Simone Porcinai
Biographic Data
| ID | 3795398 |
|---|---|
| NAME | Simone Porcinai |
| GIVEN NAMES | Simone |
| FAMILY NAME | Porcinai |
| SIGNATURE | PORCINAI S |
| AFFILIATIONS | Opificio delle Pietre Dure |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 3 |
Time-efficient methods for reproducing archaeological bronze patinas: New tools for conservation and authentication studies
The reproduction of corrosion patina s observed on copper-based archaeological artefacts is a valuable methodological approach in conservation research, as it allows the systematic study of corrosion processes, material stability, and the efficacy of conservation interventions under controlled conditions. Such reproduction remains challenging due to the complex, multicomponent nature of burial-induced corrosion systems and the extended timescales…
The Vittoria Alata from Brescia: A combined neutron techniques and SEM-EDS approach to the study of the alloy of a bronze Roman statue
Hyperspectral sensor: A handy tool to evaluate the efficacy of cleaning procedures
The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: The Technology and Provenance of the Enamels—an Analytical Approach
The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasiv…
Compositional Analysis of 14th–15th Century Enamels from the Altar of S an G iovanni in F lorence: An Integrated Study by Portable X ‐ R ay Fluorescence and Electron Probe Microanalysis
The enamels of the Altar of S an G iovanni, from the B aptistery of F lorence, were investigated using both non‐invasive and micro‐invasive analysis in order to elucidate the glass melting and colouring techniques. A few fragments detached from the altar and recovered by the restorers were analysed in cross‐section by electron probe microanalysis. Moreover, non‐invasive investigations by portable XRF allowed a large number of enamelled plaques to…
Florence baptistery: Chemical and mineralogical investigation of glass mosaic tesserae
A study on a set of drawings by Parmigianino: Integration of Art-Historical Analysis With Imaging Spectroscopy
The Santi Quattro Coronati by Nanni di Banco: Cleaning of the Gilded Decorations
Florence baptistery: Chemical and mineralogical investigation of glass mosaic tesserae
Compositional Analysis of 14th–15th Century Enamels from the Altar of S an G iovanni in F lorence: An Integrated Study by Portable X ‐ R ay Fluorescence and Electron Probe Microanalysis
The enamels of the Altar of S an G iovanni, from the B aptistery of F lorence, were investigated using both non‐invasive and micro‐invasive analysis in order to elucidate the glass melting and colouring techniques. A few fragments detached from the altar and recovered by the restorers were analysed in cross‐section by electron probe microanalysis. Moreover, non‐invasive investigations by portable XRF allowed a large number of enamelled plaques to…
A study on a set of drawings by Parmigianino: Integration of Art-Historical Analysis With Imaging Spectroscopy
The Vittoria Alata from Brescia: A combined neutron techniques and SEM-EDS approach to the study of the alloy of a bronze Roman statue
Hyperspectral sensor: A handy tool to evaluate the efficacy of cleaning procedures
The Santi Quattro Coronati by Nanni di Banco: Cleaning of the Gilded Decorations
The Santi Quattro Coronati by Nanni di Banco: Cleaning of the Gilded Decorations
A study on a set of drawings by Parmigianino: Integration of Art-Historical Analysis With Imaging Spectroscopy
Florence baptistery: Chemical and mineralogical investigation of glass mosaic tesserae
Compositional Analysis of 14th–15th Century Enamels from the Altar of S an G iovanni in F lorence: An Integrated Study by Portable X ‐ R ay Fluorescence and Electron Probe Microanalysis
The enamels of the Altar of S an G iovanni, from the B aptistery of F lorence, were investigated using both non‐invasive and micro‐invasive analysis in order to elucidate the glass melting and colouring techniques. A few fragments detached from the altar and recovered by the restorers were analysed in cross‐section by electron probe microanalysis. Moreover, non‐invasive investigations by portable XRF allowed a large number of enamelled plaques to…
The So‐called Venetian Enamelled Copper Artworks of the Italian Renaissance: The Technology and Provenance of the Enamels—an Analytical Approach
The so‐called Venetian enamelled coppers are a group of objects produced in Italy during the 15th century. Up to now, about 300 objects have been recognized in private collections and in European and US museums. At the end of 19th century, a Venetian origin was suggested, but their provenance is still debated. In this study, the enamel compositions from 22 enamelled copper products from Italian and French collections have been analysed by invasiv…
Hyperspectral sensor: A handy tool to evaluate the efficacy of cleaning procedures
The Vittoria Alata from Brescia: A combined neutron techniques and SEM-EDS approach to the study of the alloy of a bronze Roman statue
Time-efficient methods for reproducing archaeological bronze patinas: New tools for conservation and authentication studies
The reproduction of corrosion patina s observed on copper-based archaeological artefacts is a valuable methodological approach in conservation research, as it allows the systematic study of corrosion processes, material stability, and the efficacy of conservation interventions under controlled conditions. Such reproduction remains challenging due to the complex, multicomponent nature of burial-induced corrosion systems and the extended timescales…
Cultural Heritage Materials Analysis (7 works) · Art (5 works) · Conservation Techniques and Studies (5 works) · Archaeology (3 works) · Art history (3 works) · Chemistry (3 works) · Computer Science (3 works) · Geography (3 works) · Materials Science (3 works) · X-ray Spectroscopy and Fluorescence Analysis (3 works)