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Ann Sherif

Biographic Data

ID3787080
NAMEAnn Sherif
GIVEN NAMESAnn
FAMILY NAMESherif
SIGNATURESHERIF A
AFFILIATIONSOberlin College
ORCID0000-0003-2043-5637
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS2
WORKS AS AUTHOR17
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Tawada Yōko

    Ann Sherif•ARTICLE•Journal of Japanese Studies•2021

    Reviewed by: Tawada Yōko: On Writing and Rewriting ed. by Doug Slaymaker Ann Sherif (bio) Tawada Yōko: On Writing and Rewriting. Edited by Doug Slaymaker. Lexington Books, Lanham MD, 2020. xii, 283 pages. $115.00, cloth; $109.00, E-book. Murakami Haruki and Tawada Yōko enjoy international fame as literary writers who grew up and attended university in Japan and do translation work as well. Unlike Murakami, Tawada (b. 1960) writes in two languages…

  • Japan’s CCF Affiliate, Jiyû, and Covert Public Diplomacy

    Open Access•Ann Sherif•CHAPTER•Campaigning Culture and the…•2017

    Sherif offers a groundbreaking history of the Japanese affiliate of the Congress for Cultural Freedom (CCF). The CCF pursued Japan because of its strategic position as a US Cold War ally. This chapter employs a range of archival materials in its analysis of three aspects of the CCF Japan journal Jiyû: the challenges for a originally transatlantic initiative in establishing an affiliate in the Pacific rim; the extent and reception of the post-1945…

  • The Father-Daughter Plot

    Tomoko Aoyama, Sonja Arntzen et al.•BOOK•Father-Daughter Plot•2017

    This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to…

  • Book Histories, Material Culture, and East Asian Studies

    Ann Sherif•ARTICLE•Verge Studies in Global Asias•2017

    35 Field Trip Ann Sherif Book Histories, Material Culture, and East Asian Studies “Not sure what they are. Some kind of old Chinese books maybe? Are you interested?” she asked uncertainly. Of course, I said yes. When the mysterious objects finally emerged from their dark space, I could see why even the librarian had struggled to identify them. It wasn’t just the lack of cataloging information or the unfamiliar script. Most confounding about these…

  • War Responsibility Revisited

    Open Access•Miriam Silverberg, Ann Sherif•ARTICLE•Japan focus•2013

    For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Constitution, by which Japan re…

  • Japan's Cold War

    Ann Sherif•BOOK•Japan's Cold War•2009

    Critics and cultural historians take Japan's postwar insularity for granted, rarely acknowledging the role of Cold War concerns in the shaping of Japanese society and culture. Nuclear anxiety, polarized ideologies, gendered tropes of nationhood, and new myths of progress, among other developments, profoundly transformed Japanese literature, criticism, and art during this era and fueled the country's desire to recast itself as a democratic nation …

  • The aesthetics of speed and the illogicality of politics

    Ann Sherif•ARTICLE•Japan Forum•2005•Cited by: 1

    The mid-1950s literary debut of Ishihara Shintarō with his novel Season of the Sun (Taiyō no Kisetsu) marked a new interaction between Japanese mass culture and the historically dominant literary establishment. By skilfully mobilizing the emerging post-Occupation discourses of post-war film, literature, criticism and Cold War capitalist consumerism, Ishihara succeeded in creating a new emphasis on a youth culture divorced from the war responsibil…

  • Hot War/Cold War

    Open Access•Ann Sherif•ARTICLE•Japan focus•2005

    To introduce this symposium on World War II in the Pacific, I reflect on the differences between this, the 60th anniversary, and the memorable 50th anniversary in 1995.First, we are well aware of the passing of many members of generations who, as adults, experienced the protracted wars of the 1930s and 1940s. 60th anniversary commemorative practices are marked by this awareness. At the site of the German surrender in Holland, for example, the mar…

  • "Japan Through the Eyes of a "Quasi-Refugee

    Open Access•Suh Kyungsik, Nakano Makiko et al.•ARTICLE•Japan focus•2003

    I first became aware of the relevance of the idea of refugee to my own life when I read Ghassan Kanafani's writing in the late 1970s. Kanafani (b. 1936), a Palestinian refugee, was a spokesman for the People's Front for the Liberation of Palestine (PFLP). In 1972 he was assassinated in Beirut by a car bomb. Kanafani's work, which appeared first in Japanese and then in Korean translation, also played an important role in the South Korean pro-democ…

