Junliang Huang
Biographic Data
| ID | 3815786 |
|---|---|
| NAME | Junliang Huang |
| GIVEN NAMES | Junliang |
| FAMILY NAME | Huang |
| SIGNATURE | HUANG J |
| AFFILIATIONS | California State University System |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Ōfuku shokan
Spatiality, destruction, and the individual in Takeda Taijun’s Sekai
This article offers an examination of the Japanese postwar writer Takeda Taijun’s concept of destruction (metsubō) and his view of the sekai, or “world,” as a theoretical tool against Japanese imperialism, and potentially also for a transnational history. It first examines Takeda’s wartime book-length essay entitled Sima Qian: The World of Shiji (Shiba Sen: Shiki no sekai, 1943) to highlight Takeda’s conceptualization of space (kūkan) that anchor…
The Unsettled Rhetoric of Colour
This essay is the first study from a racial perspective of Travels in China (1925), the travelogue by the renowned Taisho Japanese short-story writer Akutagawa Ryūnosuke. The essay draws attention to the colourized body in a multiracial environment under semicolonialism and discusses how Akutagawa’s travelogue demonstrates the destruction of racial identities, including the conceptual white. Unlike other studies of Travels in China, which usually…
No prominent works on this page.
The Unsettled Rhetoric of Colour
This essay is the first study from a racial perspective of Travels in China (1925), the travelogue by the renowned Taisho Japanese short-story writer Akutagawa Ryūnosuke. The essay draws attention to the colourized body in a multiracial environment under semicolonialism and discusses how Akutagawa’s travelogue demonstrates the destruction of racial identities, including the conceptual white. Unlike other studies of Travels in China, which usually…
Spatiality, destruction, and the individual in Takeda Taijun’s Sekai
This article offers an examination of the Japanese postwar writer Takeda Taijun’s concept of destruction (metsubō) and his view of the sekai, or “world,” as a theoretical tool against Japanese imperialism, and potentially also for a transnational history. It first examines Takeda’s wartime book-length essay entitled Sima Qian: The World of Shiji (Shiba Sen: Shiki no sekai, 1943) to highlight Takeda’s conceptualization of space (kūkan) that anchor…
Ōfuku shokan
Japanese History and Culture (3 works) · Art (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Asian Culture and Media Studies (1 works) · Business (1 works) · Epistemology (1 works) · Financial Crisis of the 21st Century (1 works) · Gender Studies (1 works)