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Rémy G Saisselin

Biographic Data

ID3788346
NAMERémy G Saisselin
GIVEN NAMESRémy G
FAMILY NAMESaisselin
SIGNATURESAISSELIN R G
AFFILIATIONSUniversity of Rochester
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS1
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1962
LATEST PUBLICATION YEAR1985
H-INDEX1
  • The French garden in the eighteenth century

    Rémy G Saisselin•ARTICLE•The Journal of Garden History•1985

    In the Times Literary Supplement of 20 May 1977, a notice of a new book on landscape gardens in the eighteenth century contrasted French and English gardens in political terms, and purported to show that the free English people had free gardens where they might ‘expatiate freely’, while the French ‘under tyranny, had manicured, trimmed restrictive gardens...’ The opposition is, in eighteenth-century terms, rather nice; but it is false. One might …

  • Aspects of Aesthetics

    Rémy G Saisselin, Göran Hermerén•ARTICLE•Leonardo•1985

  • The Realist Tradition

    Rémy G Saisselin, Gabriel P Weisberg et al.•ARTICLE•Leonardo•1983

  • Iconographie et histoire des mentalites

    Rémy G Saisselin, Michel Vovelle•ARTICLE•Leonardo•1982

  • Teoria e sistema delle belle arti. Charles Batteux e gli 'estheticiens' del sec. XVIII. (Studi di Estetica, 3.)

    Rémy G Saisselin, Fernando Bollino•ARTICLE•Eighteenth-Century Studies•1981

  • Neo-Classicism

    Open Access•Rémy G Saisselin•ARTICLE•Art History•1981

  • The Literary Enterprise in Eighteenth-Century France

    Jeanne R Monty, Rémy G Saisselin•ARTICLE•Eighteenth-Century Studies•1980

  • The Relationships of Painting to Literature

    Rémy G Saisselin, Eugene L Huddleston et al.•ARTICLE•Leonardo•1980

  • Art and Social Function

    Rémy G Saisselin, Stephen Willats•ARTICLE•Leonardo•1978

  • The Art World

    Rémy G Saisselin, Barbaralee Diamonstein•ARTICLE•Leonardo•1978

  • Craft and Consciousness

    Rémy G Saisselin, Joseph Bensman et al.•ARTICLE•Leonardo•1976

  • Still-Life Paintings in a Consumer Society

    Rémy G Saisselin•ARTICLE•Leonardo•1976

    The author analyzes the role and character of still-life painting as exemplified by the ‘vanity’ pictures of the 17th century, the autonomous still lifes of the 18th century, the still lifes nonillustrative of discourse of the 19th century and the Pop art still lifes dictated by the imperatives of 20th-century consumer societies. His main attention is given to an interpretation of the impact on the art of a society in which commercial considerati…

  • Still Life Painting in America

    Rémy G Saisselin, Wolfgang Born•ARTICLE•Leonardo•1976

  • Architecture and Language

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1975

  • The Aesthetic Thought of the French Enlightenment

    Rémy G Saisselin, Francis X J Coleman•ARTICLE•Journal of Aesthetics and Art…•1972

  • The Rule of Reason and the Ruses of the Heart

    Open Access•Robert A Mitchell, Robert Mitchell et al.•ARTICLE•Modern Language Journal•1972

  • Taste in Eighteenth Century France

    Harvey D Goldstein, Rémy G Saisselin•ARTICLE•Eighteenth-Century Studies•1969

  • Aspects of the Eighteenth Century

    Rémy G Saisselin, Earl R Wasserman et al.•ARTICLE•Journal of Aesthetics and Art…•1966

  • Books Reviews

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1965

    Journal Article BOOKS REVIEWS Get access The Rhetorical Hero. An Essay on the Aesthetics of André Malraux.. By WILLIAM RIGHTER. Routledge and Kegan Paul. 1964. pp 92. 18s. R.G. SAISSELIN R.G. SAISSELIN The Cleveland Museum of Art Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 5, Issue 1, January 1965, Pages 94–95, https://doi.org/10.1093/bjaesthetics/5.1.94 Published: 01 January …

  • Painting, Truth and Miss Wells's Sheepish Look

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1965

  • Critical Reflections on the Origins of Modern Aesthetics

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1964•Cited by: 1

    CRITICAL REFLECTIONS ON THE ORIGINS OF MODERN AESTHETICS Get access Rémy G. Saisselin Rémy G. Saisselin Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 1, January 1964, Pages 7–21, https://doi.org/10.1093/bjaesthetics/4.1.7 Published: 01 January 1964

  • Poetics of the Western

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1962

    Journal Article POETICS OF THE WESTERN Get access Rémy G. Saisselin Rémy G. Saisselin Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 2, Issue 2, April 1962, Pages 159–169, https://doi.org/10.1093/bjaesthetics/2.2.159 Published: 01 April 1962

  • Critical Reflections on the Origins of Modern Aesthetics

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1964•Cited by: 1

    CRITICAL REFLECTIONS ON THE ORIGINS OF MODERN AESTHETICS Get access Rémy G. Saisselin Rémy G. Saisselin Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 1, January 1964, Pages 7–21, https://doi.org/10.1093/bjaesthetics/4.1.7 Published: 01 January 1964

