Joren Six
Biographic Data
| ID | 3820606 |
|---|---|
| NAME | Joren Six |
| GIVEN NAMES | Joren |
| FAMILY NAME | Six |
| SIGNATURE | SIX J |
| AFFILIATIONS | Ghent University |
| ORCID | 0000-0001-7671-1907 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
The influence of performing gesture type on interpersonal musical timing, and the role of visual contact and tempo
Beyond documentation – The digital philology of interaction heritage
A philologist's approach to heritage is traditionally based on the curation of documents, such as text, audio and video. However, with the advent of interactive multimedia, heritage becomes floating and volatile, and not easily captured in documents. We propose an approach to heritage that goes beyond documents. We consider the crucial role of institutes for interactive multimedia (as motor of a living culture of interaction) and propose that the…
Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes”
Electronic and digital technologies open immense opportunities for music composition, listening, interaction, and participation. However, at the same time, they critically challenge some of the most basic principles that drive human engagement and interaction with music. This article first presents a theoretical discussion of two of these principles, namely sensorimotor control and participatory sense-making. Thereafter, it presents SoundBikes, a…
Adopting a music-to-heart rate alignment strategy to measure the impact of music and its tempo on human heart rate
Music is frequently used as a means of relaxation. Conversely, it is used as a means of arousal in sports and exercise contexts. Previous research suggests that tempo is one of the most significant determinants of music-related arousal and relaxation effects. Here we investigate the specific effect of music tempo, but also more generally, the influence of music on human heart rate. We took the pulses of 32 participants in silence, and then we pla…
Evaluation and Recommendation of Pulse and Tempo Annotation in Ethnic Music
Large digital archives of ethnic music require automatic tools to provide musical content descriptions. While various automatic approaches are available, they are to a wide extent developed for Western popular music. This paper aims to analyse how automated tempo estimation approaches perform in the context of Central-African music. To this end we collect human beat annotations for a set of musical fragments, and compare them with automatic beat …
Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music
This paper presents Tarsos, a modular software platform used to extract and analyse pitch organization in music. With Tarsos pitch estimations are generated from an audio signal and those estimations are processed in order to form musicologically meaningful representations. Tarsos aims to offer a flexible system for pitch analysis through the combination of an interactive user interface, several pitch estimation algorithms, filtering options, imm…
Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes”
Electronic and digital technologies open immense opportunities for music composition, listening, interaction, and participation. However, at the same time, they critically challenge some of the most basic principles that drive human engagement and interaction with music. This article first presents a theoretical discussion of two of these principles, namely sensorimotor control and participatory sense-making. Thereafter, it presents SoundBikes, a…
Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music
This paper presents Tarsos, a modular software platform used to extract and analyse pitch organization in music. With Tarsos pitch estimations are generated from an audio signal and those estimations are processed in order to form musicologically meaningful representations. Tarsos aims to offer a flexible system for pitch analysis through the combination of an interactive user interface, several pitch estimation algorithms, filtering options, imm…
Evaluation and Recommendation of Pulse and Tempo Annotation in Ethnic Music
Large digital archives of ethnic music require automatic tools to provide musical content descriptions. While various automatic approaches are available, they are to a wide extent developed for Western popular music. This paper aims to analyse how automated tempo estimation approaches perform in the context of Central-African music. To this end we collect human beat annotations for a set of musical fragments, and compare them with automatic beat …
Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music
This paper presents Tarsos, a modular software platform used to extract and analyse pitch organization in music. With Tarsos pitch estimations are generated from an audio signal and those estimations are processed in order to form musicologically meaningful representations. Tarsos aims to offer a flexible system for pitch analysis through the combination of an interactive user interface, several pitch estimation algorithms, filtering options, imm…
Adopting a music-to-heart rate alignment strategy to measure the impact of music and its tempo on human heart rate
Music is frequently used as a means of relaxation. Conversely, it is used as a means of arousal in sports and exercise contexts. Previous research suggests that tempo is one of the most significant determinants of music-related arousal and relaxation effects. Here we investigate the specific effect of music tempo, but also more generally, the influence of music on human heart rate. We took the pulses of 32 participants in silence, and then we pla…
Beyond documentation – The digital philology of interaction heritage
A philologist's approach to heritage is traditionally based on the curation of documents, such as text, audio and video. However, with the advent of interactive multimedia, heritage becomes floating and volatile, and not easily captured in documents. We propose an approach to heritage that goes beyond documents. We consider the crucial role of institutes for interactive multimedia (as motor of a living culture of interaction) and propose that the…
Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case “SoundBikes”
Electronic and digital technologies open immense opportunities for music composition, listening, interaction, and participation. However, at the same time, they critically challenge some of the most basic principles that drive human engagement and interaction with music. This article first presents a theoretical discussion of two of these principles, namely sensorimotor control and participatory sense-making. Thereafter, it presents SoundBikes, a…
The influence of performing gesture type on interpersonal musical timing, and the role of visual contact and tempo
Computer Science (5 works) · Music Technology and Sound Studies (5 works) · Artificial Intelligence (4 works) · Neuroscience and Music Perception (4 works) · Communication (3 works) · Music and Audio Processing (3 works) · Musical (3 works) · Acoustics (2 works) · Active listening (2 works) · Human–computer interaction (2 works)