Natalie Hopkinson
Biographic Data
| ID | 3789989 |
|---|---|
| NAME | Natalie Hopkinson |
| GIVEN NAMES | Natalie |
| FAMILY NAME | Hopkinson |
| SIGNATURE | HOPKINSON N |
| AFFILIATIONS | Howard University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Go-Go Drums, Murals, and Other Weapons in the War for Black Lives
This analysis of the rhetorical wars around the 2020 US presidential election centers go-go music, a genre that is the cultural expression of the once majority-Black District of Columbia, also known as "Chocolate City." Combined with other expressive tools in social media and visual art, go-go music amplified Black voices and provided an axis of resistance for a political coalition including artists, elected officials, and street activists, which…
Fluorescent Flags: Black Power, Publicity, and Counternarratives in Go-Go Street Posters in the 1980s
This semiotic landscape analysis probes urban patterns of racial placement and displacement through an archive of music publicity posters. The music poster archive is a site to map the so-called “Chocolate City” of Washington, D.C., in the 1980s, explore its calendars, rhythms, textures, communication technology, history and movements of segregated black life. These posters advertising go-go music, the city's indigenous black popular music, asser…
Color, Caste and the Public Sphere: Black journalists who joined television networks from 1994 to 2014
Broadcast network newsrooms are powerful gatekeepers, setting cultural standards and attitudes for America at large via the stories they tell and the images they project. In 1968, the federal Kerner Commission chastised American news media for ignoring race, and seeing through the “white man’s eyes” and speaking from “the white perspective.” Grounded in critical and cultural studies and organizational theory, this study analyzes the experiences o…
Go-Go Live: The Musical Life and Death of a Chocolate City
Examines the history of go-go music in Washington, D.C
Color, Caste and the Public Sphere: Black journalists who joined television networks from 1994 to 2014
Broadcast network newsrooms are powerful gatekeepers, setting cultural standards and attitudes for America at large via the stories they tell and the images they project. In 1968, the federal Kerner Commission chastised American news media for ignoring race, and seeing through the “white man’s eyes” and speaking from “the white perspective.” Grounded in critical and cultural studies and organizational theory, this study analyzes the experiences o…
Go-Go Live: The Musical Life and Death of a Chocolate City
Examines the history of go-go music in Washington, D.C
Color, Caste and the Public Sphere: Black journalists who joined television networks from 1994 to 2014
Broadcast network newsrooms are powerful gatekeepers, setting cultural standards and attitudes for America at large via the stories they tell and the images they project. In 1968, the federal Kerner Commission chastised American news media for ignoring race, and seeing through the “white man’s eyes” and speaking from “the white perspective.” Grounded in critical and cultural studies and organizational theory, this study analyzes the experiences o…
Fluorescent Flags: Black Power, Publicity, and Counternarratives in Go-Go Street Posters in the 1980s
This semiotic landscape analysis probes urban patterns of racial placement and displacement through an archive of music publicity posters. The music poster archive is a site to map the so-called “Chocolate City” of Washington, D.C., in the 1980s, explore its calendars, rhythms, textures, communication technology, history and movements of segregated black life. These posters advertising go-go music, the city's indigenous black popular music, asser…
Go-Go Drums, Murals, and Other Weapons in the War for Black Lives
This analysis of the rhetorical wars around the 2020 US presidential election centers go-go music, a genre that is the cultural expression of the once majority-Black District of Columbia, also known as "Chocolate City." Combined with other expressive tools in social media and visual art, go-go music amplified Black voices and provided an axis of resistance for a political coalition including artists, elected officials, and street activists, which…
Art (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · Visual arts (3 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Music History and Culture (2 works) · Politics (2 works)