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Perry Cook

Biographic Data

ID3820504
NAMEPerry Cook
GIVEN NAMESPerry
FAMILY NAMECook
SIGNATURECOOK P
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS4
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2007
H-INDEX2
  • Musical Tapestry

    Ananya Misra, Ge Wang et al.•ARTICLE•Journal of New Music Research•2007

    A system to aid composition with analysis, transformation, and re-synthesis of natural sounds is described. Sinusoidal analysis is used to isolate and extract deterministic sounds, and transients are also isolated/extracted, leaving the stochastic background which is parameterized by wavelet tree analysis. All of these components become templates for the synthesis phase, which is controlled (1) by placing templates on timelines or in groups, (2) …

  • Pitch Histograms in Audio and Symbolic Music Information Retrieval

    George Tzanetakis, Andrey Ermolinskyi et al.•ARTICLE•Journal of New Music Research•2003•Cited by: 2

    In order to represent musical content, pitch and timing information is utilized in the majority of existing work in Symbolic Music Information Retrieval (MIR). Symbolic representations such as MIDI allow the easy calculation of such information and its manipulation. In contrast, most of the existing work in Audio MIR uses timbral and beat information, which can be calculated using automatic computer audition techniques

  • BoSSA

    Perry R Cook, Perry Cook et al.•ARTICLE•Journal of New Music Research•2000•Cited by: 2

    Traditional musical instruments provide compelling metaphors for human-computer interfacing, both in terms of input (physical, gestural performance activities) and output (sound diffusion). The violin, one of the most refined and expressive of traditional instruments, combines a peculiar physical interface with a rich acoustic diffuser. We have built a new instrument that includes elements of both the violin’s physical performance interface and i…

  • Pitch Histograms in Audio and Symbolic Music Information Retrieval

    George Tzanetakis, Andrey Ermolinskyi et al.•ARTICLE•Journal of New Music Research•2003•Cited by: 2

    In order to represent musical content, pitch and timing information is utilized in the majority of existing work in Symbolic Music Information Retrieval (MIR). Symbolic representations such as MIDI allow the easy calculation of such information and its manipulation. In contrast, most of the existing work in Audio MIR uses timbral and beat information, which can be calculated using automatic computer audition techniques

  • BoSSA

    Perry R Cook, Perry Cook et al.•ARTICLE•Journal of New Music Research•2000•Cited by: 2

    Traditional musical instruments provide compelling metaphors for human-computer interfacing, both in terms of input (physical, gestural performance activities) and output (sound diffusion). The violin, one of the most refined and expressive of traditional instruments, combines a peculiar physical interface with a rich acoustic diffuser. We have built a new instrument that includes elements of both the violin’s physical performance interface and i…

  • BoSSA

    Perry R Cook, Perry Cook et al.•ARTICLE•Journal of New Music Research•2000•Cited by: 2

    Traditional musical instruments provide compelling metaphors for human-computer interfacing, both in terms of input (physical, gestural performance activities) and output (sound diffusion). The violin, one of the most refined and expressive of traditional instruments, combines a peculiar physical interface with a rich acoustic diffuser. We have built a new instrument that includes elements of both the violin’s physical performance interface and i…

  • Pitch Histograms in Audio and Symbolic Music Information Retrieval

    George Tzanetakis, Andrey Ermolinskyi et al.•ARTICLE•Journal of New Music Research•2003•Cited by: 2

    In order to represent musical content, pitch and timing information is utilized in the majority of existing work in Symbolic Music Information Retrieval (MIR). Symbolic representations such as MIDI allow the easy calculation of such information and its manipulation. In contrast, most of the existing work in Audio MIR uses timbral and beat information, which can be calculated using automatic computer audition techniques

  • Musical Tapestry

    Ananya Misra, Ge Wang et al.•ARTICLE•Journal of New Music Research•2007

    A system to aid composition with analysis, transformation, and re-synthesis of natural sounds is described. Sinusoidal analysis is used to isolate and extract deterministic sounds, and transients are also isolated/extracted, leaving the stochastic background which is parameterized by wavelet tree analysis. All of these components become templates for the synthesis phase, which is controlled (1) by placing templates on timelines or in groups, (2) …

Acoustics (3 works) · Computer Science (3 works) · Music and Audio Processing (3 works) · Music Technology and Sound Studies (3 works) · Musical (3 works) · Art (2 works) · Artificial Intelligence (2 works) · Speech and Audio Processing (2 works) · Speech recognition (2 works) · Visual arts (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae