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Eugene O''Neill

Biographic Data

ID3789180
NAMEEugene O''Neill
GIVEN NAMESEugene
FAMILY NAMEO''Neill
SIGNATURENEILL E O
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR1992
H-INDEX0
  • A Moon for the Misbegotten

    Glenda Frank, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1992

    Eugene O’Neill offers a very detailed description of the setting for A Moon for the Misbegotten. He describes a clapboard (timber) house that imposes itself upon the Connecticut landscape. It is run down and uncared for. Its poverty is made clear in the detail of missing windowpanes, peeling and jaded paintwork and a tarred and papered roof to an extension. In theatrical translation it is clear that the playwright envisions a traditional end on s…

  • Strange Interlude

    Marc Maufort, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1989

  • A Touch of the Poet

    Catherine Burroughs, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1989

  • The Hairy Ape

    Allen J Kuharski, Kathleen A Mclennan et al.•ARTICLE•Theatre Journal•1988

  • Eugene O'Neill at Work

    Dana Sue Mcdermott, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1982

  • Eugene O'Neill

    Louis Sheaffer, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1980

No prominent works on this page.

  • Eugene O'Neill

    Louis Sheaffer, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1980

  • Eugene O'Neill at Work

    Dana Sue Mcdermott, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1982

  • The Hairy Ape

    Allen J Kuharski, Kathleen A Mclennan et al.•ARTICLE•Theatre Journal•1988

  • Strange Interlude

    Marc Maufort, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1989

  • A Touch of the Poet

    Catherine Burroughs, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1989

  • A Moon for the Misbegotten

    Glenda Frank, Eugene O''Neill et al.•ARTICLE•Theatre Journal•1992

    Eugene O’Neill offers a very detailed description of the setting for A Moon for the Misbegotten. He describes a clapboard (timber) house that imposes itself upon the Connecticut landscape. It is run down and uncared for. Its poverty is made clear in the detail of missing windowpanes, peeling and jaded paintwork and a tarred and papered roof to an extension. In theatrical translation it is clear that the playwright envisions a traditional end on s…

Art (5 works) · Cultural Studies and Interdisciplinary Research (3 works) · History (3 works) · History (3 works) · Theatre and Performance Studies (3 works) · Engineering (2 works) · Aesthetics (1 work) · Arch (1 work) · Archaeology (1 work) · Architectural engineering (1 work)

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