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Rudolph Arnheim

Biographic Data

ID3788617
NAMERudolph Arnheim
GIVEN NAMESRudolph
FAMILY NAMEArnheim
SIGNATUREARNHEIM R
AFFILIATIONSSarah Lawrence College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS7
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR2003
H-INDEX1
  • The Fable and the Scroll

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2003

    Journal Article The Fable and the Scroll Get access Rudolf Arnheim Rudolf Arnheim Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 43, Issue 1, January 2003, Pages 35–38, https://doi.org/10.1093/bjaesthetics/43.1.35 Published: 01 January 2003

  • What it means to be creative

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2001•Cited by: 1

    Journal Article What it means to be creative Get access R Arnheim R Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105-2768, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 41, Issue 1, January 2001, Pages 24–25, https://doi.org/10.1093/bjaesthetics/41.1.24 Published: 01 January 2001

  • The virtue of endlessness

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2000

    Definissant l'infini comme une des valeurs esthetiques les plus elevees et les plus rares, a travers les exemples de Raphael et Rembrandt, l'A. montre que la dualite stylistique entre l'infini et la forme finie en peinture se retrouve egalement dans la dialectique de l'ouvert et du ferme dans la poesie. Faisant retour aux arts visuels, l'A. etudie l'ouverture a l'infini de la lumiere et des paysages par opposition a l'enfermement des scenes inter…

  • Art as Such

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1999

    Journal Article ART AS SUCH Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Rd, #537, Ann Arbor, MI 48105, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 3, July 1999, Pages 252–254, https://doi.org/10.1093/bjaesthetics/39.3.252 Published: 01 July 1999

  • The Ontological Limbo of Spirits

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1998•Cited by: 1

    Journal Article THE ONTOLOGICAL LIMBO OF SPIRITS Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 38, Issue 1, January 1998, Pages 63–65, https://doi.org/10.1093/bjaesthetics/38.1.63 Published: 01 January 1998

  • Schonberg's Thought and the Theory of Music

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1997

    Journal Article SCHÖNBERG'S THOUGHT AND THE THEORY OF MUSIC Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105-2768, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 4, October 1997, Pages 403–406, https://doi.org/10.1093/bjaesthetics/37.4.403 Published: 01 October 1997

  • Ancient Chinese Aesthetics and Its Modernity

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article ANCIENT CHINESE AESTHETICS AND ITS MODERNITY Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road no. 537, Ann Arbor, MI 48105, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 2, April 1997, Pages 155–157, https://doi.org/10.1093/bjaesthetics/37.2.155 Published: 01 April 1997

  • Walter Benjamin and Rudolph Arnheim on Charlie Chaplin

    Rudolph Arnheim, John Mackay et al.•ARTICLE•Yale journal of criticism/ The…•1996

    Walter Benjamin and Rudolf Arnheim on Charlie Chaplin* Walter Benjamin (bio) and Rudolf Arnheim (bio) Translated by John MacKay (bio) Translator’s introduction The two short articles which follow both appeared in 1929 and respond in differing ways, though with similar enthusiasm, to the films of Charlie Chaplin. The Benjamin text is a combined review of Chaplin’s The Circus and of an article on Chaplin by the poet Philippe Soupault, who later (19…

  • Art and Visual Perception

    G E Myers, Rudolph Arnheim•REVIEW•Philosophy and Phenomenological…•1956•Cited by: 4

    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology

  • Art and Visual Perception

    G E Myers, Rudolph Arnheim•REVIEW•Philosophy and Phenomenological…•1956•Cited by: 4

    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology

  • What it means to be creative

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2001•Cited by: 1

    Journal Article What it means to be creative Get access R Arnheim R Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105-2768, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 41, Issue 1, January 2001, Pages 24–25, https://doi.org/10.1093/bjaesthetics/41.1.24 Published: 01 January 2001

  • The Ontological Limbo of Spirits

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1998•Cited by: 1

    Journal Article THE ONTOLOGICAL LIMBO OF SPIRITS Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 38, Issue 1, January 1998, Pages 63–65, https://doi.org/10.1093/bjaesthetics/38.1.63 Published: 01 January 1998

