and Urban Development (1 works) · Empathy (1 works) · Epistemology (1 works) · Exhibition (1 works) · Geographies of human-animal interactions (1 works)