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Catherine Higgitt

Biographic Data

ID3796086
NAMECatherine Higgitt
GIVEN NAMESCatherine
FAMILY NAMEHiggitt
SIGNATUREHIGGITT C
AFFILIATIONSThe National Gallery
ORCID0000-0002-7928-6763
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS16
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Leonardo da Vinci’s London Virgin of the Rocks re-examined

    Open Access•Marika Spring, Marta Melchiorre Di Crescenzo et al.•ARTICLE•Spotlight•2024

    The anniversary in 2019 of Leonardo’s death prompted a new investigation of the Virgin of the Rocks now in the National Gallery in London. This built on a substantial foundation of earlier research, one past milestone being the discovery through infrared reflectography of an underdrawing for a completely different composition, showing a Virgin higher up on the panel and in a different pose. This paper focuses on the latest findings associated wit…

  • Identifying Brazilwood’s Marker Component, Urolithin C, in Historical Textiles by Surface-Enhanced Raman Spectroscopy

    Open Access•Brenda Doherty, Ilaria Degano et al.•ARTICLE•Heritage•2021

    The fugitive nature of the colorants obtained from sappanwood (Caesalpinia sappan L.) or the South American species commonly known as ‘brazilwoods’ (including other Caesalpinia species and Paubrasilia echinata (Lam.)) makes the identification of brazilwood dyes and pigments in historic artefacts analytically challenging. This difficulty has been somewhat alleviated recently by the recognition and structural elucidation of a relatively stable mark…

  • Looted, Recovered, Returned

    Janet Ambers, Caroline Cartwright et al.•BOOK•Looted, recovered, returned•2014

  • Aging and yellowing of triterpenoid resin varnishes - Influence of aging conditions and resin composition

    Open Access•Patrick Dietemann, Catherine Higgitt et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 7•References: 16

  • The Qatna lion

    Open Access•Anna J Mukherjee, Elisa Roßberger et al.•ARTICLE•Antiquity•2008•Cited by: 9•References: 17

    Using pyrolysis-gas chromatography/mass spectrometry and Fourier transform infrared spectroscopy, the authors show that amber was imported into Late Bronze Age Syria and used for making the prestige artefacts found in a Royal tomb of c. 1340 BC. The objects included beads and a unique vessel in the form of a lion, likely fashioned in Syria from raw amber imported from the Baltic via the Aegean

  • The Qatna lion

    Open Access•Anna J Mukherjee, Elisa Roßberger et al.•ARTICLE•Antiquity•2008•Cited by: 9•References: 17

    Using pyrolysis-gas chromatography/mass spectrometry and Fourier transform infrared spectroscopy, the authors show that amber was imported into Late Bronze Age Syria and used for making the prestige artefacts found in a Royal tomb of c. 1340 BC. The objects included beads and a unique vessel in the form of a lion, likely fashioned in Syria from raw amber imported from the Baltic via the Aegean

  • Aging and yellowing of triterpenoid resin varnishes - Influence of aging conditions and resin composition

    Open Access•Patrick Dietemann, Catherine Higgitt et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 7•References: 16

  • The Qatna lion

    Open Access•Anna J Mukherjee, Elisa Roßberger et al.•ARTICLE•Antiquity•2008•Cited by: 9•References: 17

    Using pyrolysis-gas chromatography/mass spectrometry and Fourier transform infrared spectroscopy, the authors show that amber was imported into Late Bronze Age Syria and used for making the prestige artefacts found in a Royal tomb of c. 1340 BC. The objects included beads and a unique vessel in the form of a lion, likely fashioned in Syria from raw amber imported from the Baltic via the Aegean

  • Aging and yellowing of triterpenoid resin varnishes - Influence of aging conditions and resin composition

    Open Access•Patrick Dietemann, Catherine Higgitt et al.•ARTICLE•Journal of Cultural Heritage•2009•Cited by: 7•References: 16

  • Looted, Recovered, Returned

    Janet Ambers, Caroline Cartwright et al.•BOOK•Looted, recovered, returned•2014

  • Identifying Brazilwood’s Marker Component, Urolithin C, in Historical Textiles by Surface-Enhanced Raman Spectroscopy

    Open Access•Brenda Doherty, Ilaria Degano et al.•ARTICLE•Heritage•2021

    The fugitive nature of the colorants obtained from sappanwood (Caesalpinia sappan L.) or the South American species commonly known as ‘brazilwoods’ (including other Caesalpinia species and Paubrasilia echinata (Lam.)) makes the identification of brazilwood dyes and pigments in historic artefacts analytically challenging. This difficulty has been somewhat alleviated recently by the recognition and structural elucidation of a relatively stable mark…

  • Leonardo da Vinci’s London Virgin of the Rocks re-examined

    Open Access•Marika Spring, Marta Melchiorre Di Crescenzo et al.•ARTICLE•Spotlight•2024

    The anniversary in 2019 of Leonardo’s death prompted a new investigation of the Virgin of the Rocks now in the National Gallery in London. This built on a substantial foundation of earlier research, one past milestone being the discovery through infrared reflectography of an underdrawing for a completely different composition, showing a Virgin higher up on the panel and in a different pose. This paper focuses on the latest findings associated wit…

Ancient history (2 works) · Archaeological Research and Protection (2 works) · Art (2 works) · Biology (2 works) · Chemistry (2 works) · Cultural Heritage Materials Analysis (2 works) · History (2 works) · Materials Science (2 works) · Afghanistan (1 work) · Ancient Egypt and Archaeology (1 work)

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