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H Earle Johnson

Biographic Data

ID3789206
NAMEH Earle Johnson
GIVEN NAMESH Earle
FAMILY NAMEJohnson
SIGNATUREJOHNSON H E
AFFILIATIONSVentnor, New Jersey
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1943
LATEST PUBLICATION YEAR1986
H-INDEX0
  • Music in the New World

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•American Music•1986

  • Music in the Virginia Colony: Selections from the Music Inventory of Cuthbert Ogle

    Hugh Johnson, H Earle Johnson•ARTICLE•American Music•1985

  • Hallelujah, Amen! The Story of the Handel and Haydn Society of Boston

    Ezra Schabas, Hugh Johnson et al.•ARTICLE•American Music•1984

  • The Folio of White, Smith and Company

    Hugh Johnson, H Earle Johnson•ARTICLE•American Music•1984

    The publication of music and the manufacture of instruments and their marketing are essential components of America's cultural growth. Not least among the multiple aspects of our professional vitality are periodicals chronicling events of the day, which, in turn, will become the material of history. Musical periodicals serve a variety of interests. Among the more narrowly purposed are the house organs designed to promote a firm's particular wares…

  • The American Musical Directory, 1861

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•American Music•1983

  • Bibliographica

    Richard Andrewes, Jamie C Kassler et al.•ARTICLE•The Musical Times•1981

  • William Billings of Boston: Eighteenth-Century Composer

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•The William and Mary Quarterly•1976

  • Musical Interests of Certain American Literary and Political Figures

    Open Access•Hugh Johnson, H Earle Johnson•ARTICLE•Journal of Research in Music…•1971

  • The Need for Research in the History of American Music

    Open Access•Hugh Johnson, H Earle Johnson•ARTICLE•Journal of Research in Music…•1958

    IF WE JUDGE from the amount of music consumed in the United States each day, we shall suppose that ours is the most musical nation on earth. Music comes with the air we breathe, in season and out of seasoxl, to inspire the alert consciousness and to dull the senses of those to whom it is palliative rather than challenge. We have brought this about owing to our genius in matters technical whereby rivers of sound are made to reach flood proportions…

  • Musical Interludes in Boston, 1795-1830

    Wallace Goodrich, Hugh Johnson et al.•ARTICLE•The New England Quarterly•1944

  • The Musical Von Hagens

    Hugh Johnson, H Earle Johnson•ARTICLE•The New England Quarterly•1943

  • Musical Interludes in Boston, 1795-1830

    Carl Wittke, Hugh Johnson et al.•ARTICLE•The Mississippi Valley Historical…•1943

    Musical Interludes in Boston, 1795–1830. By H. Earle Johnson. Columbia University Studies in Musicology. No. 5. (New York: Columbia University Press, 1943. xv + 296 pp. Illustrations, appendices, and index. $4.00.) Carl Wittke Carl Wittke Oberlin College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 30, Issue 2, September 1943, Pages 284–285, https://doi.org/10.2307/1893003 Published:…

No prominent works on this page.

  • The Musical Von Hagens

    Hugh Johnson, H Earle Johnson•ARTICLE•The New England Quarterly•1943

  • Musical Interludes in Boston, 1795-1830

    Carl Wittke, Hugh Johnson et al.•ARTICLE•The Mississippi Valley Historical…•1943

    Musical Interludes in Boston, 1795–1830. By H. Earle Johnson. Columbia University Studies in Musicology. No. 5. (New York: Columbia University Press, 1943. xv + 296 pp. Illustrations, appendices, and index. $4.00.) Carl Wittke Carl Wittke Oberlin College Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 30, Issue 2, September 1943, Pages 284–285, https://doi.org/10.2307/1893003 Published:…

  • Musical Interludes in Boston, 1795-1830

    Wallace Goodrich, Hugh Johnson et al.•ARTICLE•The New England Quarterly•1944

  • The Need for Research in the History of American Music

    Open Access•Hugh Johnson, H Earle Johnson•ARTICLE•Journal of Research in Music…•1958

    IF WE JUDGE from the amount of music consumed in the United States each day, we shall suppose that ours is the most musical nation on earth. Music comes with the air we breathe, in season and out of seasoxl, to inspire the alert consciousness and to dull the senses of those to whom it is palliative rather than challenge. We have brought this about owing to our genius in matters technical whereby rivers of sound are made to reach flood proportions…

  • Musical Interests of Certain American Literary and Political Figures

    Open Access•Hugh Johnson, H Earle Johnson•ARTICLE•Journal of Research in Music…•1971

  • William Billings of Boston: Eighteenth-Century Composer

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•The William and Mary Quarterly•1976

  • Bibliographica

    Richard Andrewes, Jamie C Kassler et al.•ARTICLE•The Musical Times•1981

  • The American Musical Directory, 1861

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•American Music•1983

  • Hallelujah, Amen! The Story of the Handel and Haydn Society of Boston

    Ezra Schabas, Hugh Johnson et al.•ARTICLE•American Music•1984

  • The Folio of White, Smith and Company

    Hugh Johnson, H Earle Johnson•ARTICLE•American Music•1984

    The publication of music and the manufacture of instruments and their marketing are essential components of America's cultural growth. Not least among the multiple aspects of our professional vitality are periodicals chronicling events of the day, which, in turn, will become the material of history. Musical periodicals serve a variety of interests. Among the more narrowly purposed are the house organs designed to promote a firm's particular wares…

  • Music in the Virginia Colony: Selections from the Music Inventory of Cuthbert Ogle

    Hugh Johnson, H Earle Johnson•ARTICLE•American Music•1985

  • Music in the New World

    Hugh Johnson, H Earle Johnson et al.•ARTICLE•American Music•1986

Art (10 works) · Musicology and Musical Analysis (8 works) · History (7 works) · Music History and Culture (6 works) · Musical (6 works) · Visual arts (6 works) · Art history (5 works) · Theater, Performance, and Music History (5 works) · Literature (4 works) · Computer Science (3 works)

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