E V Salnikova
Biographic Data
| ID | 3813207 |
|---|---|
| NAME | E V Salnikova |
| GIVEN NAMES | E V |
| FAMILY NAME | Salnikova |
| SIGNATURE | SALNIKOVA E V |
| AFFILIATIONS | Institute of Art History |
| ORCID | 0000-0001-8386-9251 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Reception of Soviet Adventurous Films in the Domestic Periodicals of the 1920s
The paper examines the articles in the 1920s periodicals devoted to Soviet adventure cinema. The author identifies four main groups of people who spoke out on the issues of cinema: ordinary spectators, worker correspondents, professional critics with a strong ideological bias, and professionals in the film industry, critics, and writers who recognized the primacy of the artistic component in the cinema art. The question is raised about the attitu…
Screen Impressionism and Industrial Production Drama in the Film Your Contemporary by Yuli Raisman
Using the methods of film studies, culture studies and aesthetics, the article analyses the formal and substantive aspects of the film Your Contemporary (1967) by Yuli Raisman and Evgeny Gabrilovich. The context of the official reception of the film and critical statements in the magazines Iskusstvo kino (The Art of Cinema) and Sovietsky ehkran (Soviet Screen) is considered. The article also contains the text of a letter in which Raisman’s film i…
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. The Sentiment of Cinema Professionals
The article is based on the transcript of the discussion on the work of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the materials of the issues of 1957 and 1958. This array of texts and illustrative materials has not been previously studied and analysed in the humanities, which determines the substantial novelty of the research. The relevance of this topic is due to the need to comprehend the Soviet experience of perio…
Laughter and the Comic in the Soviet Film Comedy of the 1960s-1970s
The author of the article notes the influence of the research of Russian folklorists and cultural historians on the interpretation of the 20th century art and captures the humanitarian trend towards searching for primarily archetypal situations and images in contemporary art, Soviet film comedy included. The article highlights the importance of the concepts by V. Propp and M. Bakhtin for the current perception of works of art and urges us not to …
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. Cinema and Criticism Between Ideology and Commerce
The article deals with the two packages of archival documents — the 1955 resolutions on the establishment of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the transcript of the discussion of the magazine’s work in the Union of Cinematography Workers in 1958. The author of the article considers the general style of the issues of The Soviet Screen of 1957 and 1958 and the individual materials, in particular, the wishes for…
The Colours Composition in The Diamond Arm by Leonid Gaidai
The main motives of the colour composition of the film The Diamond Arm are discussed in the article. The variations of the blue and the semantics of the cold range of colours associated with the world of the main character, Senya Gorbunkov, his unconscious and his fears are analyzed. The development of the motif of pale, light colour shades that appear at moments of dramatic uncertainty, extreme tension and preparation for the upcoming climaxes i…
Dog Barbos and Unusual Cross in the Context of Soviet Culture, Folklore and “Game Fiction”
The article is devoted to the comedy by the Soviet film director Leonid Gaidai. The relevance of the topic is due to the approaching the 100th anniversary of the director’s birth (2023) and his high popularity throughout the post-Soviet years. At the Soviet time, however, criticism and film studies often denied that Gaidai’s films had semantic depth. The novelty of the author’s approaches consists in a detailed unbiased semantic analysis of the v…
Algol. Tragedy of Power (1920) as Futuristic Peplum and the “Rehearsal” of Metropolis
The article is devoted to the recently found and restored film Algol. The Tragedy of Power (1920) by Hans Werckmeister, combining an adventurous beginning, fantasy, career history and family history. This is one of the earliest stories predicting the processes of globalization. The author examines the visual originality of the picture, which includes both expressionist scenes and out-of-style fragments, dwells in detail on some camera solutions. …
Vitality of the Art
Throughout the centuries, the concept of the vitality of art has been commensurate with the concept of “elevated life”, with the feeling of a special upsurge at the moment of artistic experience, and was seen as a condition for gaining new energy. Today, the high amplitude of the implementation of artistic drama, the acutely presented tragic, undermines the possibili- ties of artistic catharsis. When the art form is shattered by deliberate alogis…
Microelement Status of the Orenburg Region Population
The aim of the paper is to study the features of the microelement status of the population of the Orenburg region and to establish the distribution limits of geographical and ecological pathology. Methods. The content of chemical elements in the hair was estimated by atomic emission and mass spectrometry using an Elan 9000 mass spectrometer and an Optima 2000 V atomic emission spectrometer in the laboratory "Center for Biotic Medicine" (Moscow). …
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Microelement Status of the Orenburg Region Population
