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Alison Cornish

Biographic Data

ID3786439
NAMEAlison Cornish
GIVEN NAMESAlison
FAMILY NAMECornish
SIGNATURECORNISH A
AFFILIATIONSUniversity of Michigan
VERIFIEDNo
TOTAL WORKS13
TOTAL CITATIONS4
WORKS AS AUTHOR13
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Boccaccio's Corpus

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2020

    Boccaccio's Corpus: Allegory, Ethics, and Vernacularity. James C. Kriesel. The William and Katherine Devers Series in Dante and Medieval Italian Literature 15. Notre Dame, IN: University of Notre Dame Press, 2019. xviii + 382 pp. $65. - Volume 73 Issue 2

  • Boccaccio 1313–2013

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Dante’s Persons

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Sound Matters

    Susan Boynton, Sarah Kay et al.•ARTICLE•Speculum•2016•Cited by: 4•References: 24

  • Courtesy Lost

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Vernacular Translation in Dante’s Italy

    Alison Cornish, Theodore J Cachey et al.•ARTICLE•Renaissance and Reformation•2012

    des hommes de la Renaissance pour les psaumes, pour les classiques et pour la posie no-latine

  • Petrarch and Dante

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2010

    Zygmunt G. Baranski and Theodore J. Cachey, eds. Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition. Devers Program in Dante Studies 10. Notre Dame: University of Notre Dame Press, 2009. xii + 414 pp. index. bibl. $50. ISBN: 978–0–268–02211–2. - Volume 63 Issue 1

  • Sons and Lovers

    Alison Cornish•ARTICLE•Modern Language Notes•2009

    Sons and Lovers:Guido in Paradise Alison Cornish (bio) Each tenth canto of the three parts of the Divine Comedy marks the passage over a threshold into a new realm, or into the more essential part of each realm. In Inferno it is the first canto inside the retrenched ramparts of the City of Dis; in Purgatorio it is where, also just inside a gate, penitential punishments actually begin; in Paradiso it is where we pass out of the shadow of the earth…

  • Dante prima della Commedia

    Alison Cornish, Guglielmo Gorni•ARTICLE•Italica•2004

  • Human Vices and Human Worth in Dante's Comedy

    Alison Cornish, Patrick Boyde•ARTICLE•Italica•2001

  • Reading Dante's Stars

    Steven Botterill, Alison Cornish•ARTICLE•Italica•2001

  • Commentary and Ideology

    Alison Cornish•ARTICLE•Speculum•1994

  • A King and a Star

    Alison Cornish•ARTICLE•Modern Language Notes•1994

    Elsa Morante's L'isola di Arturo has always provoked the question of genre. The book has been compared to biblical and Germanic myth, Arthurian romance, folklore, and fairy-tale-and has even invited the suspicion that the novelistic mode is but a pretext for isolated lyrical moments, such as the epigraphic poem, A Remo N., that precedes the novel.1 For others, Morante's Arturo recalls classical heroes of epic and tragedy: Oedipus, Achilles, Odyss…

  • Sound Matters

    Susan Boynton, Sarah Kay et al.•ARTICLE•Speculum•2016•Cited by: 4•References: 24

  • Commentary and Ideology

    Alison Cornish•ARTICLE•Speculum•1994

  • A King and a Star

    Alison Cornish•ARTICLE•Modern Language Notes•1994

    Elsa Morante's L'isola di Arturo has always provoked the question of genre. The book has been compared to biblical and Germanic myth, Arthurian romance, folklore, and fairy-tale-and has even invited the suspicion that the novelistic mode is but a pretext for isolated lyrical moments, such as the epigraphic poem, A Remo N., that precedes the novel.1 For others, Morante's Arturo recalls classical heroes of epic and tragedy: Oedipus, Achilles, Odyss…

  • Human Vices and Human Worth in Dante's Comedy

    Alison Cornish, Patrick Boyde•ARTICLE•Italica•2001

  • Reading Dante's Stars

    Steven Botterill, Alison Cornish•ARTICLE•Italica•2001

  • Dante prima della Commedia

    Alison Cornish, Guglielmo Gorni•ARTICLE•Italica•2004

  • Sons and Lovers

    Alison Cornish•ARTICLE•Modern Language Notes•2009

    Sons and Lovers:Guido in Paradise Alison Cornish (bio) Each tenth canto of the three parts of the Divine Comedy marks the passage over a threshold into a new realm, or into the more essential part of each realm. In Inferno it is the first canto inside the retrenched ramparts of the City of Dis; in Purgatorio it is where, also just inside a gate, penitential punishments actually begin; in Paradiso it is where we pass out of the shadow of the earth…

  • Petrarch and Dante

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2010

    Zygmunt G. Baranski and Theodore J. Cachey, eds. Petrarch and Dante: Anti-Dantism, Metaphysics, Tradition. Devers Program in Dante Studies 10. Notre Dame: University of Notre Dame Press, 2009. xii + 414 pp. index. bibl. $50. ISBN: 978–0–268–02211–2. - Volume 63 Issue 1

  • Vernacular Translation in Dante’s Italy

    Alison Cornish, Theodore J Cachey et al.•ARTICLE•Renaissance and Reformation•2012

    des hommes de la Renaissance pour les psaumes, pour les classiques et pour la posie no-latine

  • Sound Matters

    Susan Boynton, Sarah Kay et al.•ARTICLE•Speculum•2016•Cited by: 4•References: 24

  • Courtesy Lost

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Boccaccio 1313–2013

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Dante’s Persons

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Boccaccio's Corpus

    Open Access•Alison Cornish•ARTICLE•Renaissance Quarterly•2020

    Boccaccio's Corpus: Allegory, Ethics, and Vernacularity. James C. Kriesel. The William and Katherine Devers Series in Dante and Medieval Italian Literature 15. Notre Dame, IN: University of Notre Dame Press, 2019. xviii + 382 pp. $65. - Volume 73 Issue 2

Art (13 works) · History (8 works) · Philosophy (8 works) · Renaissance and Early Modern Studies (8 works) · History (7 works) · Art history (6 works) · Classics (5 works) · Classics (5 works) · Literature (4 works) · Computer Science (3 works)

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