Elizabeth Chaplin
Biographic Data
| ID | 3799230 |
|---|---|
| NAME | Elizabeth Chaplin |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Chaplin |
| SIGNATURE | CHAPLIN E |
| AFFILIATIONS | University of York |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 22 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 3 |
The Photo Diary as an Autoethnographic Method
A response to Didier Aubert
Visual impact: Culture and the meaning of images
The convention of captioning: W. G. Sebald and the release of the captive image
Thesis 1: That the treatment of images in social science texts is stuck in a positivist/modernist time warp, and is out of sync with the present cultural climate. Thesis 2: That the work of W. G. Sebald indicates how images may be more appropriately used in relation to words in post‐positivist and postmodernist texts
The Photograph in Theory
This article gives an account of an ethnographic project which relied on the use of photography: the project involved taking photographs, asking for responses to them, and then analysing both photos and responses. Anything that plays a central role in an ethnographic project requires theoretical consideration. So, as the account of the project proceeds, the photos are considered from different theoretical viewpoints; and an emerging and subsequen…
Sociology and Visual Representation
Sociology and Visual Representation
Sociology and visual representation
Aesthetics and the Artistic Career: A Study of Anomie in Fine-Art Painting
This is an empirical study of the relationship between aesthetic evaluation, collective action, and artistic success. Documentary evidence is examined to show that the initial artistic success of Jackson Pollock, the leading painter in the early years of Abstract Expressionism, was not due to coherent aesthetic evaluation by the New York art world. Secondary sources are then reviewed and it is suggested that Pollock's rise to artistic preeminence…
Aesthetics and the Artistic Career: A Study of Anomie in Fine-Art Painting
This is an empirical study of the relationship between aesthetic evaluation, collective action, and artistic success. Documentary evidence is examined to show that the initial artistic success of Jackson Pollock, the leading painter in the early years of Abstract Expressionism, was not due to coherent aesthetic evaluation by the New York art world. Secondary sources are then reviewed and it is suggested that Pollock's rise to artistic preeminence…
The convention of captioning: W. G. Sebald and the release of the captive image
Thesis 1: That the treatment of images in social science texts is stuck in a positivist/modernist time warp, and is out of sync with the present cultural climate. Thesis 2: That the work of W. G. Sebald indicates how images may be more appropriately used in relation to words in post‐positivist and postmodernist texts
The Photograph in Theory
This article gives an account of an ethnographic project which relied on the use of photography: the project involved taking photographs, asking for responses to them, and then analysing both photos and responses. Anything that plays a central role in an ethnographic project requires theoretical consideration. So, as the account of the project proceeds, the photos are considered from different theoretical viewpoints; and an emerging and subsequen…
Visual impact: Culture and the meaning of images
Aesthetics and the Artistic Career: A Study of Anomie in Fine-Art Painting
This is an empirical study of the relationship between aesthetic evaluation, collective action, and artistic success. Documentary evidence is examined to show that the initial artistic success of Jackson Pollock, the leading painter in the early years of Abstract Expressionism, was not due to coherent aesthetic evaluation by the New York art world. Secondary sources are then reviewed and it is suggested that Pollock's rise to artistic preeminence…
Sociology and visual representation
Sociology and Visual Representation
Sociology and Visual Representation
The Photograph in Theory
This article gives an account of an ethnographic project which relied on the use of photography: the project involved taking photographs, asking for responses to them, and then analysing both photos and responses. Anything that plays a central role in an ethnographic project requires theoretical consideration. So, as the account of the project proceeds, the photos are considered from different theoretical viewpoints; and an emerging and subsequen…
The convention of captioning: W. G. Sebald and the release of the captive image
Thesis 1: That the treatment of images in social science texts is stuck in a positivist/modernist time warp, and is out of sync with the present cultural climate. Thesis 2: That the work of W. G. Sebald indicates how images may be more appropriately used in relation to words in post‐positivist and postmodernist texts
Visual impact: Culture and the meaning of images
A response to Didier Aubert
The Photo Diary as an Autoethnographic Method
Sociology (8 works) · Art (6 works) · Epistemology (5 works) · Participatory Visual Research Methods (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Visual Culture and Art Theory (4 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works)