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Donald Haase

Biographic Data

ID3790167
NAMEDonald Haase
GIVEN NAMESDonald
FAMILY NAMEHaase
SIGNATUREHAASE D
AFFILIATIONSWayne State University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS2
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2014
H-INDEX1
  • We Are What We Are Supposed to Be

    Donald Haase, Donald Haase Donald Haase•ARTICLE•Narrative Culture•2014

    This article examines how the Brothers Grimm are fictionalized in German and Anglo-American media. While some representations revere and romanticize the iconic brothers for preserving the fairy-tale tradition, other depictions challenge the conventional understanding of their work and cultural contribution. In these demythologizing depictions, the Grimms appear ambiguous and even demonic. In recent representations, however, the Grimms—and their h…

  • Kiss and Tell

    Donald Haase•ARTICLE•Études de lettres•2011•Cited by: 2

    The metafictional nature of the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs – birth, death/sleep, rebirth – and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on storytelling and the medium of its telling, not only in the classical versions by Perrault and …

  • The Reception of Grimms' Fairy Tales

    Karin U Herrmann, Karin Herrmann et al.•ARTICLE•The German Quarterly•1996

    This collection of essays explores the historical, cultural and personal factors that have caused the tales to elicit diverse responses, reactions and revisions. The work addresses a variety of issues including the literary, philosophical, creative and oral reception of the tales

  • Grimms' Fairy Tales

    Donald Haase, James M Mcglathery•ARTICLE•The German Quarterly•1995

    Professor McGlathery's study is the first to survey scholarly criticism of Grimms' Fairy Tales from its publication to the present. It reveals the changing perception of fairy tales, from the initial assumption that they were descended from ancient sources, and the consequent interest in the genre's origin and evidence for ancient ritualistic practice, to the study of the fairy tale as a literary genre, distinct from other types of popular narrat…

  • The Reception of the Grimms' Fairy Tales. Responses, Reactions, Revisions

    Peter Tokofsky, Donald Haase•ARTICLE•Journal of American Folklore•1995

  • The Interpretation of Belief

    Donald Haase, David Jasper•ARTICLE•The German Quarterly•1990

  • Tradition and Innovation in Folk Literature

    Donald Haase, Wolfgang Mieder•ARTICLE•The German Quarterly•1989

  • The Complete Fairy Tales of the Brothers Grimm

    Donald Haase, Jack Zipes•ARTICLE•The German Quarterly•1989

  • Fairy Tales and Society

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1988

  • Fictions of Romantic Irony

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1986

  • Novalis (Twayne's World Author Series, 556)

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1981

  • Kiss and Tell

    Donald Haase•ARTICLE•Études de lettres•2011•Cited by: 2

    The metafictional nature of the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs – birth, death/sleep, rebirth – and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on storytelling and the medium of its telling, not only in the classical versions by Perrault and …

  • Novalis (Twayne's World Author Series, 556)

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1981

  • Fictions of Romantic Irony

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1986

  • Fairy Tales and Society

    Donald Haase, Donald P Haase et al.•ARTICLE•The German Quarterly•1988

  • Tradition and Innovation in Folk Literature

    Donald Haase, Wolfgang Mieder•ARTICLE•The German Quarterly•1989

  • The Complete Fairy Tales of the Brothers Grimm

    Donald Haase, Jack Zipes•ARTICLE•The German Quarterly•1989

  • The Interpretation of Belief

    Donald Haase, David Jasper•ARTICLE•The German Quarterly•1990

  • Grimms' Fairy Tales

    Donald Haase, James M Mcglathery•ARTICLE•The German Quarterly•1995

    Professor McGlathery's study is the first to survey scholarly criticism of Grimms' Fairy Tales from its publication to the present. It reveals the changing perception of fairy tales, from the initial assumption that they were descended from ancient sources, and the consequent interest in the genre's origin and evidence for ancient ritualistic practice, to the study of the fairy tale as a literary genre, distinct from other types of popular narrat…

  • The Reception of the Grimms' Fairy Tales. Responses, Reactions, Revisions

    Peter Tokofsky, Donald Haase•ARTICLE•Journal of American Folklore•1995

  • The Reception of Grimms' Fairy Tales

    Karin U Herrmann, Karin Herrmann et al.•ARTICLE•The German Quarterly•1996

    This collection of essays explores the historical, cultural and personal factors that have caused the tales to elicit diverse responses, reactions and revisions. The work addresses a variety of issues including the literary, philosophical, creative and oral reception of the tales

  • Kiss and Tell

    Donald Haase•ARTICLE•Études de lettres•2011•Cited by: 2

    The metafictional nature of the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs – birth, death/sleep, rebirth – and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on storytelling and the medium of its telling, not only in the classical versions by Perrault and …

  • We Are What We Are Supposed to Be

    Donald Haase, Donald Haase Donald Haase•ARTICLE•Narrative Culture•2014

    This article examines how the Brothers Grimm are fictionalized in German and Anglo-American media. While some representations revere and romanticize the iconic brothers for preserving the fairy-tale tradition, other depictions challenge the conventional understanding of their work and cultural contribution. In these demythologizing depictions, the Grimms appear ambiguous and even demonic. In recent representations, however, the Grimms—and their h…

Art (11 works) · Literature (10 works) · Folklore, Mythology, and Literature Studies (8 works) · History (8 works) · Philosophy (4 works) · Aesthetics (3 works) · Media, Gender, and Advertising (3 works) · Themes in Literature Analysis (3 works) · Art history (2 works) · Psychology (2 works)

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