Sarah Rahman Niazi
Biographic Data
| ID | 381382 |
|---|---|
| NAME | Sarah Rahman Niazi |
| GIVEN NAMES | Sarah Rahman |
| FAMILY NAME | Niazi |
| SIGNATURE | NIAZI S R |
| AFFILIATIONS | University of Westminster |
| ORCID | 0000-0003-3792-2503 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Vanishing Point
Review of: The Vanishing Point: Moving Images after Video , Rashmi Devi Sawhney (ed.) (2022) New Delhi: Tulika Books, 378 pp., ISBN 978-8-19471-758-4, h/bk, £45
Where Adab Meets Film
Film journals had become part and parcel of the complex of cinema consumption and a vital source of information in the 1930s. These film journals successfully expanded the reach of cinema and created a space for thinking and engaging with cinema and cinema-related content. The film magazine not only fulfilled the needs of average cinema-goers but was also aimed at distributors, exhibitors, advertisers and potential film financiers. This article t…
Predictors of oral health literacy in pregnant women
We determined factors associate with oral health literacy of pregnant women. A total of 203 pregnant women attending Hospital Universiti Sains Malaysia (USM) for antenatal care participated in this cross-sectional study. The Malay version of Oral Health Literacy Instrument (OHLI-M) and a structured self-administered questionnaire were used to obtain variables of interest. The mean OHLI-M score was 73.6 (SD 12.59). Only slightly more than half of …
White Skin/Brown Masks
My paper explores categories of gender, ethnicity, modernity and performance through the figure of the 'white' actress in the early years of Indian cinema (1920-1940). Film was a lucrative site of business for intrepidly ambitious individuals in search of reinvention in Bombay. For women from 'white' backgrounds, cinema became a means to recast their identity; helping them reclaim the public sphere in new and radical ways. The trace of 'white' ac…
No prominent works on this page.
White Skin/Brown Masks
My paper explores categories of gender, ethnicity, modernity and performance through the figure of the 'white' actress in the early years of Indian cinema (1920-1940). Film was a lucrative site of business for intrepidly ambitious individuals in search of reinvention in Bombay. For women from 'white' backgrounds, cinema became a means to recast their identity; helping them reclaim the public sphere in new and radical ways. The trace of 'white' ac…
Predictors of oral health literacy in pregnant women
We determined factors associate with oral health literacy of pregnant women. A total of 203 pregnant women attending Hospital Universiti Sains Malaysia (USM) for antenatal care participated in this cross-sectional study. The Malay version of Oral Health Literacy Instrument (OHLI-M) and a structured self-administered questionnaire were used to obtain variables of interest. The mean OHLI-M score was 73.6 (SD 12.59). Only slightly more than half of …
Where Adab Meets Film
Film journals had become part and parcel of the complex of cinema consumption and a vital source of information in the 1930s. These film journals successfully expanded the reach of cinema and created a space for thinking and engaging with cinema and cinema-related content. The film magazine not only fulfilled the needs of average cinema-goers but was also aimed at distributors, exhibitors, advertisers and potential film financiers. This article t…
The Vanishing Point
Review of: The Vanishing Point: Moving Images after Video , Rashmi Devi Sawhney (ed.) (2022) New Delhi: Tulika Books, 378 pp., ISBN 978-8-19471-758-4, h/bk, £45
Art (3 works) · Cinema and Media Studies (3 works) · South Asian Cinema and Culture (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Media studies (2 works) · Movie theater (2 works) · Political science (2 works) · Sociology (2 works)