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Carole Rosenstein

Biographic Data

ID3790528
NAMECarole Rosenstein
GIVEN NAMESCarole
FAMILY NAMERosenstein
SIGNATUREROSENSTEIN C
AFFILIATIONSGeorge Mason University
ORCID0000-0001-9366-687X
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS13
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2023
H-INDEX3
  • Cultural Democracy, Cultural Equity, and Cultural Policy

    Open Access•Eleonora Belfiore, Hadley et al.•ARTICLE•The Journal of Arts Management…•2023

    This article offers an exploratory discussion of two cultural policy concepts and traditions: cultural democracy in the UK and cultural equity in the US. We explore what the concepts share, how they have been shaped by their cultural policy traditions, and how they yield value for cultural policy makers, scholars, and activists. As scholars from divergent yet mutually Anglo-centric traditions, we articulate how these concepts inform one another w…

  • Living Cultural Heritage and the Traditional and Folk Arts in the Nonprofit Sector

    Carole Rosenstein, Mirae Kim et al.•ARTICLE•Journal of American Folklore•2023•Cited by: 4•References: 6

    This piece is the second of a three-part forum published in this issue. Part I is the "Executive Summary" and "Introduction" of The Alliance for California Traditional Arts' Tending the Taproot: Opportunities to Support Folk & Traditional Arts in the United States report by Amy Kitchener, Shweta Saraswat-Sullivan, and Lily Kharrazi, published in December 2022. Part II is a summary of the Living Cultural Heritage and the Traditional and Folk Arts …

  • Cultural policy archetypes

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2019•Cited by: 4•References: 2

    Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considere…

  • Understanding Cultural Policy

    Carole Rosenstein•BOOK•Understanding Cultural Policy•2018

  • Understanding Cultural Policy

    Carole Rosenstein•BOOK•Understanding Cultural Policy•2018

  • Indian Market

    Open Access•Carole Rosenstein•ARTICLE•Signs and Society•2014•References: 13

    Following Bourdieu, the process of commoditization has been understood to be the most socially significant process that art undergoes. That understanding presupposes the power of economic value, the order of value that all other values must resist or be overtaken by. This article analyzes the Santa Fe Indian Market as a tournament of values, where various orders of value compete for legitimacy and authority. While opposed aesthetic and economic o…

  • The distribution and policy implications of US state government general operating support to the arts and culture

    Carole Rosenstein, Vanessa Riley et al.•ARTICLE•Cultural Trends•2013•Cited by: 3

    The prolonged economic downturn has meant tough times for some nonprofit arts and culture organizations in the USA. This state of affairs has brought renewed attention to the importance of general operating support (GOS) to sustaining nonprofit arts and culture organizations. After the Culture Wars of the late 1980s and 1990s, federal GOS programs disappeared and philanthropy turned away from providing such unrestricted funds, which are typically…

  • Cultural development and city neighborhoods

    Open Access•Carole Rosenstein•ARTICLE•City Culture and Society•2011

  • When is a museum a public museum? Considerations from the point of view of public finance

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2010•Cited by: 2•References: 5

    This article considers the scope and types of support given through the system of museum public finance in the USA as well as the attitudes to support this system reflects. This examination provides a deepened understanding of the significance of ties between museums and government that are mediated by dollars. The degree of directness through which government dollars are delivered to a museum tells us something important about the museum’s publi…

  • Conceiving Artistic Work in the Formation of Artist Policy

    Carole Rosenstein•ARTICLE•The Journal of Arts Management…•2004

    (2004). Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy. The Journal of Arts Management, Law, and Society: Vol. 34, No. 1, pp. 59-78.

  • The object, the mirror, and the cabinet of wonders

    Open Access•Carole Rosenstein•ARTICLE•Semiotica•2003•References: 21

    Article The object, the mirror, and the cabinet of wonders: Iconicity and the pragmatic semiotics of material culture was published on September 18, 2003 in the journal Semiotica (volume 2003, issue 146)

  • An Object in its Own Domain

    Carole Rosenstein•ARTICLE•Ethnologies•2003•References: 8

    This article characterizes Hispano New Mexican images of saints ( santos ) as powerful mediators of difference whose potency in that capacity transcends the interethnic sacred, civic, art world and market contexts in which they move. Describing how santos are invested with the power to encompass disparate forms drawn into a powerful halo a santo generates beyond its own embodiment, I argue that this “situation in space” not only makes santos resi…

  • Living Cultural Heritage and the Traditional and Folk Arts in the Nonprofit Sector

    Carole Rosenstein, Mirae Kim et al.•ARTICLE•Journal of American Folklore•2023•Cited by: 4•References: 6

    This piece is the second of a three-part forum published in this issue. Part I is the "Executive Summary" and "Introduction" of The Alliance for California Traditional Arts' Tending the Taproot: Opportunities to Support Folk & Traditional Arts in the United States report by Amy Kitchener, Shweta Saraswat-Sullivan, and Lily Kharrazi, published in December 2022. Part II is a summary of the Living Cultural Heritage and the Traditional and Folk Arts …

  • Cultural policy archetypes

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2019•Cited by: 4•References: 2

    Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considere…

  • The distribution and policy implications of US state government general operating support to the arts and culture

