Arno Van Der Hoeven
Biographic Data
| ID | 379770 |
|---|---|
| NAME | Arno Van Der Hoeven |
| GIVEN NAMES | Arno |
| FAMILY NAME | Van Der Hoeven |
| SIGNATURE | VAN DER HOEVEN A |
| AFFILIATIONS | Erasmus University Rotterdam |
| ORCID | 0000-0003-3248-9069 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 72 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 7 |
Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies
This conceptual study explores the relationship between live popular music and the sustainability goals of the New Urban Agenda, which is the United Nation's vision on a sustainable future in the context of growing urbanisation. In connection to the Sustainable Development Goals, the agenda reflects a broad approach to sustainability. It addresses environmental, social, economic and spatial issues. We consider the opportunities and complexities o…
Valuing value in urban live music ecologies: Negotiating the impact of live music in the Netherlands
This paper seeks to understand the role of valuing in urban live music ecologies. It explains how multiple actors (e.g. directors of music venues, musicians, policy-makers, and real estate experts) in Dutch live music ecologies negotiate the different values of live music. To examine this dynamic, we use insights from literature on innovation ecosystems from the field of business, as well as research on live music ecologies from popular music stu…
Theorizing the production and consumption of live music: A critical review
It has become a commonplace to observe that the economic and cultural significance of live music has increased, while the sales of recorded music have declined. With a sense of relief people observe that the physical experience of live music attendance remains vital under conditions of rapid digitalization. This observation runs the risk of neglecting the actual challenges faced by the live music sector. In fact, live music organizations are also…
Michael Lasser, City Songs and American Life, 1900–1950
Michael Lasser, City Songs and American Life, 1900–1950. Woodbridge, UK: Boydell & Brewer, 2019. 350 pp. ISBN 978-1-58046-952-4 (hbk)
The spatial value of live music: Performing, (re)developing and narrating urban spaces
This paper examines the spatial value of live popular music by adopting an inter-disciplinary approach grounded in urban and music studies. What is understood of the relationship between live music and the built environment is improved, with a focus on how this cultural form contributes to performing, (re)developing and narrating urban spaces. The post-industrial city has become a stage for events that serve a wide range of social, cultural, econ…
Historic urban landscapes on social media: The contributions of online narrative practices to urban heritage conservation
In this study, I address the call in UNESCO’s Recommendation on the Historic Urban Landscape to explore how communication technologies can be used to conserve urban heritage. To date, the relevance of social media for the implementation of this recommendation has received little attention. This is surprising, because city oriented social media platforms contain a wide range of memories, historic audiovisual material and stories related to the urb…
The social and cultural values of live music: Sustaining urban live music ecologies
This paper presents an overview of the social and cultural values attributed to live music ecologies in urban environments. It is grounded in a qualitative content analysis of live music reports and strategies from Australia, the United States, South Africa, Canada, Ireland, the United Kingdom, Scotland and the Netherlands. Contributing to the emerging scholarly literature on urban live music ecologies, this study enhances the understanding of th…
Valuing Urban Heritage Through Participatory Heritage Websites: Citizen Perceptions of Historic Urban Landscapes
This study examines how people value their historic urban landscapes through participatory heritage websites. These websites are online places where citizens actively contribute to the conservation of urban heritage. Taking UNESCO’s 2011 Recommendation on the Historic Urban Landscape as its theoretical starting point, this study understands urban landscapes as (1) dynamic, because they change over time; (2) multilayered, as different generations …
Dynamics Of Mediatization: Institutional Change and Everyday Transformations in a Digital Age
Networked practices of intangible urban heritage: The changing public role of Dutch heritage professionals
This study examines the changing roles of heritage professionals by focusing on the participatory practices of intangible urban heritage. Developments towards democratisation in the heritage sector led to a growing expectation that heritage professionals would work with local publics. This democratisation is manifested in (1) the use of digital media for grassroots heritage practices, (2) the broader scope of what is defined as heritage, and (3) …
Valuing Popular Music Heritage
This chapter examines how values and meaning are attributed to collections in the heritage practices of amateur and fan-based popular music museums and archives in the Netherlands. The institutional context for the preservation of popular music-related heritage in the Netherlands has changed dramatically in recent years. On the one hand, this is related to major cuts in government support for all kinds of culture-related initiatives. On the other…
Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music
On the basis of interviews with music audiences, heritage practitioners, and cultural industry workers, this article explores how language use in Dutch popular music relates to local and historically situated taste patterns and music practices. Most popular music in the Netherlands is sung in English, Dutch, or dialects of the Dutch language. We discuss how these languages are used in Dutch popular music as an expression of cultural taste, cultur…
Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories
This article examines the relationship between popular music, memory and cultural identity. It draws upon narrative approaches to memory and identity in order to explore how engagement with music from the past can both afford and constrain identity construction. On the basis of in-depth interviews with, among others, heritage practitioners and audience members, I discuss how practices in the cultural and heritage industries affect the way in whic…
Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives
Remembering the 1960s: Popular music and memory in Europe
Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I …
Remembering the popular music of the 1990s: Dance Music and the Cultural Meanings of Decade-Based Nostalgia
Following the popularisation of dance music in the 1990s, and the consolidation of disc jockeys (DJs) as global stars, this article examines the attachment of music audiences to this decade by examining the popular flashback dance parties held in the Netherlands. By drawing on theories of cultural heritage, memory and nostalgia, this article explores 1990s-themed parties as spaces where music audiences construct cultural identities and engage wit…
The popular music heritage of the Dutch pirates: Illegal radio and cultural identity
This article explores how cultural identities are negotiated in relation to the heritage of illegal radio in the Netherlands. The term ‘pirate radio’ commonly refers to the offshore radio stations that were broadcasting during the 1960s. These stations introduced commercial radio and popular music genres like beat music, which were not played by public broadcasters at the time. In their wake, land-based pirates began broadcasting for local audien…
Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives
The social and cultural values of live music: Sustaining urban live music ecologies
This paper presents an overview of the social and cultural values attributed to live music ecologies in urban environments. It is grounded in a qualitative content analysis of live music reports and strategies from Australia, the United States, South Africa, Canada, Ireland, the United Kingdom, Scotland and the Netherlands. Contributing to the emerging scholarly literature on urban live music ecologies, this study enhances the understanding of th…
Valuing Urban Heritage Through Participatory Heritage Websites: Citizen Perceptions of Historic Urban Landscapes
This study examines how people value their historic urban landscapes through participatory heritage websites. These websites are online places where citizens actively contribute to the conservation of urban heritage. Taking UNESCO’s 2011 Recommendation on the Historic Urban Landscape as its theoretical starting point, this study understands urban landscapes as (1) dynamic, because they change over time; (2) multilayered, as different generations …
Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories
This article examines the relationship between popular music, memory and cultural identity. It draws upon narrative approaches to memory and identity in order to explore how engagement with music from the past can both afford and constrain identity construction. On the basis of in-depth interviews with, among others, heritage practitioners and audience members, I discuss how practices in the cultural and heritage industries affect the way in whic…
The spatial value of live music: Performing, (re)developing and narrating urban spaces
This paper examines the spatial value of live popular music by adopting an inter-disciplinary approach grounded in urban and music studies. What is understood of the relationship between live music and the built environment is improved, with a focus on how this cultural form contributes to performing, (re)developing and narrating urban spaces. The post-industrial city has become a stage for events that serve a wide range of social, cultural, econ…
Networked practices of intangible urban heritage: The changing public role of Dutch heritage professionals
This study examines the changing roles of heritage professionals by focusing on the participatory practices of intangible urban heritage. Developments towards democratisation in the heritage sector led to a growing expectation that heritage professionals would work with local publics. This democratisation is manifested in (1) the use of digital media for grassroots heritage practices, (2) the broader scope of what is defined as heritage, and (3) …
Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music
On the basis of interviews with music audiences, heritage practitioners, and cultural industry workers, this article explores how language use in Dutch popular music relates to local and historically situated taste patterns and music practices. Most popular music in the Netherlands is sung in English, Dutch, or dialects of the Dutch language. We discuss how these languages are used in Dutch popular music as an expression of cultural taste, cultur…
Remembering the popular music of the 1990s: Dance Music and the Cultural Meanings of Decade-Based Nostalgia
Following the popularisation of dance music in the 1990s, and the consolidation of disc jockeys (DJs) as global stars, this article examines the attachment of music audiences to this decade by examining the popular flashback dance parties held in the Netherlands. By drawing on theories of cultural heritage, memory and nostalgia, this article explores 1990s-themed parties as spaces where music audiences construct cultural identities and engage wit…
Remembering the 1960s: Popular music and memory in Europe
Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I …
The popular music heritage of the Dutch pirates: Illegal radio and cultural identity
This article explores how cultural identities are negotiated in relation to the heritage of illegal radio in the Netherlands. The term ‘pirate radio’ commonly refers to the offshore radio stations that were broadcasting during the 1960s. These stations introduced commercial radio and popular music genres like beat music, which were not played by public broadcasters at the time. In their wake, land-based pirates began broadcasting for local audien…
Remembering the 1960s: Popular music and memory in Europe
Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I …
Remembering the popular music of the 1990s: Dance Music and the Cultural Meanings of Decade-Based Nostalgia
Following the popularisation of dance music in the 1990s, and the consolidation of disc jockeys (DJs) as global stars, this article examines the attachment of music audiences to this decade by examining the popular flashback dance parties held in the Netherlands. By drawing on theories of cultural heritage, memory and nostalgia, this article explores 1990s-themed parties as spaces where music audiences construct cultural identities and engage wit…
