Richard Beaudoin
Biographic Data
| ID | 3788442 |
|---|---|
| NAME | Richard Beaudoin |
| GIVEN NAMES | Richard |
| FAMILY NAME | Beaudoin |
| SIGNATURE | BEAUDOIN R |
| AFFILIATIONS | Dartmouth College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath
American bass-baritone Dashon Burton's 2015 recording of the song sermon “He Never Said a Mumberlin’ Word” provides a case study of the interaction between sung melodies and audible breaths in the expression of a lyric. Acknowledging the relationship between Burton's performance and earlier notated arrangements by Roland Hayes, J. Rosamond Johnson, William Arms Fischer, and John W. Work, this study draws an arc from the macro-level of the song se…
The Pen as Camera: Finnissy and Overexposure
The photographic effect of overexposure is analogous to Michael Finnissy’s technique of selective musical borrowing. Just as a photographer uses the camera to allow an overabundance of light to wash out pictorial details, Finnissy uses his transcriptive pen to allow an overabundance of silence to alter and fragment his borrowed sources. Case studies demonstrate Finnissy’s borrowing of cadential phrases by J. S. Bach, Beethoven, and Bruckner in hi…
Gould’s Creaking Chair, Schoenberg’s Metric Clarity
The audible creaking of Glenn Gould’s loose-jointed piano chair has historically been the subject of apologetic liner notes and recording studio memoirs. These chair creaks are here recognized as “sounded movements” of Gould’s body. This article triangulates the score of Schoenberg’s Sechs kleine Klavierstücke , op. 19, no. 1, published analyses of its unique rhythmic unfolding, and new micro-temporal measurements of Gould’s September 1965 record…
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath
American bass-baritone Dashon Burton's 2015 recording of the song sermon “He Never Said a Mumberlin’ Word” provides a case study of the interaction between sung melodies and audible breaths in the expression of a lyric. Acknowledging the relationship between Burton's performance and earlier notated arrangements by Roland Hayes, J. Rosamond Johnson, William Arms Fischer, and John W. Work, this study draws an arc from the macro-level of the song se…
The Pen as Camera: Finnissy and Overexposure
The photographic effect of overexposure is analogous to Michael Finnissy’s technique of selective musical borrowing. Just as a photographer uses the camera to allow an overabundance of light to wash out pictorial details, Finnissy uses his transcriptive pen to allow an overabundance of silence to alter and fragment his borrowed sources. Case studies demonstrate Finnissy’s borrowing of cadential phrases by J. S. Bach, Beethoven, and Bruckner in hi…
Gould’s Creaking Chair, Schoenberg’s Metric Clarity
The audible creaking of Glenn Gould’s loose-jointed piano chair has historically been the subject of apologetic liner notes and recording studio memoirs. These chair creaks are here recognized as “sounded movements” of Gould’s body. This article triangulates the score of Schoenberg’s Sechs kleine Klavierstücke , op. 19, no. 1, published analyses of its unique rhythmic unfolding, and new micro-temporal measurements of Gould’s September 1965 record…
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath
American bass-baritone Dashon Burton's 2015 recording of the song sermon “He Never Said a Mumberlin’ Word” provides a case study of the interaction between sung melodies and audible breaths in the expression of a lyric. Acknowledging the relationship between Burton's performance and earlier notated arrangements by Roland Hayes, J. Rosamond Johnson, William Arms Fischer, and John W. Work, this study draws an arc from the macro-level of the song se…
Art (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Aesthetics (2 works) · Art history (2 works) · Diverse Musicological Studies (2 works) · Music Technology and Sound Studies (2 works) · Piano (2 works) · Polyphony (2 works) · Acoustics (1 works)