  • Poetics of the Western

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1962

    Journal Article POETICS OF THE WESTERN Get access Rémy G. Saisselin Rémy G. Saisselin Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 2, Issue 2, April 1962, Pages 159–169, https://doi.org/10.1093/bjaesthetics/2.2.159 Published: 01 April 1962

  • Critical Reflections on the Origins of Modern Aesthetics

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1964•Cited by: 1

    CRITICAL REFLECTIONS ON THE ORIGINS OF MODERN AESTHETICS Get access Rémy G. Saisselin Rémy G. Saisselin Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 1, January 1964, Pages 7–21, https://doi.org/10.1093/bjaesthetics/4.1.7 Published: 01 January 1964

  • Books Reviews

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1965

    Journal Article BOOKS REVIEWS Get access The Rhetorical Hero. An Essay on the Aesthetics of André Malraux.. By WILLIAM RIGHTER. Routledge and Kegan Paul. 1964. pp 92. 18s. R.G. SAISSELIN R.G. SAISSELIN The Cleveland Museum of Art Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 5, Issue 1, January 1965, Pages 94–95, https://doi.org/10.1093/bjaesthetics/5.1.94 Published: 01 January …

  • Painting, Truth and Miss Wells's Sheepish Look

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1965

  • Aspects of the Eighteenth Century

    Rémy G Saisselin, Earl R Wasserman et al.•ARTICLE•Journal of Aesthetics and Art…•1966

  • Taste in Eighteenth Century France

    Harvey D Goldstein, Rémy G Saisselin•ARTICLE•Eighteenth-Century Studies•1969

  • The Aesthetic Thought of the French Enlightenment

    Rémy G Saisselin, Francis X J Coleman•ARTICLE•Journal of Aesthetics and Art…•1972

  • The Rule of Reason and the Ruses of the Heart

    Open Access•Robert A Mitchell, Robert Mitchell et al.•ARTICLE•Modern Language Journal•1972

  • Architecture and Language

    Rémy G Saisselin•ARTICLE•The British Journal of Aesthetics•1975

  • Craft and Consciousness

    Rémy G Saisselin, Joseph Bensman et al.•ARTICLE•Leonardo•1976

  • Still-Life Paintings in a Consumer Society

    Rémy G Saisselin•ARTICLE•Leonardo•1976

    The author analyzes the role and character of still-life painting as exemplified by the ‘vanity’ pictures of the 17th century, the autonomous still lifes of the 18th century, the still lifes nonillustrative of discourse of the 19th century and the Pop art still lifes dictated by the imperatives of 20th-century consumer societies. His main attention is given to an interpretation of the impact on the art of a society in which commercial considerati…

  • Still Life Painting in America

    Rémy G Saisselin, Wolfgang Born•ARTICLE•Leonardo•1976

  • Art and Social Function

    Rémy G Saisselin, Stephen Willats•ARTICLE•Leonardo•1978

  • The Art World

    Rémy G Saisselin, Barbaralee Diamonstein•ARTICLE•Leonardo•1978

  • The Literary Enterprise in Eighteenth-Century France

    Jeanne R Monty, Rémy G Saisselin•ARTICLE•Eighteenth-Century Studies•1980

  • The Relationships of Painting to Literature

    Rémy G Saisselin, Eugene L Huddleston et al.•ARTICLE•Leonardo•1980

  • Teoria e sistema delle belle arti. Charles Batteux e gli 'estheticiens' del sec. XVIII. (Studi di Estetica, 3.)

    Rémy G Saisselin, Fernando Bollino•ARTICLE•Eighteenth-Century Studies•1981

  • Neo-Classicism

    Open Access•Rémy G Saisselin•ARTICLE•Art History•1981

  • Iconographie et histoire des mentalites

    Rémy G Saisselin, Michel Vovelle•ARTICLE•Leonardo•1982

  • The Realist Tradition

    Rémy G Saisselin, Gabriel P Weisberg et al.•ARTICLE•Leonardo•1983

  • The French garden in the eighteenth century

    Rémy G Saisselin•ARTICLE•The Journal of Garden History•1985

    In the Times Literary Supplement of 20 May 1977, a notice of a new book on landscape gardens in the eighteenth century contrasted French and English gardens in political terms, and purported to show that the free English people had free gardens where they might ‘expatiate freely’, while the French ‘under tyranny, had manicured, trimmed restrictive gardens...’ The opposition is, in eighteenth-century terms, rather nice; but it is false. One might …

  • Aspects of Aesthetics

    Rémy G Saisselin, Göran Hermerén•ARTICLE•Leonardo•1985

Art (20 works) · Visual arts (9 works) · Art history (8 works) · Aesthetics (6 works) · Historical and Literary Studies (6 works) · Painting (5 works) · Philosophy (5 works) · Art History and Market Analysis (4 works) · History (4 works) · Literature (4 works)

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