Marion Leonard
Biographic Data
| ID | 3782978 |
|---|---|
| NAME | Marion Leonard |
| GIVEN NAMES | Marion |
| FAMILY NAME | Leonard |
| SIGNATURE | LEONARD M |
| AFFILIATIONS | University of Liverpool |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 45 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 3 |
Gender in the Music Industry
The Shaping of Heritage
Sites of Popular Music Heritage
Sites of Popular Music Heritage
Staging the Beatles
This article examines how popular music and its material culture have been exhibited within museums. More specifically, it is concerned with how decision-making and processes within museums impact on how materials are interpreted and presented to museum visitors. The article uses one central case study relating to a highly mythologised moment within popular music history, claimed as the starting point of the Beatles. On 6 July 1957, John Lennon, …
The “Lord Mayor of Beatle-land”
This article offers an analysis of the relationship between city government institutions and popular music through an examination of the discourses, attitudes, and actions of Liverpool's city officials in relation to the Beatles. Focusing on the mid-1960s it presents the first academic analysis of a substantial archive of original correspondence relating to the Beatles which was sent and received by the Lord Mayor's Office in Liverpool. Drawing o…
Exhibiting Popular Music
In recent years the relationship between museums and their visitors has been subject to much discussion in relation to debates about the role that these institutions can play in widening participation and tackling social exclusion. Focussing on the display and representation of popular music in UK museums, this article considers the way in which popular music and its related material culture has been displayed, interpreted, valued and mobilized f…
Performing identities
This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents o…
A musical nation
In 2001 the Music Board of Ireland (MBI) was established by the Republic of Ireland's Minister for Arts, Heritage, Gaeltacht and the Islands, Sile de Valera. Made up of a number of prominent figure
Performing identities
This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents o…
Exhibiting Popular Music
In recent years the relationship between museums and their visitors has been subject to much discussion in relation to debates about the role that these institutions can play in widening participation and tackling social exclusion. Focussing on the display and representation of popular music in UK museums, this article considers the way in which popular music and its related material culture has been displayed, interpreted, valued and mobilized f…
Staging the Beatles
This article examines how popular music and its material culture have been exhibited within museums. More specifically, it is concerned with how decision-making and processes within museums impact on how materials are interpreted and presented to museum visitors. The article uses one central case study relating to a highly mythologised moment within popular music history, claimed as the starting point of the Beatles. On 6 July 1957, John Lennon, …
A musical nation
In 2001 the Music Board of Ireland (MBI) was established by the Republic of Ireland's Minister for Arts, Heritage, Gaeltacht and the Islands, Sile de Valera. Made up of a number of prominent figure
The “Lord Mayor of Beatle-land”
This article offers an analysis of the relationship between city government institutions and popular music through an examination of the discourses, attitudes, and actions of Liverpool's city officials in relation to the Beatles. Focusing on the mid-1960s it presents the first academic analysis of a substantial archive of original correspondence relating to the Beatles which was sent and received by the Lord Mayor's Office in Liverpool. Drawing o…
A musical nation
In 2001 the Music Board of Ireland (MBI) was established by the Republic of Ireland's Minister for Arts, Heritage, Gaeltacht and the Islands, Sile de Valera. Made up of a number of prominent figure
Performing identities
This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents o…
Exhibiting Popular Music
In recent years the relationship between museums and their visitors has been subject to much discussion in relation to debates about the role that these institutions can play in widening participation and tackling social exclusion. Focussing on the display and representation of popular music in UK museums, this article considers the way in which popular music and its related material culture has been displayed, interpreted, valued and mobilized f…
The “Lord Mayor of Beatle-land”
This article offers an analysis of the relationship between city government institutions and popular music through an examination of the discourses, attitudes, and actions of Liverpool's city officials in relation to the Beatles. Focusing on the mid-1960s it presents the first academic analysis of a substantial archive of original correspondence relating to the Beatles which was sent and received by the Lord Mayor's Office in Liverpool. Drawing o…
Sites of Popular Music Heritage
Sites of Popular Music Heritage
Staging the Beatles
This article examines how popular music and its material culture have been exhibited within museums. More specifically, it is concerned with how decision-making and processes within museums impact on how materials are interpreted and presented to museum visitors. The article uses one central case study relating to a highly mythologised moment within popular music history, claimed as the starting point of the Beatles. On 6 July 1957, John Lennon, …
The Shaping of Heritage
Gender in the Music Industry
Art (6 works) · Visual arts (6 works) · Cultural Industries and Urban Development (5 works) · History (4 works) · Law (4 works) · Media studies (4 works) · Music History and Culture (4 works) · Political science (4 works) · Sociology (4 works) · Linguistics (3 works)