Roberta Reeder

Biographic Data

ID3790066
NAMERoberta Reeder
GIVEN NAMESRoberta
FAMILY NAMEReeder
SIGNATUREREEDER R
AFFILIATIONS1(Harvard University, Cambridge, Mass., U.S.A.
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS2
WORKS AS AUTHOR19
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR1997
H-INDEX1

  • Pasternak-Studien I. Beitrage zum Internationalen Pasternak-Kongress 1991 in Marburg

    Roberta Reeder, Sergej Dorzweiler et al.ARTICLEThe Slavic and East European…1997

  • Anna Akhmatova

    Alexander Zholkovsky, Roberta ReederARTICLEThe Slavic and East European…1996Cited by: 1

  • Russian Folk Lyrics

    Jan L Perkowski, Roberta ReederARTICLEThe Slavic and East European…1994

  • Russian Folk Lyrics

    James Bailey, Roberta Reeder et al.ARTICLEThe Russian Review1994

    Preface EditorOs Introduction The Russian Folk Lyric by V.Ja. Propp EditorOs Notes to The Russian Folk Lyric Peasant Songs Ritual Songs of the Agricultural Calendar Songs of Peasant Slavery Vocal Songs about Love Xorovod, Game, and Dance Songs about Love Wedding Songs Vocal Songs about Family Life Xorovod, Game, and Dance Songs about Family Life Joking and Satirical Vocal Songs: Xorovod, Game, and Dance Songs ChildrenOs Songs Barge Hauler Songs R…

  • The Supernatural in Slavic and Baltic Literature

    Ellen Chances, Amy Mandelker et al.ARTICLEThe Slavic and East European…1992

  • Petrushka

    Roberta Reeder, C KellyARTICLEThe Slavic and East European…1992

  • The Supernatural in Slavic and Baltic Literature

    Irene Masing-Delic, Irene Masing‐Delic et al.ARTICLEThe Russian Review1990Cited by: 1

  • A Collection of Russian Folk Songs

    Roberta Reeder, Nikolai Lvov et al.ARTICLEJournal of American Folklore1989

  • Stravinsky's Les Noces

    Open AccessRoberta Reeder, Arthur ComegnoARTICLEDance Research Journal1987References: 1

    Stravinsky's first ideas for Les Noces date from 1913, when mention of the ballet first appears in his correspondence, yet they did not come to fruition until the ballet's premiere in 1923. This protracted gestation, the longest for any of his compositions, was largely caused by the impositions and consequences of World War I and the revolution in Russa. Both Stravinsky and the Ballet Russes, the company he had been associated with since 1909, ex…

  • "Where Does the Evening Come From " by Tin Ujevic

    Roberta ReederARTICLESoutheastern Europe1982

  • A structural analysis of the Russian folk riddle

    Open AccessRoberta ReederARTICLESemiotica1981

  • The Interrelationship of Codes in Maiakovskii's Rosta Posters

    Roberta ReederARTICLEThe Soviet and Post-Soviet Review1980

  • An Encounter of Codes

    Open AccessRoberta ReederARTICLEThe Drama Review TDR1979

    Some discussions of the semiotics of theatre limit themselves to one tradition of performance, while others use examples from different theatre traditions to illustrate their theories. Rarely, however, has there been an attempt to examine what occurs when a tale or element that is an integral part of one cultural code is translated into the performance code of another very different culture. An interesting example of this is John Emigh's producti…

  • Satirical Devices in Marin Držić's Play The Miser

    Roberta ReederARTICLEThe Slavic and East European…1977

  • The Greek Anthology and Its Influence on Pushkin's Poetic Style

    Roberta ReederARTICLECanadian-American Slavic Studies1976

  • Vyliny

    Roberta Reeder, M SperanskiiARTICLEThe Slavic and East European…1976

  • Down along the Mother Volga

    Hari S Rorlich, Roberta ReederARTICLEThe Slavic and East European…1976

  • The Fantastic

    Roberta Reeder, Tzvetan Todorov et al.REVIEWThe Slavic and East European…1976

  • Studien sur Rezeption der Antike bei Russischen Dichtern zu Beginn des XIX. Jahrhunderts

    Roberta Reeder, Mara KažoknieksARTICLEThe Slavic and East European…1970