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Marta Castillejo

Biographic Data

ID3795657
NAMEMarta Castillejo
GIVEN NAMESMarta
FAMILY NAMECastillejo
SIGNATURECASTILLEJO M
AFFILIATIONSInstituto de Química Física Blas Cabrera
ORCID0000-0002-5870-4380
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS12
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2026
H-INDEX2
  • Beyond pigment: Integrated organic and inorganic analysis of cosmetic residues in pre-Islamic archaeological shells from Southeast Arabia

    Open Access•Chiara Andrea Lombardi, Francesca Sabatini et al.•ARTICLE•Journal of Cultural Heritage•2026

    This study presents the results of a multi-analytical strategy implemented to investigate the composition of pigments preserved within the shells of marine bivalves recovered from six archaeological sites from the Late Bronze Age to the 6th-7th century CE in the present-day United Arab Emirates. The analysed bivalve specimens contain greenish or blackish materials in the shell interior and according to current archaeological interpretations they …

  • Integrated Comprehensive Characterization of Black Crusts from Milan’s Monumental Cemetery: A Synergistic Approach Combining Conventional and Unconventional Analytical Techniques

    Open Access•Andrea Bergomi, Valeria Comite et al.•ARTICLE•Heritage•2025

    Black crusts are degradation features found on stone buildings, offering valuable insights into local pollution sources. Their composition and structure reflect environmental conditions, making them important indicators for environmental and conservation studies. In this study, black crusts collected from funerary monuments in the Monumental Cemetery of Milan were comprehensively characterized using SEM-EDX, Raman spectroscopy, LIBS, and oxidativ…

  • Ageing-induced changes in varnish-coated oil paints: Surface and subsurface multi-technical analysis

    Open Access•Alice Dal Fovo, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 3

  • Spectroanalytical approach for analysis of archaeological objects related to personal adornment from Teruel Museum

    Open Access•Laura Maestro‐Guijarro, Pilar Punter et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 1

  • Comparison of the Use of Traditional Solvents and Nanosecond 213 nm Nd: YAG Laser in Thinning Naturally Aged Varnish on a Contemporary Oil Easel Painting

    Open Access•Marina Martínez-Weinbaum, Míriam Lozano-Carbó et al.•ARTICLE•Heritage•2023•References: 1

    The removal of aged varnish on artistic paintings is a delicate intervention and the use of UV laser for this purpose is of special relevance. In particular, the use of nanosecond-pulsed lasers operating at 213 nm has been noted to produce good results in mock-up samples, but it has not been tested in real artworks. In this paper, we report on the application of this procedure for the first time on a contemporary oil easel painting with naturally…

  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Effectiveness of antigraffiti treatments in connection with penetration depth determined by different techniques

    Open Access•Paula María Carmona-Quiroga, Paula María Carmona‐Quiroga et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 2•References: 11

  • Laser cleaning of terracotta decorations of the portal of Palos of the Cathedral of Seville

    Open Access•M Oujja, Esther Rebollar et al.•ARTICLE•Journal of Cultural Heritage•2005•References: 13

  • Effect of wavelength on the laser cleaning of polychromes on wood

    Open Access•Marta Castillejo, Margarita Martín et al.•ARTICLE•Journal of Cultural Heritage•2003

  • Controlled UV laser cleaning of painted artworks: A Systematic Effect Study on Egg Tempera Paint Samples

    Open Access•Rianne Teule, Hans Scholten et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 2•References: 5

  • Evaluation of the chemical and physical changes induced by KrF laser irradiation of tempera paints

    Open Access•Marta Castillejo, Margarita Martins et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 3•References: 18

  • Libs spectra of polychromes with a low cost CCD camera based detector

    Open Access•Margarita Martín, Margarita Martı́n et al.•ARTICLE•Journal of Cultural Heritage•2000

  • Laser-induced breakdown spectroscopy and Raman microscopy for analysis of pigments in polychromes

    Open Access•Marta Castillejo, Margarita Martı́n et al.•ARTICLE•Journal of Cultural Heritage•2000

  • Evaluation of the chemical and physical changes induced by KrF laser irradiation of tempera paints

    Open Access•Marta Castillejo, Margarita Martins et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 3•References: 18

  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Effectiveness of antigraffiti treatments in connection with penetration depth determined by different techniques

    Open Access•Paula María Carmona-Quiroga, Paula María Carmona‐Quiroga et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 2•References: 11

  • Controlled UV laser cleaning of painted artworks: A Systematic Effect Study on Egg Tempera Paint Samples

    Open Access•Rianne Teule, Hans Scholten et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 2•References: 5

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Libs spectra of polychromes with a low cost CCD camera based detector

    Open Access•Margarita Martín, Margarita Martı́n et al.•ARTICLE•Journal of Cultural Heritage•2000

  • Laser-induced breakdown spectroscopy and Raman microscopy for analysis of pigments in polychromes