Valuing Popular Music Heritage
This chapter examines how values and meaning are attributed to collections in the heritage practices of amateur and fan-based popular music museums and archives in the Netherlands. The institutional context for the preservation of popular music-related heritage in the Netherlands has changed dramatically in recent years. On the one hand, this is related to major cuts in government support for all kinds of culture-related initiatives. On the other…
Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music
On the basis of interviews with music audiences, heritage practitioners, and cultural industry workers, this article explores how language use in Dutch popular music relates to local and historically situated taste patterns and music practices. Most popular music in the Netherlands is sung in English, Dutch, or dialects of the Dutch language. We discuss how these languages are used in Dutch popular music as an expression of cultural taste, cultur…
Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories
This article examines the relationship between popular music, memory and cultural identity. It draws upon narrative approaches to memory and identity in order to explore how engagement with music from the past can both afford and constrain identity construction. On the basis of in-depth interviews with, among others, heritage practitioners and audience members, I discuss how practices in the cultural and heritage industries affect the way in whic…
Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives
Networked practices of intangible urban heritage: The changing public role of Dutch heritage professionals
This study examines the changing roles of heritage professionals by focusing on the participatory practices of intangible urban heritage. Developments towards democratisation in the heritage sector led to a growing expectation that heritage professionals would work with local publics. This democratisation is manifested in (1) the use of digital media for grassroots heritage practices, (2) the broader scope of what is defined as heritage, and (3) …
Dynamics Of Mediatization: Institutional Change and Everyday Transformations in a Digital Age
Valuing Urban Heritage Through Participatory Heritage Websites: Citizen Perceptions of Historic Urban Landscapes
This study examines how people value their historic urban landscapes through participatory heritage websites. These websites are online places where citizens actively contribute to the conservation of urban heritage. Taking UNESCO’s 2011 Recommendation on the Historic Urban Landscape as its theoretical starting point, this study understands urban landscapes as (1) dynamic, because they change over time; (2) multilayered, as different generations …
Historic urban landscapes on social media: The contributions of online narrative practices to urban heritage conservation
In this study, I address the call in UNESCO’s Recommendation on the Historic Urban Landscape to explore how communication technologies can be used to conserve urban heritage. To date, the relevance of social media for the implementation of this recommendation has received little attention. This is surprising, because city oriented social media platforms contain a wide range of memories, historic audiovisual material and stories related to the urb…
The social and cultural values of live music: Sustaining urban live music ecologies
This paper presents an overview of the social and cultural values attributed to live music ecologies in urban environments. It is grounded in a qualitative content analysis of live music reports and strategies from Australia, the United States, South Africa, Canada, Ireland, the United Kingdom, Scotland and the Netherlands. Contributing to the emerging scholarly literature on urban live music ecologies, this study enhances the understanding of th…
Theorizing the production and consumption of live music: A critical review
It has become a commonplace to observe that the economic and cultural significance of live music has increased, while the sales of recorded music have declined. With a sense of relief people observe that the physical experience of live music attendance remains vital under conditions of rapid digitalization. This observation runs the risk of neglecting the actual challenges faced by the live music sector. In fact, live music organizations are also…
Michael Lasser, City Songs and American Life, 1900–1950
Michael Lasser, City Songs and American Life, 1900–1950. Woodbridge, UK: Boydell & Brewer, 2019. 350 pp. ISBN 978-1-58046-952-4 (hbk)
The spatial value of live music: Performing, (re)developing and narrating urban spaces
This paper examines the spatial value of live popular music by adopting an inter-disciplinary approach grounded in urban and music studies. What is understood of the relationship between live music and the built environment is improved, with a focus on how this cultural form contributes to performing, (re)developing and narrating urban spaces. The post-industrial city has become a stage for events that serve a wide range of social, cultural, econ…
Valuing value in urban live music ecologies: Negotiating the impact of live music in the Netherlands
This paper seeks to understand the role of valuing in urban live music ecologies. It explains how multiple actors (e.g. directors of music venues, musicians, policy-makers, and real estate experts) in Dutch live music ecologies negotiate the different values of live music. To examine this dynamic, we use insights from literature on innovation ecosystems from the field of business, as well as research on live music ecologies from popular music stu…
Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies
This conceptual study explores the relationship between live popular music and the sustainability goals of the New Urban Agenda, which is the United Nation's vision on a sustainable future in the context of growing urbanisation. In connection to the Sustainable Development Goals, the agenda reflects a broad approach to sustainability. It addresses environmental, social, economic and spatial issues. We consider the opportunities and complexities o…
Sociology (14 works) · Art (12 works) · Music History and Culture (10 works) · Visual arts (10 works) · Political science (9 works) · Popular music (9 works) · Cultural heritage (8 works) · Cultural Industries and Urban Development (8 works) · Aesthetics (7 works) · History (7 works)