Anja Nylund Hagen
Biographic Data
| ID | 380042 |
|---|---|
| NAME | Anja Nylund Hagen |
| GIVEN NAMES | Anja Nylund |
| FAMILY NAME | Hagen |
| SIGNATURE | HAGEN A N |
| AFFILIATIONS | University of Oslo |
| ORCID | 0000-0002-5802-2865 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 57 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Musikkforlagets rolle i den digitale musikkbransjen
Music publishing has always been key in the music industries. The profession has changed over time, but the concept remains the same: to generate added value based on creative and administrative management of musical copyright. When music circulates in streaming services and online platforms, rightsholders are faced with complex copyright issues of a global character. At the same time, the value of copyrighted material and existing catalogues is …
Datafication, Literacy, and Democratization in the Music Industry
This article frames the relationship between datafication and literacy as a key to understand participation, power, and processes of democratization in a platform–dominated music industry. Drawing upon a Norwegian surve (n = 555) and in-depth interviews with music-industry actors, the analysis demonstrates commercial benefits of data-usage, and why many have yet to take advantage of datafication’s possibilities. The article indicates that datafic…
Metrics and decision-making in music streaming
Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…
The metaphors we stream by
In Norway music-streaming services have become mainstream in everyday music listening. This paper examines how 12 heavy streaming users make sense of their experiences with Spotify and WiMP Music (now Tidal). The analysis relies on a mixed-method qualitative study, combining music-diary self-reports, online observation of streaming accounts, Facebook and last.fm scrobble-logs, and in-depth interviews. By drawing on existing metaphors of Internet …
The Playlist Experience
Music streaming services encompass features that enable the organization of music into playlists. This article inquires how users describe and make sense of practices and experiences of creating, curating, maintaining, and using personal playlists. The analysis relies on a mixed-method study, including music-diary self-reports, online observations, and in-depth interviews with 12 heavy users of Spotify or/and WiMP Music. The findings suggest hete…
The Playlist Experience
Music streaming services encompass features that enable the organization of music into playlists. This article inquires how users describe and make sense of practices and experiences of creating, curating, maintaining, and using personal playlists. The analysis relies on a mixed-method study, including music-diary self-reports, online observations, and in-depth interviews with 12 heavy users of Spotify or/and WiMP Music. The findings suggest hete…
Metrics and decision-making in music streaming
Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…
Datafication, Literacy, and Democratization in the Music Industry
This article frames the relationship between datafication and literacy as a key to understand participation, power, and processes of democratization in a platform–dominated music industry. Drawing upon a Norwegian surve (n = 555) and in-depth interviews with music-industry actors, the analysis demonstrates commercial benefits of data-usage, and why many have yet to take advantage of datafication’s possibilities. The article indicates that datafic…
The Playlist Experience
Music streaming services encompass features that enable the organization of music into playlists. This article inquires how users describe and make sense of practices and experiences of creating, curating, maintaining, and using personal playlists. The analysis relies on a mixed-method study, including music-diary self-reports, online observations, and in-depth interviews with 12 heavy users of Spotify or/and WiMP Music. The findings suggest hete…
The metaphors we stream by
In Norway music-streaming services have become mainstream in everyday music listening. This paper examines how 12 heavy streaming users make sense of their experiences with Spotify and WiMP Music (now Tidal). The analysis relies on a mixed-method qualitative study, combining music-diary self-reports, online observation of streaming accounts, Facebook and last.fm scrobble-logs, and in-depth interviews. By drawing on existing metaphors of Internet …
Metrics and decision-making in music streaming
Music streaming enables the tracking of listening behavior in more detail than any previous music-distribution format. While it is well known that streaming services collect troves of data, little is known about how stakeholders, including managers or label executives, make metric-based decisions and how they understand the impact of algorithms. The article uses anonymized interviews with music industry professionals, exploring how they use metri…
Datafication, Literacy, and Democratization in the Music Industry
This article frames the relationship between datafication and literacy as a key to understand participation, power, and processes of democratization in a platform–dominated music industry. Drawing upon a Norwegian surve (n = 555) and in-depth interviews with music-industry actors, the analysis demonstrates commercial benefits of data-usage, and why many have yet to take advantage of datafication’s possibilities. The article indicates that datafic…
Musikerne, bransjen og samfunnet
Musikerne er den største gruppen av kunstnere i Norge, og denne boka handler om dem. Musikere arbeider på mange ulike arenaer, inntar et bredt spekter av yrkesroller og uttrykker seg i mange forskjellige sjangre. Du opplever dem på klubb- og konsertscener nasjonalt og internasjonalt. Du finner dem på podiet i de store orkestrene og i orkestergrava når musikal, teater, dans og opera står på programmet. Du møter dem som lærere i kulturskolen, grunn…
Musikkforlagets rolle i den digitale musikkbransjen
Music publishing has always been key in the music industries. The profession has changed over time, but the concept remains the same: to generate added value based on creative and administrative management of musical copyright. When music circulates in streaming services and online platforms, rightsholders are faced with complex copyright issues of a global character. At the same time, the value of copyrighted material and existing catalogues is …
Music History and Culture (4 works) · Computer Science (3 works) · Active listening (2 works) · Art (2 works) · Business (2 works) · Cultural Industries and Urban Development (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works) · Advertising (1 work)