Liska Chan
Biographic Data
| ID | 3787361 |
|---|---|
| NAME | Liska Chan |
| GIVEN NAMES | Liska |
| FAMILY NAME | Chan |
| SIGNATURE | CHAN L |
| AFFILIATIONS | University of Oregon |
| ORCID | 0000-0003-2564-7030 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Fashion, Feminism, and the Garden as Stage
This essay examines Dior’s Cruise 2025 collection at Drummond Castle, Scotland, as a negotiation between feminist recovery and historic landscape. Maria Grazia Chiuri foregrounded women’s histories through references to Mary Queen of Scots, tartan, embroidery, and regional craft, while the garden’s histories of estate power, conflict, labor, and exclusion remained unarticulated. Its geometry, controlled access, and prestige shaped both the invite…
Walking atomic vegas
This article proposes the use of ritualized walking to mark and remember invisible threats and the ‘slow violence’ of contaminated landscapes undergoing gradual change. To exemplify the idea, the article describes our proposal for a Plutonium Memorial design, which would be a mnemonic device for marking the location of a proposed nuclear waste storage facility buried under the iconic Las Vegas Strip. Supported with evidence that ritual is commonl…
No prominent works on this page.
Walking atomic vegas
This article proposes the use of ritualized walking to mark and remember invisible threats and the ‘slow violence’ of contaminated landscapes undergoing gradual change. To exemplify the idea, the article describes our proposal for a Plutonium Memorial design, which would be a mnemonic device for marking the location of a proposed nuclear waste storage facility buried under the iconic Las Vegas Strip. Supported with evidence that ritual is commonl…
Fashion, Feminism, and the Garden as Stage
This essay examines Dior’s Cruise 2025 collection at Drummond Castle, Scotland, as a negotiation between feminist recovery and historic landscape. Maria Grazia Chiuri foregrounded women’s histories through references to Mary Queen of Scots, tartan, embroidery, and regional craft, while the garden’s histories of estate power, conflict, labor, and exclusion remained unarticulated. Its geometry, controlled access, and prestige shaped both the invite…
Aesthetics (1 work) · Anthropocene (1 work) · Anthropology (1 work) · Archaeology (1 work) · Art (1 work) · Cruise (1 work) · Data collection (1 work) · Decadence, Literature, and Society (1 work) · Ecocriticism and Environmental Literature (1 work) · Environmental ethics (1 work)