  • Ancient Chinese Aesthetics and Its Modernity

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article ANCIENT CHINESE AESTHETICS AND ITS MODERNITY Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road no. 537, Ann Arbor, MI 48105, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 2, April 1997, Pages 155–157, https://doi.org/10.1093/bjaesthetics/37.2.155 Published: 01 April 1997

  • Art and Visual Perception

    G E Myers, Rudolph Arnheim•REVIEW•Philosophy and Phenomenological…•1956•Cited by: 4

    Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology

  • Walter Benjamin and Rudolph Arnheim on Charlie Chaplin

    Rudolph Arnheim, John Mackay et al.•ARTICLE•Yale journal of criticism/ The…•1996

    Walter Benjamin and Rudolf Arnheim on Charlie Chaplin* Walter Benjamin (bio) and Rudolf Arnheim (bio) Translated by John MacKay (bio) Translator’s introduction The two short articles which follow both appeared in 1929 and respond in differing ways, though with similar enthusiasm, to the films of Charlie Chaplin. The Benjamin text is a combined review of Chaplin’s The Circus and of an article on Chaplin by the poet Philippe Soupault, who later (19…

  • Schonberg's Thought and the Theory of Music

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1997

    Journal Article SCHÖNBERG'S THOUGHT AND THE THEORY OF MUSIC Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105-2768, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 4, October 1997, Pages 403–406, https://doi.org/10.1093/bjaesthetics/37.4.403 Published: 01 October 1997

  • Ancient Chinese Aesthetics and Its Modernity

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1997•Cited by: 1

    Journal Article ANCIENT CHINESE AESTHETICS AND ITS MODERNITY Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road no. 537, Ann Arbor, MI 48105, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 37, Issue 2, April 1997, Pages 155–157, https://doi.org/10.1093/bjaesthetics/37.2.155 Published: 01 April 1997

  • The Ontological Limbo of Spirits

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1998•Cited by: 1

    Journal Article THE ONTOLOGICAL LIMBO OF SPIRITS Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 38, Issue 1, January 1998, Pages 63–65, https://doi.org/10.1093/bjaesthetics/38.1.63 Published: 01 January 1998

  • Art as Such

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•1999

    Journal Article ART AS SUCH Get access Rudolf Arnheim Rudolf Arnheim 1200 Earhart Rd, #537, Ann Arbor, MI 48105, USA. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 3, July 1999, Pages 252–254, https://doi.org/10.1093/bjaesthetics/39.3.252 Published: 01 July 1999

  • The virtue of endlessness

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2000

    Definissant l'infini comme une des valeurs esthetiques les plus elevees et les plus rares, a travers les exemples de Raphael et Rembrandt, l'A. montre que la dualite stylistique entre l'infini et la forme finie en peinture se retrouve egalement dans la dialectique de l'ouvert et du ferme dans la poesie. Faisant retour aux arts visuels, l'A. etudie l'ouverture a l'infini de la lumiere et des paysages par opposition a l'enfermement des scenes inter…

  • What it means to be creative

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2001•Cited by: 1

    Journal Article What it means to be creative Get access R Arnheim R Arnheim 1200 Earhart Road, #537, Ann Arbor, MI 48105-2768, USA Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 41, Issue 1, January 2001, Pages 24–25, https://doi.org/10.1093/bjaesthetics/41.1.24 Published: 01 January 2001

  • The Fable and the Scroll

    Rudolph Arnheim•ARTICLE•The British Journal of Aesthetics•2003

    Journal Article The Fable and the Scroll Get access Rudolf Arnheim Rudolf Arnheim Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 43, Issue 1, January 2003, Pages 35–38, https://doi.org/10.1093/bjaesthetics/43.1.35 Published: 01 January 2003

Art (9 works) · Art history (7 works) · Visual Culture and Art Theory (5 works) · Art, Politics, and Modernism (4 works) · Aesthetics (3 works) · Cognitive science (3 works) · History (3 works) · History (3 works) · Philosophy (3 works) · Psychology (3 works)

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