  • The Politics of Loss

    Ann Sherif•ARTICLE•positions asia critique•2002•Cited by: 1•References: 4

    positions: east asia cultures critique - Volume 10, Number 1, Spring 2002

  • Fictions of Desire

    Ann Sherif, Stephen Snyder et al.•ARTICLE•Journal of Japanese Studies•2002

  • Mirror

    Maryellen Toman Mori, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•2000

  • Mirror

    Angela Yiu, Ann Sherif•ARTICLE•Journal of Japanese Studies•2000

    Koda Aya (1904-1990) did not publish until she was 43 years old. Her short stories, novels and essays, insightfully exploring women's lives, the family and traditional culture, were welcomed by readers, and her elegant, mature style was lauded by critics. In this text, Ann Sherif discusses the life and work of Koda in light of changes in critical horizons, readerly communities and especially constructions of gender and the family in the latter ha…

  • An Artless Art

    Ann Sherif, Roy Starrs•ARTICLE•Monumenta Nipponica•1999

  • The Dilemma of the Modern in Japanese Fiction

    Ann Sherif, Dennis Washburn et al.•ARTICLE•Monumenta Nipponica•1995

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Ann Sherif, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•1993

  • The Sound of the Wind

    Ann Sherif, Rebecca L Copeland•ARTICLE•Monumenta Nipponica•1992

    A remarkable volume from one of Japan's most important literary characters. Chiyo is recognized as one of the pioneers of feminism in Japan as well as a fine storyteller. The first half of this book describes her struggle for equality in a traditional society, the second is a collection of her best stories

  • The aesthetics of speed and the illogicality of politics

    Ann Sherif•ARTICLE•Japan Forum•2005•Cited by: 1

    The mid-1950s literary debut of Ishihara Shintarō with his novel Season of the Sun (Taiyō no Kisetsu) marked a new interaction between Japanese mass culture and the historically dominant literary establishment. By skilfully mobilizing the emerging post-Occupation discourses of post-war film, literature, criticism and Cold War capitalist consumerism, Ishihara succeeded in creating a new emphasis on a youth culture divorced from the war responsibil…

  • The Politics of Loss

    Ann Sherif•ARTICLE•positions asia critique•2002•Cited by: 1•References: 4

    positions: east asia cultures critique - Volume 10, Number 1, Spring 2002

  • The Sound of the Wind

    Ann Sherif, Rebecca L Copeland•ARTICLE•Monumenta Nipponica•1992

    A remarkable volume from one of Japan's most important literary characters. Chiyo is recognized as one of the pioneers of feminism in Japan as well as a fine storyteller. The first half of this book describes her struggle for equality in a traditional society, the second is a collection of her best stories

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Ann Sherif, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•1993

  • The Dilemma of the Modern in Japanese Fiction

    Ann Sherif, Dennis Washburn et al.•ARTICLE•Monumenta Nipponica•1995

  • An Artless Art

    Ann Sherif, Roy Starrs•ARTICLE•Monumenta Nipponica•1999

  • Mirror

    Maryellen Toman Mori, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•2000

  • Mirror

    Angela Yiu, Ann Sherif•ARTICLE•Journal of Japanese Studies•2000

    Koda Aya (1904-1990) did not publish until she was 43 years old. Her short stories, novels and essays, insightfully exploring women's lives, the family and traditional culture, were welcomed by readers, and her elegant, mature style was lauded by critics. In this text, Ann Sherif discusses the life and work of Koda in light of changes in critical horizons, readerly communities and especially constructions of gender and the family in the latter ha…

  • The Politics of Loss

    Ann Sherif•ARTICLE•positions asia critique•2002•Cited by: 1•References: 4

    positions: east asia cultures critique - Volume 10, Number 1, Spring 2002

  • Fictions of Desire

    Ann Sherif, Stephen Snyder et al.•ARTICLE•Journal of Japanese Studies•2002

  • "Japan Through the Eyes of a "Quasi-Refugee

    Open Access•Suh Kyungsik, Nakano Makiko et al.•ARTICLE•Japan focus•2003

    I first became aware of the relevance of the idea of refugee to my own life when I read Ghassan Kanafani's writing in the late 1970s. Kanafani (b. 1936), a Palestinian refugee, was a spokesman for the People's Front for the Liberation of Palestine (PFLP). In 1972 he was assassinated in Beirut by a car bomb. Kanafani's work, which appeared first in Japanese and then in Korean translation, also played an important role in the South Korean pro-democ…

