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Duncan James Poupard

Biographic Data

ID3811013
NAMEDuncan James Poupard
GIVEN NAMESDuncan James
FAMILY NAMEPoupard
SIGNATUREPOUPARD D J
AFFILIATIONSChinese University of Hong Kong
ORCID0000-0001-5974-1813
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS0
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Synopsis

    Open Access•Duncan James Poupard, Ümit Türe Pekel•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard, Zhenzhen Du•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard, Jampa Choetso•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard•ARTICLE•Encounters in translation•2025

  • On bats, borrowings, and beginnings

    Open Access•Duncan James Poupard•ARTICLE•Encounters in translation•2025

    While stories and myths are common in all societies, the development of what may be termed a “literature” is a much rarer occurrence. Most spoken languages do not even possess a script, and the appearance of writing, of visible language, does not itself mark the advent of a literature. How then does literature come about? This paper attempts to answer this far-reaching question by looking at a small Tibeto-Burman minority group in southwest China…

  • Synopsis

    Open Access•Duncan James Poupard, Edwin C Gentzler Translation Center•ARTICLE•Encounters in translation•2025

  • “Rock’s Land and Goullart’s”

    Duncan James Poupard•ARTICLE•Journal of World Literature•2024

    Despite being a UNESCO World Heritage site, Lijiang in China’s mountainous southwest is not a renowned city in world history, yet there is no doubt that, after reading the works of Joseph Rock (1884–1962) and Peter Goullart (1901–1978), Ezra Pound perceived it as befitting such a status. Lijiang in Pound’s Cantos becomes both an ideal construct of the poetic mind and a real, achievable paradiso terrestre . In this glorified hieratic landscape, Po…

  • Attention is all low-resource languages need

    Open Access•Duncan James Poupard, Duncan Poupard•ARTICLE•Translation Studies•2024

    The question of what it might mean “to take Indigenous languages seriously” has never been more pressing. It is true that minority, Indigenous or otherwise low-resource languages have been almost “

  • Introduction

    Open Access•Duncan James Poupard, Chunfeng Zhang•ARTICLE•Journal of Chinese Writing Systems•2024

    This introductory article to the volume deals with the historical development of an international Naxi Studies, and offers a review of the current situation of the discipline. Naxiology (the composition, provenance, and translation of Naxi manuscripts) is presented as a sub-discipline of Naxi Studies, and some recent landmark publications are introduced, alongside a discussion of the long-standing issue of Romanising the Naxi language. The interd…

  • “Strike with the magic dagger!” A Naxi phur ba manuscript and the Dunhuang connection

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2024

    This article presents preliminary readings from an unusual Naxi manuscript in the Leiden University Libraries Naxi Dongba manuscripts collection, OR. 26.042. This manuscript is indecipherable (likely recording a Tibetan dharani), except for three sections at the beginning, middle, and end, translations of which are presented here. I propose that is the only extant Naxi manuscript to record a full phur ba (magic dagger) rite, and as such is of spe…

  • Sinoxenic writing and Chinese minority literature

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2022

    Drawing on examples from a range of ethnic minority literatures across south China (Achang, Hani, Bai, and Naxi), this article attempts to show how the writing of minority languages in contemporary Chinese literature may have evolved from the old Sinoxenic writing (writing that uses a borrowed and/or modified Chinese character script) of manuscript sources. I argue that all of China’s minority authors engage in Sinoxenic writing (albeit in limite…

  • Travelling Back via Translation

    Open Access•Duncan James Poupard, Duncan Poupard•ARTICLE•Interlitteraria•2021

    Tibetan author Alai’s Chinese essay, Yi di shui jingguo Lijiang (一滴水经过丽江 [A drop of water passes through Lijiang]) is a piece of travel writing that describes the city of Lijiang (home to the Naxi minority of Yunnan province) and its environs from the perspective of an anthropomorphic drop of water. The essay has been subsequently translated back into the minority Naxi language of Lijiang by Naxi scholar Mu Chen, and both versions are presented a…

