Areti Galani
Biographic Data
| ID | 3782809 |
|---|---|
| NAME | Areti Galani |
| GIVEN NAMES | Areti |
| FAMILY NAME | Galani |
| SIGNATURE | GALANI A |
| AFFILIATIONS | Media, Culture and Heritage, Newcastle University, Newcastle, UK |
| ORCID | 0000-0001-8045-6662 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Recasting witnessing in museums: Digital Interactive Displays for Dialogic Remembering
Recently, the role of personal memories in the exhibition space has evolved synergistically with the creation of digital exhibits that provide opportunities for encounter between visitors and ordinary others remembering their difficult histories. The article contextualises the use of dialogic museum displays in relation to the concept of mediated witnessing by focusing on the use of digital interactivity. Grounded on the analysis of three case st…
Hybrid Material Encounters - Expanding the Continuum of Museum Materialities in the Wake of a Pandemic
For SHORT INSIGHT PAPERS - Museums and COVID 19: First Responses. Our undertsanding is that no abstract is required. Do let us know if you need one
European Heritage, Dialogue and Digital Practices
Other People's Stories: Bringing Public-Generated Photography into the Contemporary Art Museum
Constituting the 'defining other' of art photography, amateur photographic practices have long been neglected or specifically excluded from official histories of photography. Even the term 'amateur' has historically been characterized by semantic ambiguity. In recent years, however, contemporary amateur photographs have been capturing the art curatorial imagination. This is often motivated by the institutional and political impetus to engage with…
I want to be provoked: Public involvement in the development of the Northumberland Rock Art on Mobile Phones project
Northumberland has a long history of public engagement surrounding its ancient rock-art. Recent advances in digital technologies have enabled archaeologists to enrich this engagement through the provision of open access to substantial rock-art datasets online. Building on these achievements, the Rock Art on Mobile Phones (RAMP) project allows Northumberland's countryside visitors to access in situ interpretation at three rock-art areas on their m…
European Heritage, Dialogue and Digital Practices
European Heritage, Dialogue and Digital Practices focuses on the intersection of heritage, dialogue and digital culture in the context of Europe. Responding to the increased emphasis on the potential for heritage and digital technologies to foster dialogue and engender communitarian identities in Europe, the book explores what kind of role digital tools, platforms and practices play in supporting and challenging dialogue about heritage in the reg…
I want to be provoked: Public involvement in the development of the Northumberland Rock Art on Mobile Phones project
Northumberland has a long history of public engagement surrounding its ancient rock-art. Recent advances in digital technologies have enabled archaeologists to enrich this engagement through the provision of open access to substantial rock-art datasets online. Building on these achievements, the Rock Art on Mobile Phones (RAMP) project allows Northumberland's countryside visitors to access in situ interpretation at three rock-art areas on their m…
Hybrid Material Encounters - Expanding the Continuum of Museum Materialities in the Wake of a Pandemic
For SHORT INSIGHT PAPERS - Museums and COVID 19: First Responses. Our undertsanding is that no abstract is required. Do let us know if you need one
Recasting witnessing in museums: Digital Interactive Displays for Dialogic Remembering
Recently, the role of personal memories in the exhibition space has evolved synergistically with the creation of digital exhibits that provide opportunities for encounter between visitors and ordinary others remembering their difficult histories. The article contextualises the use of dialogic museum displays in relation to the concept of mediated witnessing by focusing on the use of digital interactivity. Grounded on the analysis of three case st…
Other People's Stories: Bringing Public-Generated Photography into the Contemporary Art Museum
Constituting the 'defining other' of art photography, amateur photographic practices have long been neglected or specifically excluded from official histories of photography. Even the term 'amateur' has historically been characterized by semantic ambiguity. In recent years, however, contemporary amateur photographs have been capturing the art curatorial imagination. This is often motivated by the institutional and political impetus to engage with…
I want to be provoked: Public involvement in the development of the Northumberland Rock Art on Mobile Phones project
Northumberland has a long history of public engagement surrounding its ancient rock-art. Recent advances in digital technologies have enabled archaeologists to enrich this engagement through the provision of open access to substantial rock-art datasets online. Building on these achievements, the Rock Art on Mobile Phones (RAMP) project allows Northumberland's countryside visitors to access in situ interpretation at three rock-art areas on their m…
Other People's Stories: Bringing Public-Generated Photography into the Contemporary Art Museum
Constituting the 'defining other' of art photography, amateur photographic practices have long been neglected or specifically excluded from official histories of photography. Even the term 'amateur' has historically been characterized by semantic ambiguity. In recent years, however, contemporary amateur photographs have been capturing the art curatorial imagination. This is often motivated by the institutional and political impetus to engage with…
European Heritage, Dialogue and Digital Practices
Hybrid Material Encounters - Expanding the Continuum of Museum Materialities in the Wake of a Pandemic
For SHORT INSIGHT PAPERS - Museums and COVID 19: First Responses. Our undertsanding is that no abstract is required. Do let us know if you need one
Recasting witnessing in museums: Digital Interactive Displays for Dialogic Remembering
Recently, the role of personal memories in the exhibition space has evolved synergistically with the creation of digital exhibits that provide opportunities for encounter between visitors and ordinary others remembering their difficult histories. The article contextualises the use of dialogic museum displays in relation to the concept of mediated witnessing by focusing on the use of digital interactivity. Grounded on the analysis of three case st…
European Heritage, Dialogue and Digital Practices
European Heritage, Dialogue and Digital Practices focuses on the intersection of heritage, dialogue and digital culture in the context of Europe. Responding to the increased emphasis on the potential for heritage and digital technologies to foster dialogue and engender communitarian identities in Europe, the book explores what kind of role digital tools, platforms and practices play in supporting and challenging dialogue about heritage in the reg…
Art (4 works) · Visual arts (4 works) · History (3 works) · Museums and Cultural Heritage (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Computer Science (2 works) · Media studies (2 works) · Public art (2 works) · Sociology (2 works)