  • The aesthetics of speed and the illogicality of politics

    Ann Sherif•ARTICLE•Japan Forum•2005•Cited by: 1

    The mid-1950s literary debut of Ishihara Shintarō with his novel Season of the Sun (Taiyō no Kisetsu) marked a new interaction between Japanese mass culture and the historically dominant literary establishment. By skilfully mobilizing the emerging post-Occupation discourses of post-war film, literature, criticism and Cold War capitalist consumerism, Ishihara succeeded in creating a new emphasis on a youth culture divorced from the war responsibil…

  • Hot War/Cold War

    Open Access•Ann Sherif•ARTICLE•Japan focus•2005

    To introduce this symposium on World War II in the Pacific, I reflect on the differences between this, the 60th anniversary, and the memorable 50th anniversary in 1995.First, we are well aware of the passing of many members of generations who, as adults, experienced the protracted wars of the 1930s and 1940s. 60th anniversary commemorative practices are marked by this awareness. At the site of the German surrender in Holland, for example, the mar…

  • Japan's Cold War

    Ann Sherif•BOOK•Japan's Cold War•2009

    Critics and cultural historians take Japan's postwar insularity for granted, rarely acknowledging the role of Cold War concerns in the shaping of Japanese society and culture. Nuclear anxiety, polarized ideologies, gendered tropes of nationhood, and new myths of progress, among other developments, profoundly transformed Japanese literature, criticism, and art during this era and fueled the country's desire to recast itself as a democratic nation …

  • War Responsibility Revisited

    Open Access•Miriam Silverberg, Ann Sherif•ARTICLE•Japan focus•2013

    For more than five decades after the end of the World War II, Japan articulated an official identity as a pacifist, anti-nuclear nation both domestically and in the international arena (its formidable Self Defense Force notwithstanding). Since the end of the Cold War and the first Gulf War in the early 1990s, however, the debate over revising Japan's "Peace Constitution" intensified. In particular, Article 9 of the Constitution, by which Japan re…

  • Japan’s CCF Affiliate, Jiyû, and Covert Public Diplomacy

    Open Access•Ann Sherif•CHAPTER•Campaigning Culture and the…•2017

    Sherif offers a groundbreaking history of the Japanese affiliate of the Congress for Cultural Freedom (CCF). The CCF pursued Japan because of its strategic position as a US Cold War ally. This chapter employs a range of archival materials in its analysis of three aspects of the CCF Japan journal Jiyû: the challenges for a originally transatlantic initiative in establishing an affiliate in the Pacific rim; the extent and reception of the post-1945…

  • The Father-Daughter Plot

    Tomoko Aoyama, Sonja Arntzen et al.•BOOK•Father-Daughter Plot•2017

    This provocative collection of essays is a comprehensive study of the "father-daughter dynamic" in Japanese female literary experience. Its contributors examine the ways in which women have been placed politically, ideologically, and symbolically as "daughters" in a culture that venerates "the father." They weigh the impact that this daughterly position has had on both the performance and production of women's writing from the classical period to…

  • Book Histories, Material Culture, and East Asian Studies

    Ann Sherif•ARTICLE•Verge Studies in Global Asias•2017

    35 Field Trip Ann Sherif Book Histories, Material Culture, and East Asian Studies “Not sure what they are. Some kind of old Chinese books maybe? Are you interested?” she asked uncertainly. Of course, I said yes. When the mysterious objects finally emerged from their dark space, I could see why even the librarian had struggled to identify them. It wasn’t just the lack of cataloging information or the unfamiliar script. Most confounding about these…

  • Tawada Yōko

    Ann Sherif•ARTICLE•Journal of Japanese Studies•2021

    Reviewed by: Tawada Yōko: On Writing and Rewriting ed. by Doug Slaymaker Ann Sherif (bio) Tawada Yōko: On Writing and Rewriting. Edited by Doug Slaymaker. Lexington Books, Lanham MD, 2020. xii, 283 pages. $115.00, cloth; $109.00, E-book. Murakami Haruki and Tawada Yōko enjoy international fame as literary writers who grew up and attended university in Japan and do translation work as well. Unlike Murakami, Tawada (b. 1960) writes in two languages…

History (11 works) · Japanese History and Culture (11 works) · Art (10 works) · Literature (8 works) · Political science (7 works) · History (6 works) · Law (6 works) · Cold war (3 works) · Philosophy (3 works) · Politics (3 works)

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