  • Writings on the wall

    Duncan James Poupard•ARTICLE•Asian Anthropology•2021

    This article investigates public textual inscriptions in China’s Naxi minority region and the role they play in projecting power. Cliff inscriptions in Chinese minority areas may be an attempt to enforce the hegemonic project of the “civilizing centre,” which sees Han culture as a civilizing force on the “barbarians” that live in China’s border provinces. Despite the nominal equality of China’s ethnic minority groups, the language and writing sys…

  • Revitalising Naxi dongba as a ‘pictographic’ vernacular script

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2019

    A script can be a window into a language and all the culture contained within it. China’s minority peoples have a multitude of scripts, but many are in danger of falling out of use, a decline spurred by the adoption and promotion of standard Chinese across the country. Nevertheless, efforts are being made to preserve minority writing systems. This article reveals how the primarily logographic Naxi dongba script (often labelled the world’s ‘last l…

  • Translation as hybridity in Sinophone Bai writing

    Duncan James Poupard•ARTICLE•Asian Ethnicity•2019•References: 10

    How can minority writers within China assert their own ethnolinguistic distinctiveness whilst also writing in Chinese? Ethnic minority works fall into two groups: writing in standard Chinese, and works in native scripts. Most ethnic minority writing that can go beyond the local level to connect with a national or even global audience is published in Chinese – hence the label ‘Sinophone’ writing. The Bai people are one such minority nationality wi…

  • How the Turtle Lost its Shell

    Open Access•Duncan James Poupard•ARTICLE•HIMALAYA•2018

    This article is a pan-Himalayan story about how the turtle, as a cultural symbol within Sino-Tibetan divination iconography, came to more closely resemble a frog. It attempts a comparative analysis of Sino-Tibetan divination manuals, from Tibetan Dunhuang and Sinitic turtle divination to frog divination among the Naxi people of southwest China. It is claimed that divination turtles, upon entering the Himalayan foothills, are not just turtles, but…

No prominent works on this page.

  • How the Turtle Lost its Shell

    Open Access•Duncan James Poupard•ARTICLE•HIMALAYA•2018

    This article is a pan-Himalayan story about how the turtle, as a cultural symbol within Sino-Tibetan divination iconography, came to more closely resemble a frog. It attempts a comparative analysis of Sino-Tibetan divination manuals, from Tibetan Dunhuang and Sinitic turtle divination to frog divination among the Naxi people of southwest China. It is claimed that divination turtles, upon entering the Himalayan foothills, are not just turtles, but…

  • Revitalising Naxi dongba as a ‘pictographic’ vernacular script

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2019

    A script can be a window into a language and all the culture contained within it. China’s minority peoples have a multitude of scripts, but many are in danger of falling out of use, a decline spurred by the adoption and promotion of standard Chinese across the country. Nevertheless, efforts are being made to preserve minority writing systems. This article reveals how the primarily logographic Naxi dongba script (often labelled the world’s ‘last l…

  • Translation as hybridity in Sinophone Bai writing

    Duncan James Poupard•ARTICLE•Asian Ethnicity•2019•References: 10

    How can minority writers within China assert their own ethnolinguistic distinctiveness whilst also writing in Chinese? Ethnic minority works fall into two groups: writing in standard Chinese, and works in native scripts. Most ethnic minority writing that can go beyond the local level to connect with a national or even global audience is published in Chinese – hence the label ‘Sinophone’ writing. The Bai people are one such minority nationality wi…

  • Travelling Back via Translation

    Open Access•Duncan James Poupard, Duncan Poupard•ARTICLE•Interlitteraria•2021

    Tibetan author Alai’s Chinese essay, Yi di shui jingguo Lijiang (一滴水经过丽江 [A drop of water passes through Lijiang]) is a piece of travel writing that describes the city of Lijiang (home to the Naxi minority of Yunnan province) and its environs from the perspective of an anthropomorphic drop of water. The essay has been subsequently translated back into the minority Naxi language of Lijiang by Naxi scholar Mu Chen, and both versions are presented a…