    Open Access•Marta Castillejo, Margarita Martı́n et al.•ARTICLE•Journal of Cultural Heritage•2000

  • Effect of wavelength on the laser cleaning of polychromes on wood

    Open Access•Marta Castillejo, Margarita Martín et al.•ARTICLE•Journal of Cultural Heritage•2003

  • Controlled UV laser cleaning of painted artworks: A Systematic Effect Study on Egg Tempera Paint Samples

    Open Access•Rianne Teule, Hans Scholten et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 2•References: 5

  • Evaluation of the chemical and physical changes induced by KrF laser irradiation of tempera paints

    Open Access•Marta Castillejo, Margarita Martins et al.•ARTICLE•Journal of Cultural Heritage•2003•Cited by: 3•References: 18

  • Laser cleaning of terracotta decorations of the portal of Palos of the Cathedral of Seville

    Open Access•M Oujja, Esther Rebollar et al.•ARTICLE•Journal of Cultural Heritage•2005•References: 13

  • Effectiveness of antigraffiti treatments in connection with penetration depth determined by different techniques

    Open Access•Paula María Carmona-Quiroga, Paula María Carmona‐Quiroga et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 2•References: 11

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Comparison of the Use of Traditional Solvents and Nanosecond 213 nm Nd: YAG Laser in Thinning Naturally Aged Varnish on a Contemporary Oil Easel Painting

    Open Access•Marina Martínez-Weinbaum, Míriam Lozano-Carbó et al.•ARTICLE•Heritage•2023•References: 1

    The removal of aged varnish on artistic paintings is a delicate intervention and the use of UV laser for this purpose is of special relevance. In particular, the use of nanosecond-pulsed lasers operating at 213 nm has been noted to produce good results in mock-up samples, but it has not been tested in real artworks. In this paper, we report on the application of this procedure for the first time on a contemporary oil easel painting with naturally…

  • In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy

    Open Access•Marina Martínez-Weinbaum, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 2

    Varnishes are employed in painted artworks for protection from atmospheric pollution and oxidation and for improving the esthetic appearance by providing an even and brilliant surface finish. Also, in some cases, colored varnishes are applied intentionally to modify the chromatic appearance of paintings. Varnishes undergo complex and differentiated structural and chemical changes over time depending on their composition and conservation condition…

  • Quantitative spectroscopic characterization of laser-induced effects on oil paint films using 213, 266, or 2940 nm

    Open Access•D Ciofini, Marina Martínez-Weinbaum et al.•ARTICLE•Journal of Cultural Heritage•2023•Cited by: 1•References: 1

    Removal of aged varnish layers from easel paintings is a challenging task requiring methodologies capable of preventing any alteration of the underlying painted surface. Laser-ablation approaches using the fourth and fifth harmonics of a Q-Switched Nd:YAG (266 and 213 nm, 15 ns) and Free-Running Er:YAG laser (2940 nm, 160 μs pulses) can allow for very thin removal rates but their discrimination of the underlying paint film and self-termination po…

  • Integrated Comprehensive Characterization of Black Crusts from Milan’s Monumental Cemetery: A Synergistic Approach Combining Conventional and Unconventional Analytical Techniques

    Open Access•Andrea Bergomi, Valeria Comite et al.•ARTICLE•Heritage•2025

    Black crusts are degradation features found on stone buildings, offering valuable insights into local pollution sources. Their composition and structure reflect environmental conditions, making them important indicators for environmental and conservation studies. In this study, black crusts collected from funerary monuments in the Monumental Cemetery of Milan were comprehensively characterized using SEM-EDX, Raman spectroscopy, LIBS, and oxidativ…

  • Ageing-induced changes in varnish-coated oil paints: Surface and subsurface multi-technical analysis

    Open Access•Alice Dal Fovo, Laura Maestro‐Guijarro et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 3

  • Spectroanalytical approach for analysis of archaeological objects related to personal adornment from Teruel Museum

    Open Access•Laura Maestro‐Guijarro, Pilar Punter et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 1

  • Beyond pigment: Integrated organic and inorganic analysis of cosmetic residues in pre-Islamic archaeological shells from Southeast Arabia

    Open Access•Chiara Andrea Lombardi, Francesca Sabatini et al.•ARTICLE•Journal of Cultural Heritage•2026

    This study presents the results of a multi-analytical strategy implemented to investigate the composition of pigments preserved within the shells of marine bivalves recovered from six archaeological sites from the Late Bronze Age to the 6th-7th century CE in the present-day United Arab Emirates. The analysed bivalve specimens contain greenish or blackish materials in the shell interior and according to current archaeological interpretations they …

Cultural Heritage Materials Analysis (12 works) · Materials Science (10 works) · Optics (9 works) · Conservation Techniques and Studies (8 works) · Laser (8 works) · Building materials and conservation (7 works) · Coating (6 works) · Raman spectroscopy (6 works) · Chemistry (5 works) · Laser-induced spectroscopy and plasma (5 works)

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