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Derek Allan

Biographic Data

ID3788924
NAMEDerek Allan
GIVEN NAMESDerek
FAMILY NAMEAllan
SIGNATUREALLAN D
AFFILIATIONSAustralian National University
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2016
H-INDEX1
  • The Death of Beauty

    Derek Allan•ARTICLE•History of European Ideas•2016

    Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European…

  • Vanquishing Temporal Distance

    Derek Allan•ARTICLE•Australian Journal of French…•2016

    How does art transcend time? What special power enables it to overcome temporal distance and speak to us not just as evidence of times gone by but as a living presence? The Renaissance concluded that great art is impervious to time – “timeless”, “immortal”, “eternal” – a belief endorsed by Enlightenment aesthetics. Later thinkers such as Hegel, Marx and Taine stressed the historical embeddedness of art, a view also espoused by certain modern theo…

  • Les Liaisons dangereuses through the eyes of André Malraux

    Open Access•Derek Allan•ARTICLE•Journal of European Studies•2012•Cited by: 1

    Choderlos de Laclos’s novel Les Liaisons dangereuses, first published in 1782, is regarded as one of the outstanding works of French literature. This article concerns a well-known commentary by the twentieth-century writer André Malraux which, though often mentioned by critics, has seldom been studied in detail. The article argues that while Malraux endorses the favourable modern assessments of Les Liaisons dangereuses, his analysis diverges in i…

  • André Malraux and the Challenge to Aesthetics

    Open Access•Derek Allan•ARTICLE•Journal of European Studies•2003

  • Finding the Battle

    Derek Allan•ARTICLE•Australian Journal of French…•1990

  • Les Liaisons dangereuses through the eyes of André Malraux

    Open Access•Derek Allan•ARTICLE•Journal of European Studies•2012•Cited by: 1

    Choderlos de Laclos’s novel Les Liaisons dangereuses, first published in 1782, is regarded as one of the outstanding works of French literature. This article concerns a well-known commentary by the twentieth-century writer André Malraux which, though often mentioned by critics, has seldom been studied in detail. The article argues that while Malraux endorses the favourable modern assessments of Les Liaisons dangereuses, his analysis diverges in i…

  • Finding the Battle

    Derek Allan•ARTICLE•Australian Journal of French…•1990

  • André Malraux and the Challenge to Aesthetics

    Open Access•Derek Allan•ARTICLE•Journal of European Studies•2003

  • Les Liaisons dangereuses through the eyes of André Malraux

    Open Access•Derek Allan•ARTICLE•Journal of European Studies•2012•Cited by: 1

    Choderlos de Laclos’s novel Les Liaisons dangereuses, first published in 1782, is regarded as one of the outstanding works of French literature. This article concerns a well-known commentary by the twentieth-century writer André Malraux which, though often mentioned by critics, has seldom been studied in detail. The article argues that while Malraux endorses the favourable modern assessments of Les Liaisons dangereuses, his analysis diverges in i…

  • The Death of Beauty

    Derek Allan•ARTICLE•History of European Ideas•2016

    Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European…

  • Vanquishing Temporal Distance

    Derek Allan•ARTICLE•Australian Journal of French…•2016

    How does art transcend time? What special power enables it to overcome temporal distance and speak to us not just as evidence of times gone by but as a living presence? The Renaissance concluded that great art is impervious to time – “timeless”, “immortal”, “eternal” – a belief endorsed by Enlightenment aesthetics. Later thinkers such as Hegel, Marx and Taine stressed the historical embeddedness of art, a view also espoused by certain modern theo…

Art (4 works) · Aesthetics (3 works) · Art history (3 works) · History (3 works) · Literature (3 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works) · The Renaissance (2 works) · Ancient history (1 work)

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