Paul F Wilson
Biographic Data
| ID | 3794879 |
|---|---|
| NAME | Paul F Wilson |
| GIVEN NAMES | Paul F |
| FAMILY NAME | Wilson |
| SIGNATURE | WILSON P F |
| AFFILIATIONS | University of Warwick |
| ORCID | 0000-0002-7243-4372 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Evaluating museum exhibits
Underpinned by the Model for Museum Exhibit User Experience (MEUX; King et al., Visitor Studies , 2023, 26, 59), this paper develops and presents an evaluation methodology for museum exhibits that utilizes existing methodologies from the user experience sector adapted for the museum and cultural heritage sectors. Two studies are presented: an in‐depth evaluation of the Meat the Future exhibition at Oxford University Museum of Natural History and …
Imaging Hadrian in Britain between Coinage and Sculpture
This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …
Creating Meaningful Museums
Combining existing knowledge of museum exhibition visitor experience with concepts of User Experience (UX), a model for Museum Exhibition User Experience (MEUX) is presented. The model was developed from research interviews and surveys with UK museum professionals and presents the museum exhibition experience from both museum and visitor perspectives. Its use as an evaluation tool for visitor experience is explored at Oxford University Museum of …
Digital Responses of UK Museum Exhibitions to the Covid‐19 Crisis, March – June 2020
The impact of the COVID‐19 Crisis on museums and galleries has been paramount, with the sector taking on long‐term recovery plans. This paper examines this crisis in the context of temporary exhibition programmes of UK museums, studying online content for 21 museums with exhibitions due to open between March and June 2020. Analysis was conducted, noting how COVID was considered, how content was presented, and discussing the emerging themes of acc…
Designing 3-D Prints for Blind and Partially Sighted Audiences in Museums
Modern museum practice embraces equal access for all, but access for blind and partially-sighted (BPS) audience remains problematic given the ocularcentricity of museums. Many museum professionals and BPS visitors remain frustrated by the degree of accessibility on offer. The use of 3-D printed replicas as a handling surrogate represents a solution, allowing BPS visitors to engage tactually with museum content while minimizing risk. However, the …
Museum visitor preference for the physical properties of 3D printed replicas
Museum visitor preference for the physical properties of 3D printed replicas
Imaging Hadrian in Britain between Coinage and Sculpture
This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …
Museum visitor preference for the physical properties of 3D printed replicas
Designing 3-D Prints for Blind and Partially Sighted Audiences in Museums
Modern museum practice embraces equal access for all, but access for blind and partially-sighted (BPS) audience remains problematic given the ocularcentricity of museums. Many museum professionals and BPS visitors remain frustrated by the degree of accessibility on offer. The use of 3-D printed replicas as a handling surrogate represents a solution, allowing BPS visitors to engage tactually with museum content while minimizing risk. However, the …
Digital Responses of UK Museum Exhibitions to the Covid‐19 Crisis, March – June 2020
The impact of the COVID‐19 Crisis on museums and galleries has been paramount, with the sector taking on long‐term recovery plans. This paper examines this crisis in the context of temporary exhibition programmes of UK museums, studying online content for 21 museums with exhibitions due to open between March and June 2020. Analysis was conducted, noting how COVID was considered, how content was presented, and discussing the emerging themes of acc…
Creating Meaningful Museums
Combining existing knowledge of museum exhibition visitor experience with concepts of User Experience (UX), a model for Museum Exhibition User Experience (MEUX) is presented. The model was developed from research interviews and surveys with UK museum professionals and presents the museum exhibition experience from both museum and visitor perspectives. Its use as an evaluation tool for visitor experience is explored at Oxford University Museum of …
Imaging Hadrian in Britain between Coinage and Sculpture
This paper presents a new approach to an old problem, the provincial reception of the image of Roman emperors. Applying 3D computer modelling, we captured the portrait features of Hadrian as represented on coinage minted for the British province, produced a 3D model from a coin and compared it with the bronze head of Hadrian found in London. The aim was to test the possibility, previously posited by other scholars, that the London portrait might …
Evaluating museum exhibits
Underpinned by the Model for Museum Exhibit User Experience (MEUX; King et al., Visitor Studies , 2023, 26, 59), this paper develops and presents an evaluation methodology for museum exhibits that utilizes existing methodologies from the user experience sector adapted for the museum and cultural heritage sectors. Two studies are presented: an in‐depth evaluation of the Meat the Future exhibition at Oxford University Museum of Natural History and …
Art (6 works) · Visual arts (5 works) · Computer Science (4 works) · Exhibition (3 works) · Human–computer interaction (3 works) · Museums and Cultural Heritage (3 works) · Visitor pattern (3 works) · Aesthetics (2 works) · Conferences and Exhibitions Management (2 works) · History (2 works)