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Ray Fleming

Biographic Data

ID3786400
NAMERay Fleming
GIVEN NAMESRay
FAMILY NAMEFleming
SIGNATUREFLEMING R
AFFILIATIONSPenn State University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR1926
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Happy Endings? Resisting Women and the Economy of Love in Day Five of Boccaccio's Decameron

    Ray Fleming•ARTICLE•Italica•2023•Cited by: 1

    Fiammetta, in her role as queen of the fifth day of storytelling in Boccaccio's Decameron, announces that the general theme for all the stories of her reign will be “ciò che ad alcuno amante, dopo alcuni fieri o sventurati accidenti, felicemente avvenisse” (318).1 While this description gives us little indication of the variety of the tales of “love” that will actually constitute the fifth day of storytelling in the Decameron, it does, neverthele…

  • Dunkle Reflexe: Schwarzafrikaner und Afro-Amerikaner in der deutschen Erzahlkunst des 18. und 19. Jahrhunderts: Funf exemplarische Texte

    Ray Fleming, Reinhold Grimm et al.•ARTICLE•The German Quarterly•1993

  • Race and the Difference It Makes in Kleist's "Die Verlobung in St. Domingo"

    Ray Fleming•ARTICLE•The German Quarterly•1992

    Ray Fleming, Race and the Difference It Makes in Kleist's "Die Verlobung in St. Domingo", The German Quarterly, Vol. 65, No. 3/4, 1492-1992: Five Centuries of German-American Interrelations (Summer - Autumn, 1992), pp. 306-317

  • Keats, Skepticism, and the Religion of Beauty

    Ray Fleming, Ronald A Sharp•ARTICLE•Modern Language Notes•1980

  • The Podkoumok Skeleton

    M A Gremiatsky, P Renngarten et al.•ARTICLE•Man•1926

  • Happy Endings? Resisting Women and the Economy of Love in Day Five of Boccaccio's Decameron

    Ray Fleming•ARTICLE•Italica•2023•Cited by: 1

    Fiammetta, in her role as queen of the fifth day of storytelling in Boccaccio's Decameron, announces that the general theme for all the stories of her reign will be “ciò che ad alcuno amante, dopo alcuni fieri o sventurati accidenti, felicemente avvenisse” (318).1 While this description gives us little indication of the variety of the tales of “love” that will actually constitute the fifth day of storytelling in the Decameron, it does, neverthele…

  • The Podkoumok Skeleton

    M A Gremiatsky, P Renngarten et al.•ARTICLE•Man•1926

  • Keats, Skepticism, and the Religion of Beauty

    Ray Fleming, Ronald A Sharp•ARTICLE•Modern Language Notes•1980

  • Race and the Difference It Makes in Kleist's "Die Verlobung in St. Domingo"

    Ray Fleming•ARTICLE•The German Quarterly•1992

    Ray Fleming, Race and the Difference It Makes in Kleist's "Die Verlobung in St. Domingo", The German Quarterly, Vol. 65, No. 3/4, 1492-1992: Five Centuries of German-American Interrelations (Summer - Autumn, 1992), pp. 306-317

  • Dunkle Reflexe: Schwarzafrikaner und Afro-Amerikaner in der deutschen Erzahlkunst des 18. und 19. Jahrhunderts: Funf exemplarische Texte

    Ray Fleming, Reinhold Grimm et al.•ARTICLE•The German Quarterly•1993

  • Happy Endings? Resisting Women and the Economy of Love in Day Five of Boccaccio's Decameron

    Ray Fleming•ARTICLE•Italica•2023•Cited by: 1

    Fiammetta, in her role as queen of the fifth day of storytelling in Boccaccio's Decameron, announces that the general theme for all the stories of her reign will be “ciò che ad alcuno amante, dopo alcuni fieri o sventurati accidenti, felicemente avvenisse” (318).1 While this description gives us little indication of the variety of the tales of “love” that will actually constitute the fifth day of storytelling in the Decameron, it does, neverthele…

Art (4 works) · German Colonialism and Identity Studies (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Anatomy (1 works) · Anatomy (1 works) · Ancient and Medieval Archaeology Studies (1 works) · Beauty (1 works) · Biology (1 works) · Central European and Russian historical studies (1 works)

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