Carlos Guedes
Biographic Data
| ID | 3820585 |
|---|---|
| NAME | Carlos Guedes |
| GIVEN NAMES | Carlos |
| FAMILY NAME | Guedes |
| SIGNATURE | GUEDES C |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
A multi-level tonal interval space for modelling pitch relatedness and musical consonance
In this paper we present a 12-dimensional tonal space in the context of the Tonnetz, Chew’s Spiral Array, and Harte’s 6-dimensional Tonal Centroid Space. The proposed Tonal Interval Space is calculated as the weighted Discrete Fourier Transform of normalized 12-element chroma vectors, which we represent as six circles covering the set of all possible pitch intervals in the chroma space. By weighting the contribution of each circle (and hence pitc…
Five Perspectives on Musical Rhythm
Variously defined as ‘organized duration’ (Kolinski , 1973), ‘the many different ways in which time is organized in music’ (Bamberger & Hernandez , 2000), ‘the language of time’ (Lewis , 2007), or
A multi-level tonal interval space for modelling pitch relatedness and musical consonance
In this paper we present a 12-dimensional tonal space in the context of the Tonnetz, Chew’s Spiral Array, and Harte’s 6-dimensional Tonal Centroid Space. The proposed Tonal Interval Space is calculated as the weighted Discrete Fourier Transform of normalized 12-element chroma vectors, which we represent as six circles covering the set of all possible pitch intervals in the chroma space. By weighting the contribution of each circle (and hence pitc…
Five Perspectives on Musical Rhythm
Variously defined as ‘organized duration’ (Kolinski , 1973), ‘the many different ways in which time is organized in music’ (Bamberger & Hernandez , 2000), ‘the language of time’ (Lewis , 2007), or
Five Perspectives on Musical Rhythm
Variously defined as ‘organized duration’ (Kolinski , 1973), ‘the many different ways in which time is organized in music’ (Bamberger & Hernandez , 2000), ‘the language of time’ (Lewis , 2007), or
A multi-level tonal interval space for modelling pitch relatedness and musical consonance
In this paper we present a 12-dimensional tonal space in the context of the Tonnetz, Chew’s Spiral Array, and Harte’s 6-dimensional Tonal Centroid Space. The proposed Tonal Interval Space is calculated as the weighted Discrete Fourier Transform of normalized 12-element chroma vectors, which we represent as six circles covering the set of all possible pitch intervals in the chroma space. By weighting the contribution of each circle (and hence pitc…
Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Neuroscience and Music Perception (2 works) · Speech recognition (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Art (1 work) · Combinatorics (1 work) · Euclidean space (1 work)