    Carole Rosenstein, Vanessa Riley et al.•ARTICLE•Cultural Trends•2013•Cited by: 3

    The prolonged economic downturn has meant tough times for some nonprofit arts and culture organizations in the USA. This state of affairs has brought renewed attention to the importance of general operating support (GOS) to sustaining nonprofit arts and culture organizations. After the Culture Wars of the late 1980s and 1990s, federal GOS programs disappeared and philanthropy turned away from providing such unrestricted funds, which are typically…

  • When is a museum a public museum? Considerations from the point of view of public finance

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2010•Cited by: 2•References: 5

    This article considers the scope and types of support given through the system of museum public finance in the USA as well as the attitudes to support this system reflects. This examination provides a deepened understanding of the significance of ties between museums and government that are mediated by dollars. The degree of directness through which government dollars are delivered to a museum tells us something important about the museum’s publi…

  • The object, the mirror, and the cabinet of wonders

    Open Access•Carole Rosenstein•ARTICLE•Semiotica•2003•References: 21

    Article The object, the mirror, and the cabinet of wonders: Iconicity and the pragmatic semiotics of material culture was published on September 18, 2003 in the journal Semiotica (volume 2003, issue 146)

  • An Object in its Own Domain

    Carole Rosenstein•ARTICLE•Ethnologies•2003•References: 8

    This article characterizes Hispano New Mexican images of saints ( santos ) as powerful mediators of difference whose potency in that capacity transcends the interethnic sacred, civic, art world and market contexts in which they move. Describing how santos are invested with the power to encompass disparate forms drawn into a powerful halo a santo generates beyond its own embodiment, I argue that this “situation in space” not only makes santos resi…

  • Conceiving Artistic Work in the Formation of Artist Policy

    Carole Rosenstein•ARTICLE•The Journal of Arts Management…•2004

    (2004). Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy. The Journal of Arts Management, Law, and Society: Vol. 34, No. 1, pp. 59-78.

  • When is a museum a public museum? Considerations from the point of view of public finance

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2010•Cited by: 2•References: 5

    This article considers the scope and types of support given through the system of museum public finance in the USA as well as the attitudes to support this system reflects. This examination provides a deepened understanding of the significance of ties between museums and government that are mediated by dollars. The degree of directness through which government dollars are delivered to a museum tells us something important about the museum’s publi…

  • Cultural development and city neighborhoods

    Open Access•Carole Rosenstein•ARTICLE•City Culture and Society•2011

  • The distribution and policy implications of US state government general operating support to the arts and culture

    Carole Rosenstein, Vanessa Riley et al.•ARTICLE•Cultural Trends•2013•Cited by: 3

    The prolonged economic downturn has meant tough times for some nonprofit arts and culture organizations in the USA. This state of affairs has brought renewed attention to the importance of general operating support (GOS) to sustaining nonprofit arts and culture organizations. After the Culture Wars of the late 1980s and 1990s, federal GOS programs disappeared and philanthropy turned away from providing such unrestricted funds, which are typically…

  • Indian Market

    Open Access•Carole Rosenstein•ARTICLE•Signs and Society•2014•References: 13

    Following Bourdieu, the process of commoditization has been understood to be the most socially significant process that art undergoes. That understanding presupposes the power of economic value, the order of value that all other values must resist or be overtaken by. This article analyzes the Santa Fe Indian Market as a tournament of values, where various orders of value compete for legitimacy and authority. While opposed aesthetic and economic o…

  • Understanding Cultural Policy

    Carole Rosenstein•BOOK•Understanding Cultural Policy•2018

  • Understanding Cultural Policy

    Carole Rosenstein•BOOK•Understanding Cultural Policy•2018

  • Cultural policy archetypes

    Carole Rosenstein•ARTICLE•International Journal of Cultural…•2019•Cited by: 4•References: 2

    Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considere…

  • Cultural Democracy, Cultural Equity, and Cultural Policy

    Open Access•Eleonora Belfiore, Hadley et al.•ARTICLE•The Journal of Arts Management…•2023

    This article offers an exploratory discussion of two cultural policy concepts and traditions: cultural democracy in the UK and cultural equity in the US. We explore what the concepts share, how they have been shaped by their cultural policy traditions, and how they yield value for cultural policy makers, scholars, and activists. As scholars from divergent yet mutually Anglo-centric traditions, we articulate how these concepts inform one another w…

  • Living Cultural Heritage and the Traditional and Folk Arts in the Nonprofit Sector

    Carole Rosenstein, Mirae Kim et al.•ARTICLE•Journal of American Folklore•2023•Cited by: 4•References: 6

    This piece is the second of a three-part forum published in this issue. Part I is the "Executive Summary" and "Introduction" of The Alliance for California Traditional Arts' Tending the Taproot: Opportunities to Support Folk & Traditional Arts in the United States report by Amy Kitchener, Shweta Saraswat-Sullivan, and Lily Kharrazi, published in December 2022. Part II is a summary of the Living Cultural Heritage and the Traditional and Folk Arts …

Sociology (11 works) · Political science (10 works) · Cultural Industries and Urban Development (9 works) · Law (8 works) · Social and Cultural Dynamics (6 works) · Economics (5 works) · Law (5 works) · Social science (5 works) · Cultural policy (4 works) · Politics (4 works)

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