Naurice Frank Woods

Biographic Data

ID3792384
NAMENaurice Frank Woods
GIVEN NAMESNaurice Frank
FAMILY NAMEWoods
SIGNATUREWOODS N F
AFFILIATIONSUniversity of North Carolina at Greensboro, Greensboro, NC, USA,
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2013
H-INDEX0

  • Embarking on a New Covenant

    Naurice Frank WoodsARTICLEAmerican Art2013

  • Kindred Spirits of the Imagination

    Naurice Frank Woods, Jr Naurice Frank WoodsARTICLEThe Journal of African American…2013

  • Henry Ossawa Tanner’s Negotiation of Race and Art

    Open AccessNaurice Frank WoodsARTICLEJournal of Black Studies2011

    This essay is a response to an article recently published by Will South titled “A Missing Question Mark: The Unknown Henry Ossawa Tanner” in the journal Nineteenth-Century Art Worldwide. Tanner was the foremost African American artist of the late 19th century. He has emerged as an exemplar of Black achievement in the arts and is now included in the canon of American art of that period. While Tanner labored to remove the equation of race as the de…

  • An African Queen at the Philadelphia Centennial Exposition 1876

    Naurice Frank WoodsARTICLEMeridians2009

    Mary Edmonia Lewis (ca. 1843-after 1909) was America's first professional sculptor of African and Native American descent. She staked a claim at the highest level of neoclassical art. This usually meant competing against men who vehemently opposed women competing in a "man's" profession. Lewis found the fortitude to take up the challenge and, along with several other women (all white), demonstrated the capacity to produce extraordinary marble scu…