  • Writings on the wall

    Duncan James Poupard•ARTICLE•Asian Anthropology•2021

    This article investigates public textual inscriptions in China’s Naxi minority region and the role they play in projecting power. Cliff inscriptions in Chinese minority areas may be an attempt to enforce the hegemonic project of the “civilizing centre,” which sees Han culture as a civilizing force on the “barbarians” that live in China’s border provinces. Despite the nominal equality of China’s ethnic minority groups, the language and writing sys…

  • Sinoxenic writing and Chinese minority literature

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2022

    Drawing on examples from a range of ethnic minority literatures across south China (Achang, Hani, Bai, and Naxi), this article attempts to show how the writing of minority languages in contemporary Chinese literature may have evolved from the old Sinoxenic writing (writing that uses a borrowed and/or modified Chinese character script) of manuscript sources. I argue that all of China’s minority authors engage in Sinoxenic writing (albeit in limite…

  • “Rock’s Land and Goullart’s”

    Duncan James Poupard•ARTICLE•Journal of World Literature•2024

    Despite being a UNESCO World Heritage site, Lijiang in China’s mountainous southwest is not a renowned city in world history, yet there is no doubt that, after reading the works of Joseph Rock (1884–1962) and Peter Goullart (1901–1978), Ezra Pound perceived it as befitting such a status. Lijiang in Pound’s Cantos becomes both an ideal construct of the poetic mind and a real, achievable paradiso terrestre . In this glorified hieratic landscape, Po…

  • Attention is all low-resource languages need

    Open Access•Duncan James Poupard, Duncan Poupard•ARTICLE•Translation Studies•2024

    The question of what it might mean “to take Indigenous languages seriously” has never been more pressing. It is true that minority, Indigenous or otherwise low-resource languages have been almost “

  • Introduction

    Open Access•Duncan James Poupard, Chunfeng Zhang•ARTICLE•Journal of Chinese Writing Systems•2024

    This introductory article to the volume deals with the historical development of an international Naxi Studies, and offers a review of the current situation of the discipline. Naxiology (the composition, provenance, and translation of Naxi manuscripts) is presented as a sub-discipline of Naxi Studies, and some recent landmark publications are introduced, alongside a discussion of the long-standing issue of Romanising the Naxi language. The interd…

  • “Strike with the magic dagger!” A Naxi phur ba manuscript and the Dunhuang connection

    Open Access•Duncan James Poupard•ARTICLE•Journal of Chinese Writing Systems•2024

    This article presents preliminary readings from an unusual Naxi manuscript in the Leiden University Libraries Naxi Dongba manuscripts collection, OR. 26.042. This manuscript is indecipherable (likely recording a Tibetan dharani), except for three sections at the beginning, middle, and end, translations of which are presented here. I propose that is the only extant Naxi manuscript to record a full phur ba (magic dagger) rite, and as such is of spe…

  • Synopsis

    Open Access•Duncan James Poupard, Ümit Türe Pekel•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard, Zhenzhen Du•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard, Jampa Choetso•ARTICLE•Encounters in translation•2025

  • Synopsis

    Open Access•Duncan James Poupard•ARTICLE•Encounters in translation•2025

  • On bats, borrowings, and beginnings

    Open Access•Duncan James Poupard•ARTICLE•Encounters in translation•2025

    While stories and myths are common in all societies, the development of what may be termed a “literature” is a much rarer occurrence. Most spoken languages do not even possess a script, and the appearance of writing, of visible language, does not itself mark the advent of a literature. How then does literature come about? This paper attempts to answer this far-reaching question by looking at a small Tibeto-Burman minority group in southwest China…

  • Synopsis

    Open Access•Duncan James Poupard, Edwin C Gentzler Translation Center•ARTICLE•Encounters in translation•2025

History (8 works) · Philosophy (7 works) · China's Ethnic Minorities and Relations (6 works) · Linguistics (6 works) · Art (5 works) · Chinese history and philosophy (5 works) · Naxi (5 works) · Biology (4 works) · China (4 works) · Political science (4 works)

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