Michael Levey
Biographic Data
| ID | 3789156 |
|---|---|
| NAME | Michael Levey |
| GIVEN NAMES | Michael |
| FAMILY NAME | Levey |
| SIGNATURE | LEVEY M |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1959 |
| LATEST PUBLICATION YEAR | 1998 |
| H-INDEX | 0 |
The Four-Seven Debate: An Annotated Translation of the Most Famous Controversy in Korean Neo-Confucian Thought
A Korean Confucian Encounter with the Modern World: Yi Hang-no and the West
Giambattista Tiepolo: His Life and Art
Putting the Art Back into Art History
A distressing tendency in current art history is that it emphasizes history at the expense of art. It is far from my intention to attack history or historians, or deny the value of both in the study of art. For example, I hope I appreciate the paintings of Velasquez as warmly as anyone here, but I believe I would no less warmly recommend any would-be student of Velasquez not to rest entirely on his response to Velasquez but to delve into the nitt…
Fiordiligi's Two Arias
Looking for Quality in Pictures
Journal Article LOOKING FOR QUALITY IN PICTURES Get access Michael Levey Michael Levey Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 8, Issue 1, January 1968, Pages 3–15, https://doi.org/10.1093/bjaesthetics/8.1.3 Published: 01 January 1968
Poussin's 'Neptune and Amphitrite' at Philadelphia: A Re-Identification Rejected
Francesco Zuccarelli in England
No other Italian painter coming to England in the eighteenth century enjoyed such fame as Zuccarelli. Unlike most of those who came, he was positively welcomed, highly honoured and fully employed. A first visit lasted for ten years and after a brief absence he was back again for some six more years. A founder-member of the Royal Academy, a friend of Richard Wilson and an acquaintance at least of many other painters, Zuccarelli seemed almost a per…
No prominent works on this page.
Francesco Zuccarelli in England
No other Italian painter coming to England in the eighteenth century enjoyed such fame as Zuccarelli. Unlike most of those who came, he was positively welcomed, highly honoured and fully employed. A first visit lasted for ten years and after a brief absence he was back again for some six more years. A founder-member of the Royal Academy, a friend of Richard Wilson and an acquaintance at least of many other painters, Zuccarelli seemed almost a per…
Poussin's 'Neptune and Amphitrite' at Philadelphia: A Re-Identification Rejected
Looking for Quality in Pictures
Journal Article LOOKING FOR QUALITY IN PICTURES Get access Michael Levey Michael Levey Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 8, Issue 1, January 1968, Pages 3–15, https://doi.org/10.1093/bjaesthetics/8.1.3 Published: 01 January 1968
Fiordiligi's Two Arias
Putting the Art Back into Art History
A distressing tendency in current art history is that it emphasizes history at the expense of art. It is far from my intention to attack history or historians, or deny the value of both in the study of art. For example, I hope I appreciate the paintings of Velasquez as warmly as anyone here, but I believe I would no less warmly recommend any would-be student of Velasquez not to rest entirely on his response to Velasquez but to delve into the nitt…
Giambattista Tiepolo: His Life and Art
The Four-Seven Debate: An Annotated Translation of the Most Famous Controversy in Korean Neo-Confucian Thought
A Korean Confucian Encounter with the Modern World: Yi Hang-no and the West
Art (5 works) · Art history (4 works) · Biology (2 works) · Epistemology (2 works) · History (2 works) · Japanese History and Culture (2 works) · Philosophy (2 works) · Political science (2 works) · Visual arts (2 works) · Architecture and Art History Studies (1 works)