The aim of the paper is to study the features of the microelement status of the population of the Orenburg region and to establish the distribution limits of geographical and ecological pathology. Methods. The content of chemical elements in the hair was estimated by atomic emission and mass spectrometry using an Elan 9000 mass spectrometer and an Optima 2000 V atomic emission spectrometer in the laboratory "Center for Biotic Medicine" (Moscow). …
Algol. Tragedy of Power (1920) as Futuristic Peplum and the “Rehearsal” of Metropolis
The article is devoted to the recently found and restored film Algol. The Tragedy of Power (1920) by Hans Werckmeister, combining an adventurous beginning, fantasy, career history and family history. This is one of the earliest stories predicting the processes of globalization. The author examines the visual originality of the picture, which includes both expressionist scenes and out-of-style fragments, dwells in detail on some camera solutions. …
Vitality of the Art
Throughout the centuries, the concept of the vitality of art has been commensurate with the concept of “elevated life”, with the feeling of a special upsurge at the moment of artistic experience, and was seen as a condition for gaining new energy. Today, the high amplitude of the implementation of artistic drama, the acutely presented tragic, undermines the possibili- ties of artistic catharsis. When the art form is shattered by deliberate alogis…
Dog Barbos and Unusual Cross in the Context of Soviet Culture, Folklore and “Game Fiction”
The article is devoted to the comedy by the Soviet film director Leonid Gaidai. The relevance of the topic is due to the approaching the 100th anniversary of the director’s birth (2023) and his high popularity throughout the post-Soviet years. At the Soviet time, however, criticism and film studies often denied that Gaidai’s films had semantic depth. The novelty of the author’s approaches consists in a detailed unbiased semantic analysis of the v…
The Colours Composition in The Diamond Arm by Leonid Gaidai
The main motives of the colour composition of the film The Diamond Arm are discussed in the article. The variations of the blue and the semantics of the cold range of colours associated with the world of the main character, Senya Gorbunkov, his unconscious and his fears are analyzed. The development of the motif of pale, light colour shades that appear at moments of dramatic uncertainty, extreme tension and preparation for the upcoming climaxes i…
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. The Sentiment of Cinema Professionals
The article is based on the transcript of the discussion on the work of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the materials of the issues of 1957 and 1958. This array of texts and illustrative materials has not been previously studied and analysed in the humanities, which determines the substantial novelty of the research. The relevance of this topic is due to the need to comprehend the Soviet experience of perio…
Laughter and the Comic in the Soviet Film Comedy of the 1960s-1970s
The author of the article notes the influence of the research of Russian folklorists and cultural historians on the interpretation of the 20th century art and captures the humanitarian trend towards searching for primarily archetypal situations and images in contemporary art, Soviet film comedy included. The article highlights the importance of the concepts by V. Propp and M. Bakhtin for the current perception of works of art and urges us not to …
The Discussion of the Work of Sovetsky Ekran (The Soviet Screen) Magazine in 1958. Cinema and Criticism Between Ideology and Commerce
The article deals with the two packages of archival documents — the 1955 resolutions on the establishment of the popular illustrated magazine Sovetsky Ekran (The Soviet Screen) and the transcript of the discussion of the magazine’s work in the Union of Cinematography Workers in 1958. The author of the article considers the general style of the issues of The Soviet Screen of 1957 and 1958 and the individual materials, in particular, the wishes for…
Screen Impressionism and Industrial Production Drama in the Film Your Contemporary by Yuli Raisman
Using the methods of film studies, culture studies and aesthetics, the article analyses the formal and substantive aspects of the film Your Contemporary (1967) by Yuli Raisman and Evgeny Gabrilovich. The context of the official reception of the film and critical statements in the magazines Iskusstvo kino (The Art of Cinema) and Sovietsky ehkran (Soviet Screen) is considered. The article also contains the text of a letter in which Raisman’s film i…
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
Reception of Soviet Adventurous Films in the Domestic Periodicals of the 1920s
The paper examines the articles in the 1920s periodicals devoted to Soviet adventure cinema. The author identifies four main groups of people who spoke out on the issues of cinema: ordinary spectators, worker correspondents, professional critics with a strong ideological bias, and professionals in the film industry, critics, and writers who recognized the primacy of the artistic component in the cinema art. The question is raised about the attitu…
Art (8 works) · Aesthetics (7 works) · Literature (7 works) · Movie theater (6 works) · Sociology (5 works) · Drama (4 works) · Philosophy (4 works) · Criticism (3 works) · European Cultural and National Identity (3 works) · History (3 works)