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Colin Thompson

Biographic Data

ID3783204
NAMEColin Thompson
GIVEN NAMESColin
FAMILY NAMEThompson
SIGNATURETHOMPSON C
AFFILIATIONSa St Catherine's College , Oxford
ORCID0009-0004-0341-0811
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS2
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Hazer nuevo lo que no es’

    Colin Thompson, Colin P Thompson•ARTICLE•Hispanic Research Journal•2016

    ‘Huid, contentos, de mi triste pecho’ is exceptional in Fray Luis’s ‘Odas originales’ in terms of both form and content. It is the only example among them of the verse form of the terceto, or terceto encadenado, while the tone of the poem is largely pessimistic, introspective, and self-analytical. Critics have usually interpreted it as referring to a moment of hope which came to nothing during his long imprisonment, and which may indeed have spur…

  • Myth and the Construction of Meaning in the Soledades and the Polifemo

    Colin Thompson, Colin P Thompson•ARTICLE•Bulletin of Spanish Studies•2013

    This essay examines the role of mythological allusions in the Soledades and the Polifemo, and in particular those with which both poems open. While many critics have identified the sources of the myths Góngora uses, less attention has been given to their importance as markers of meaning. I aim to show how these allusions exercise a broader function than is commonly understood, especially in preparing the way for what is to come; how insufficient …

  • Cervantes and the Comic Mind of His Age

    Colin Thompson, Colin P Thompson•ARTICLE•Hispanic Research Journal•2004

  • Cervantes and the Comic Mind of His Age

    Colin Thompson•ARTICLE•Hispanic Research Journal•2004

  • The role of the museum in interpretation

    Colin Thompson, Colin P Thompson•ARTICLE•International Journal of Heritage…•1994•Cited by: 2

    The key questions in interpreting objects in museums are: What are they doing there? and Where did they come from? National and local importance are not mutually exclusive: the critical difference is between intrinsic value, and value through context or association. Context is an integral part of interpretation. Experts can visualise an original location or environment; ordinary museum visitors need the context of people, or place, or familiar ac…

  • The role of the museum in interpretation

    Colin Thompson, Colin P Thompson•ARTICLE•International Journal of Heritage…•1994•Cited by: 2

    The key questions in interpreting objects in museums are: What are they doing there? and Where did they come from? National and local importance are not mutually exclusive: the critical difference is between intrinsic value, and value through context or association. Context is an integral part of interpretation. Experts can visualise an original location or environment; ordinary museum visitors need the context of people, or place, or familiar ac…

  • The role of the museum in interpretation

    Colin Thompson, Colin P Thompson•ARTICLE•International Journal of Heritage…•1994•Cited by: 2

    The key questions in interpreting objects in museums are: What are they doing there? and Where did they come from? National and local importance are not mutually exclusive: the critical difference is between intrinsic value, and value through context or association. Context is an integral part of interpretation. Experts can visualise an original location or environment; ordinary museum visitors need the context of people, or place, or familiar ac…

  • Cervantes and the Comic Mind of His Age

    Colin Thompson, Colin P Thompson•ARTICLE•Hispanic Research Journal•2004

  • Cervantes and the Comic Mind of His Age

    Colin Thompson•ARTICLE•Hispanic Research Journal•2004

  • Myth and the Construction of Meaning in the Soledades and the Polifemo

    Colin Thompson, Colin P Thompson•ARTICLE•Bulletin of Spanish Studies•2013

    This essay examines the role of mythological allusions in the Soledades and the Polifemo, and in particular those with which both poems open. While many critics have identified the sources of the myths Góngora uses, less attention has been given to their importance as markers of meaning. I aim to show how these allusions exercise a broader function than is commonly understood, especially in preparing the way for what is to come; how insufficient …

  • Hazer nuevo lo que no es’

    Colin Thompson, Colin P Thompson•ARTICLE•Hispanic Research Journal•2016

    ‘Huid, contentos, de mi triste pecho’ is exceptional in Fray Luis’s ‘Odas originales’ in terms of both form and content. It is the only example among them of the verse form of the terceto, or terceto encadenado, while the tone of the poem is largely pessimistic, introspective, and self-analytical. Critics have usually interpreted it as referring to a moment of hope which came to nothing during his long imprisonment, and which may indeed have spur…

Art (5 works) · Early Modern Spanish Literature (4 works) · Literature (4 works) · Philosophy (3 works) · Comics (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Philosophy (2 works) · Poetry (2 works)

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