Brunetto Giovanni Brunetti
Biographic Data
| ID | 3794856 |
|---|---|
| NAME | Brunetto Giovanni Brunetti |
| GIVEN NAMES | Brunetto Giovanni |
| FAMILY NAME | Brunetti |
| SIGNATURE | BRUNETTI B G |
| AFFILIATIONS | University of Perugia |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 27 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 3 |
Science and Art
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Non-invasive multi-technique investigation of artworks
Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Durability of the artificial calcium oxalate protective on two Florentine monuments
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
Characterisation of lustre and pigment composition in ancient pottery by laser induced fluorescence and breakdown spectroscopy
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Durability of the artificial calcium oxalate protective on two Florentine monuments
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Non-invasive multi-technique investigation of artworks
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Characterisation of lustre and pigment composition in ancient pottery by laser induced fluorescence and breakdown spectroscopy
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Durability of the artificial calcium oxalate protective on two Florentine monuments
Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Non-invasive multi-technique investigation of artworks
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Science and Art
Cultural Heritage Materials Analysis (9 works) · Building materials and conservation (8 works) · Conservation Techniques and Studies (8 works) · Archaeology (6 works) · Art (6 works) · Materials Science (6 works) · Metallurgy (5 works) · Chemistry (4 works) · Geography (4 works) · Mineralogy (4 works)