Steven Harris
Biographic Data
| ID | 3803535 |
|---|---|
| NAME | Steven Harris |
| GIVEN NAMES | Steven |
| FAMILY NAME | Harris |
| SIGNATURE | HARRIS S |
| AFFILIATIONS | University of Alberta |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
A Critical Review of Help-Seeking for Couples Therapy
Eros , c'est la vie
The Exposition inteRnatiOnale du Surréalisme , or EROS , which took place in Paris between December 1959 and February 1960, was focused on the origins of art in the erotic drives, and was oriented implicitly to its contemporary moment in regard to the censorship of political and sexual material in the Fifth Republic. The exhibition is examined in relation to issues of hybridity, encounter, ritual, and the destabilization of identities, using Nora…
Exercise and executive functioning in older women
Research suggests that exercise can slow the rate of decline in cognitive functioning in older adults. The effects of aerobic and resistance exercise on executive functioning was examined in 68 women over 50 years of age. Participants completed the Tower of London and Benton Controlled Oral Word Association tests. Findings indicated that individuals participating in both aerobic and resistance exercises performed significantly better than individ…
Taming Arbitration
At the end of the nineteenth century, the states’-system saw off a challenge from international lawyers and peace advocates who sought saw arbitration as a means to constrain raison d’état and state discretion over the decision to go to war. While there is no evidence that statesmen engaged in a vast conspiracy, the statements and actions of diplomats from all the great powers demonstrate a consistent pattern of opposition to arbitration, restric…
Material Imagination
Sometime in 1947–48, the Danish painter Asger Jorn and the Belgian poet Christian Dotremont produced together – one hand passing over the other, painting and writing intermingled – a series of peintures-mots. In one of these early collaborative artworks (plate 1), four figures, their outlines filled with swirling stripes and patches of bright colour, confront each other; their open mouths indicate a voluble discussion. Scrolled across top and bot…
Reading Claude Cahun’s Disavowals
Communism on Tomorrow Street
How Language Looks
Surrealism and Photography
In keeping with the first two issues of the Journal of Surrealism and the Americas, this third issue aims to broaden the horizon of critical concerns to which the publication is dedicated, turning our attention here to photographic contributions to the discourse of Surrealism and the Americas. Photography, of course, played a central role in surrealist practices since the movement’s inception, as the plethora of scholarship on the topic has under…
Pulp Surrealism
Beware of Domestic Objects
This article focuses on the competing conceptions of surrealism held in the 1930s by Salvador Dalí and André Breton, which were centred on the notions of paranoia‐criticism and automatism. The article is oriented around the production of a number of surrealist objects and paintings in which these differences were articulated, and includes a discussion of the ways in which paranoia‐criticism and automatism were theorized in the 1930s. It includes …
Occluded Front
Book Reviewed in this article: David Lomas, The Haunted Self: Surrealism, Psychoanalysis, Subjectivity
No prominent works on this page.
Beware of Domestic Objects
This article focuses on the competing conceptions of surrealism held in the 1930s by Salvador Dalí and André Breton, which were centred on the notions of paranoia‐criticism and automatism. The article is oriented around the production of a number of surrealist objects and paintings in which these differences were articulated, and includes a discussion of the ways in which paranoia‐criticism and automatism were theorized in the 1930s. It includes …
Occluded Front
Book Reviewed in this article: David Lomas, The Haunted Self: Surrealism, Psychoanalysis, Subjectivity
Pulp Surrealism
Surrealism and Photography
In keeping with the first two issues of the Journal of Surrealism and the Americas, this third issue aims to broaden the horizon of critical concerns to which the publication is dedicated, turning our attention here to photographic contributions to the discourse of Surrealism and the Americas. Photography, of course, played a central role in surrealist practices since the movement’s inception, as the plethora of scholarship on the topic has under…
How Language Looks
Communism on Tomorrow Street
Reading Claude Cahun’s Disavowals
Material Imagination
Sometime in 1947–48, the Danish painter Asger Jorn and the Belgian poet Christian Dotremont produced together – one hand passing over the other, painting and writing intermingled – a series of peintures-mots. In one of these early collaborative artworks (plate 1), four figures, their outlines filled with swirling stripes and patches of bright colour, confront each other; their open mouths indicate a voluble discussion. Scrolled across top and bot…
Exercise and executive functioning in older women
Research suggests that exercise can slow the rate of decline in cognitive functioning in older adults. The effects of aerobic and resistance exercise on executive functioning was examined in 68 women over 50 years of age. Participants completed the Tower of London and Benton Controlled Oral Word Association tests. Findings indicated that individuals participating in both aerobic and resistance exercises performed significantly better than individ…
Taming Arbitration
At the end of the nineteenth century, the states’-system saw off a challenge from international lawyers and peace advocates who sought saw arbitration as a means to constrain raison d’état and state discretion over the decision to go to war. While there is no evidence that statesmen engaged in a vast conspiracy, the statements and actions of diplomats from all the great powers demonstrate a consistent pattern of opposition to arbitration, restric…
A Critical Review of Help-Seeking for Couples Therapy
Eros , c'est la vie
The Exposition inteRnatiOnale du Surréalisme , or EROS , which took place in Paris between December 1959 and February 1960, was focused on the origins of art in the erotic drives, and was oriented implicitly to its contemporary moment in regard to the censorship of political and sexual material in the Fifth Republic. The exhibition is examined in relation to issues of hybridity, encounter, ritual, and the destabilization of identities, using Nora…
Art (8 works) · Art history (6 works) · Philosophy (5 works) · Art, Politics, and Modernism (4 works) · Psychology (4 works) · Computer Science (3 works) · Law (3 works) · Linguistics (3 works) · Photography and Visual Culture (3 works) · Political science (3 works)