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A Duran

Biographic Data

ID3795372
NAMEA Duran
GIVEN NAMESA
FAMILY NAMEDuran
SIGNATUREDURAN A
AFFILIATIONSInstituto de Ciencia de Materiales de Sevilla
ORCID0000-0003-0769-0545
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS62
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2025
H-INDEX5
  • Unveiling Language-Based Gender Discrimination in Fostering Gender Equality Through Discourse Analysis

    Open Access•Sweetheart B Diazon, A Duran et al.•ARTICLE•European Journal of Literature…•2025

    The study aims to uncover how language-based discrimination contributes to gender inequality in school context. Using a model of critical discourse analysis, the study examines fourteen students from diverse departments of UMDC on how language patterns reinforce stereotypes and create unequal treatment through textual, processing and social analysis. Researchers observed linguistic patterns that imply the use of a non-inclusive language, which mo…

  • The Ceramic Production and Distribution Network in the Ancient Kingdom of Navarre (Spain) during the 12th–15th Centuries

    Open Access•Iván Ruiz-Ardanaz, Sayoa Araiz-González et al.•ARTICLE•Heritage•2024•References: 5

    The Kingdom of Navarre was a Christian kingdom located in the north of the Iberian Peninsula during the Middle Ages. Its location on the west of the isthmus between the Iberian Peninsula and the European continent allowed an exchange of cultural currents. The main pottery production centres were in Estella, Lumbier, Pamplona, Tafalla, and Tudela. Ceramic pastes from various mediaeval sites were analysed for both elemental and mineralogical compos…

  • Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques

    Open Access•A Duran, Ana López‐Montes et al.•ARTICLE•Journal of Archaeological Science•2014•Cited by: 10•References: 3

  • Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville ( S pain)

    Open Access•I Garofano, M D Robador et al.•ARTICLE•Archaeometry•2014•Cited by: 3•References: 32

    This study discusses the materials and traditional knowledge used in the manufacture and application of lime mortars and stuccoes by R omans and Arabs in Seville (southern Iberian Peninsula). All of the samples studied contain calcite as a binder, combined with aggregates based on river sand from the filling materials of the Guadalquivir River's depression, located in the vicinity of the Real Alcazar Palace in Seville, S pain, where the artefacts…

  • Work engagement: A practical measure for workplace health promotion?

    Open Access•Steffen Torp, Asbjørn Grimsmo et al.•ARTICLE•Health Promotion International•2013

    The objectives of this study were to investigate whether psychological job demands, personal control and social support affect the negative health measure of depression differently than the positive measure of work engagement and to investigate whether work engagement mediates the effects of job demands and resources on the level of depression. We discuss the implications of using engagement as an outcome measure in workplace health promotion. We…

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Archaeological Science•2011•Cited by: 14•References: 3

  • Hydraulic structures of the Roman Mithraeum house in Augusta emerita, Spain

    Open Access•M D Robador, María Dolores Robador González et al.•ARTICLE•Journal of Archaeological Science•2010•Cited by: 6•References: 1

  • Determination of Pigments and Binders in Pompeian Wall Paintings Using Synchrotron Radiation – High‐resolution X‐ray Powder Diffraction and Conventional Spectroscopy – Chromatography

    Open Access•A Duran, M C Jimenez De Haro et al.•ARTICLE•Archaeometry•2010•Cited by: 15•References: 34

    The employment of synchrotron techniques complemented by conventional laboratory systems has allowed us to deepen and improve our knowledge of Roman wall painting procedures. The palette identified in wall paintings from Pompeii and Herculaneum from the second century bc includes goethite, hematite, cinnabar, glauconite, Egyptian blue, and other components such as calcite and aragonite. Proof of the use of organic binders is provided by FTIR and …

  • Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 1

  • Studies of deterioration of the tin-mercury alloy within ancient Spanish mirrors

    Open Access•Liz Karen Herrera, A Duran et al.•ARTICLE•Journal of Cultural Heritage•2008•References: 4

  • Determination of Pigments and Binders in Pompeian Wall Paintings Using Synchrotron Radiation – High‐resolution X‐ray Powder Diffraction and Conventional Spectroscopy – Chromatography

    Open Access•A Duran, M C Jimenez De Haro et al.•ARTICLE•Archaeometry•2010•Cited by: 15•References: 34

    The employment of synchrotron techniques complemented by conventional laboratory systems has allowed us to deepen and improve our knowledge of Roman wall painting procedures. The palette identified in wall paintings from Pompeii and Herculaneum from the second century bc includes goethite, hematite, cinnabar, glauconite, Egyptian blue, and other components such as calcite and aragonite. Proof of the use of organic binders is provided by FTIR and …

  • Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Archaeological Science•2011•Cited by: 14•References: 3

  • Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques

    Open Access•A Duran, Ana López‐Montes et al.•ARTICLE•Journal of Archaeological Science•2014•Cited by: 10•References: 3

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Hydraulic structures of the Roman Mithraeum house in Augusta emerita, Spain

    Open Access•M D Robador, María Dolores Robador González et al.•ARTICLE•Journal of Archaeological Science•2010•Cited by: 6•References: 1

  • Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 1

  • Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville ( S pain)

    Open Access•I Garofano, M D Robador et al.•ARTICLE•Archaeometry•2014•Cited by: 3•References: 32

    This study discusses the materials and traditional knowledge used in the manufacture and application of lime mortars and stuccoes by R omans and Arabs in Seville (southern Iberian Peninsula). All of the samples studied contain calcite as a binder, combined with aggregates based on river sand from the filling materials of the Guadalquivir River's depression, located in the vicinity of the Real Alcazar Palace in Seville, S pain, where the artefacts…

  • Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Cultural Heritage•2008•Cited by: 5•References: 1

  • Studies of deterioration of the tin-mercury alloy within ancient Spanish mirrors

    Open Access•Liz Karen Herrera, A Duran et al.•ARTICLE•Journal of Cultural Heritage•2008•References: 4

  • Hydraulic structures of the Roman Mithraeum house in Augusta emerita, Spain

    Open Access•M D Robador, María Dolores Robador González et al.•ARTICLE•Journal of Archaeological Science•2010•Cited by: 6•References: 1

  • Determination of Pigments and Binders in Pompeian Wall Paintings Using Synchrotron Radiation – High‐resolution X‐ray Powder Diffraction and Conventional Spectroscopy – Chromatography

    Open Access•A Duran, M C Jimenez De Haro et al.•ARTICLE•Archaeometry•2010•Cited by: 15•References: 34

    The employment of synchrotron techniques complemented by conventional laboratory systems has allowed us to deepen and improve our knowledge of Roman wall painting procedures. The palette identified in wall paintings from Pompeii and Herculaneum from the second century bc includes goethite, hematite, cinnabar, glauconite, Egyptian blue, and other components such as calcite and aragonite. Proof of the use of organic binders is provided by FTIR and …

  • Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques

    Open Access•A Duran, J L Perez-Rodríguez et al.•ARTICLE•Journal of Archaeological Science•2011•Cited by: 14•References: 3

  • Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable

    Open Access•L Beck, Hélène Rousselière et al.•ARTICLE•ArchéoSciences•2012•Cited by: 9

    La Grotte de Rouffignac (Dordogne, France) est un site d'art paléolithique qui renferme de nombreux dessins réalisés au trait noir (mammouths, bisons, rhinocéros laineux, chevaux, bouquetins...). Bien qu'aucune datation directe n'ait été réalisée à ce jour, les œuvres graphiques de cette caverne sont en général rattachées au Magdalénien

  • Work engagement: A practical measure for workplace health promotion?

    Open Access•Steffen Torp, Asbjørn Grimsmo et al.•ARTICLE•Health Promotion International•2013

    The objectives of this study were to investigate whether psychological job demands, personal control and social support affect the negative health measure of depression differently than the positive measure of work engagement and to investigate whether work engagement mediates the effects of job demands and resources on the level of depression. We discuss the implications of using engagement as an outcome measure in workplace health promotion. We…

  • Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniques

    Open Access•A Duran, Ana López‐Montes et al.•ARTICLE•Journal of Archaeological Science•2014•Cited by: 10•References: 3

  • Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville ( S pain)

    Open Access•I Garofano, M D Robador et al.•ARTICLE•Archaeometry•2014•Cited by: 3•References: 32

    This study discusses the materials and traditional knowledge used in the manufacture and application of lime mortars and stuccoes by R omans and Arabs in Seville (southern Iberian Peninsula). All of the samples studied contain calcite as a binder, combined with aggregates based on river sand from the filling materials of the Guadalquivir River's depression, located in the vicinity of the Real Alcazar Palace in Seville, S pain, where the artefacts…

  • The Ceramic Production and Distribution Network in the Ancient Kingdom of Navarre (Spain) during the 12th–15th Centuries

    Open Access•Iván Ruiz-Ardanaz, Sayoa Araiz-González et al.•ARTICLE•Heritage•2024•References: 5

    The Kingdom of Navarre was a Christian kingdom located in the north of the Iberian Peninsula during the Middle Ages. Its location on the west of the isthmus between the Iberian Peninsula and the European continent allowed an exchange of cultural currents. The main pottery production centres were in Estella, Lumbier, Pamplona, Tafalla, and Tudela. Ceramic pastes from various mediaeval sites were analysed for both elemental and mineralogical compos…

  • Unveiling Language-Based Gender Discrimination in Fostering Gender Equality Through Discourse Analysis

    Open Access•Sweetheart B Diazon, A Duran et al.•ARTICLE•European Journal of Literature…•2025

    The study aims to uncover how language-based discrimination contributes to gender inequality in school context. Using a model of critical discourse analysis, the study examines fourteen students from diverse departments of UMDC on how language patterns reinforce stereotypes and create unequal treatment through textual, processing and social analysis. Researchers observed linguistic patterns that imply the use of a non-inclusive language, which mo…

Cultural Heritage Materials Analysis (8 works) · Building materials and conservation (7 works) · Conservation Techniques and Studies (7 works) · Geography (6 works) · Materials Science (6 works) · Archaeology (5 works) · Metallurgy (4 works) · Mineralogy (4 works) · Art (3 works) · Chemistry (3 works)

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