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Geoff Luck

Biographic Data

ID3820694
NAMEGeoff Luck
GIVEN NAMESGeoff
FAMILY NAMELuck
SIGNATURELUCK G
AFFILIATIONSUniversity of Jyväskylä
ORCID0000-0003-4057-022X
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS6
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Age Against the Machine

    Open Access•Juho Leppänen, Alessandro Ansani et al.•ARTICLE•Psychology of Music•2026

    Music artists play a crucial role in shaping both regional and global sonic trends. While technological and cultural shifts are often credited with driving musical change, less is known about how an artist’s age influences stylistic evolution. Here, we examine how acousticness, that is, the extent to which a track features acoustic instrumentation, varies across an artist’s career. Using data from Spotify’s API, we analyse 45,478 tracks from 190 …

  • The ageing musician

    Open Access•Geoff Luck, Alessandro Ansani•ARTICLE•Musicae Scientiae•2026

    Correspondences between the timing of motor behaviour and that of musical performance are well-established. Motor behaviour, however, is known to degrade across the adult lifespan due to neurobiological decay. In particular, performance on speed-dependent motor tasks deteriorates, spontaneous motor tempo (SMT) slows, and upper motor rate limit falls. Here, we examine whether this slowdown in motor behaviour impacts the tempo of musical performanc…

  • Memory bumps across the lifespan in personally meaningful music

    Open Access•Iballa Burunat, Anastasios Mavrolampados et al.•ARTICLE•Memory•2025•References: 62

    Some songs stay with us for a lifetime. Even decades later, a few familiar notes can unlock vivid memories. Yet the life periods from which these songs originate and their prominence across age and gender remain underexplored. This study examines lifespan patterns in music-related memory, focusing on age trends, gender differences, and the global presence of the "reminiscence bump", a peak in emotional connection to music from adolescence and ear…

  • Groove as a multidimensional participatory experience

    Open Access•Deniz Duman, Nerdinga Snape et al.•ARTICLE•Psychology of Music•2024

    Groove is a popular and widely used concept in the field of music. Yet, its precise definition remains elusive. Upon closer inspection, groove appears to be used as an umbrella term with various connotations depending on the musical era, the musical context, and the individual using the term. Our aim in this article was to explore different definitions and connotations of the term groove so as to reach a more detailed understanding of it. Consequ…

  • Exploring relations between Big Five personality traits and musical emotions embodied in spontaneous dance

    Open Access•Juan Ignacio Mendoza Garay, Bettina Burger et al.•ARTICLE•Psychology of Music•2023

    We explored the hypothesis that musical emotions are embodied differentially by people according to their personality. Nine hundred and fifty two individuals completed the Big Five personality inventory. A subset of 60 participants were asked to spontaneously move to 30 short musical stimuli while being recorded with a motion-capture system. The musical stimuli were separately rated for perceived emotions. Embodied musical emotions were evaluated…

  • The algorithmic nature of song-sequencing

    Open Access•Pedro A S O Neto, Pedro Neto et al.•ARTICLE•Journal of New Music Research•2023

    Based on a review of anecdotal beliefs, we explored statistical patterns of track-sequencing within a large set of released music albums. We found that songs with high levels of valence, energy and loudness are more likely to be positioned at the beginning of each album. We also found that transitions between consecutive tracks tend to alternate between increases and decreases of valence and energy. These findings were used to build a system whic…

  • Emotion-driven encoding of music preference and personality in dance

    Open Access•Geoff Luck, Suvi Saarikallio et al.•ARTICLE•Musicae Scientiae•2014

    Thirty rhythmic music excerpts were presented to 60 individuals. Dance movements to each excerpt were recorded using an optical motion-capture system, preference for each excerpt recorded on a 5-point Likert scale, and personality assessed using the 44-item version of the Big Five Inventory. From the movement data, a large number of postural, kinematic and kinetic features were extracted, a subset of which were chosen for further analysis using s…

  • Music and Emotion

    Open Access•Geoff Luck•ARTICLE•Musicae Scientiae•2014

    One of the key reasons people engage with music, whether as listener or performer, therapist or researcher, is because of its emotional impact. Music comforts us when we’re sad, lifts us up in happier times, bonds us together. We use music to modify our mood, augment current feelings, release tension. Given the ever-growing presence of music in our everyday lives, the investigation of issues related to and subsequent dissemination of knowledge co…

  • Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music

    Open Access•Marc R Thompson, Geoff Luck•ARTICLE•Musicae Scientiae•2012

    Body movements during music performance have been found to be indicative of the performer’s musical intentionality, and contribute to an observer’s perception of expressive playing. This study investigates the effect of structural elements of the score, and the playing of different levels of expression on body movements during a piano performance. Pianists were required to play the same piece in four different performance conditions. Their moveme…

  • Effects of the Big Five and musical genre on music-induced movement

    Open Access•Geoff Luck, Suvi Saarikallio et al.•ARTICLE•Journal of Research in Personality•2010•Cited by: 5•References: 14

  • Exploring Relationships between Level of Mental Retardation and Features of Music Therapy Improvisations

    Geoff Luck, Kari Riikkilä et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2006•Cited by: 1•References: 31

    The present study sought to identify relationships between musical features of music therapy improvisations and clients' level of mental retardation, using a computationally-based method of analysis. 216 improvisations, contributed by 50 clients, were collected in MIDI format. Clients were divided into four groups according to their level of diagnosed mental retardation: 1 = none, 2 = mild, 3 = moderate, 4 = severe or profound. 43 client-related …

  • Effects of the Big Five and musical genre on music-induced movement

    Open Access•Geoff Luck, Suvi Saarikallio et al.•ARTICLE•Journal of Research in Personality•2010•Cited by: 5•References: 14

  • Exploring Relationships between Level of Mental Retardation and Features of Music Therapy Improvisations

    Geoff Luck, Kari Riikkilä et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2006•Cited by: 1•References: 31

    The present study sought to identify relationships between musical features of music therapy improvisations and clients' level of mental retardation, using a computationally-based method of analysis. 216 improvisations, contributed by 50 clients, were collected in MIDI format. Clients were divided into four groups according to their level of diagnosed mental retardation: 1 = none, 2 = mild, 3 = moderate, 4 = severe or profound. 43 client-related …

  • Exploring Relationships between Level of Mental Retardation and Features of Music Therapy Improvisations

    Geoff Luck, Kari Riikkilä et al.•ARTICLE•Nordisk Tidsskrift for Musikkterapi•2006•Cited by: 1•References: 31

    The present study sought to identify relationships between musical features of music therapy improvisations and clients' level of mental retardation, using a computationally-based method of analysis. 216 improvisations, contributed by 50 clients, were collected in MIDI format. Clients were divided into four groups according to their level of diagnosed mental retardation: 1 = none, 2 = mild, 3 = moderate, 4 = severe or profound. 43 client-related …

  • Effects of the Big Five and musical genre on music-induced movement

    Open Access•Geoff Luck, Suvi Saarikallio et al.•ARTICLE•Journal of Research in Personality•2010•Cited by: 5•References: 14

  • Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music

    Open Access•Marc R Thompson, Geoff Luck•ARTICLE•Musicae Scientiae•2012

    Body movements during music performance have been found to be indicative of the performer’s musical intentionality, and contribute to an observer’s perception of expressive playing. This study investigates the effect of structural elements of the score, and the playing of different levels of expression on body movements during a piano performance. Pianists were required to play the same piece in four different performance conditions. Their moveme…

  • Emotion-driven encoding of music preference and personality in dance

    Open Access•Geoff Luck, Suvi Saarikallio et al.•ARTICLE•Musicae Scientiae•2014

    Thirty rhythmic music excerpts were presented to 60 individuals. Dance movements to each excerpt were recorded using an optical motion-capture system, preference for each excerpt recorded on a 5-point Likert scale, and personality assessed using the 44-item version of the Big Five Inventory. From the movement data, a large number of postural, kinematic and kinetic features were extracted, a subset of which were chosen for further analysis using s…

  • Music and Emotion

    Open Access•Geoff Luck•ARTICLE•Musicae Scientiae•2014

    One of the key reasons people engage with music, whether as listener or performer, therapist or researcher, is because of its emotional impact. Music comforts us when we’re sad, lifts us up in happier times, bonds us together. We use music to modify our mood, augment current feelings, release tension. Given the ever-growing presence of music in our everyday lives, the investigation of issues related to and subsequent dissemination of knowledge co…

  • Exploring relations between Big Five personality traits and musical emotions embodied in spontaneous dance

    Open Access•Juan Ignacio Mendoza Garay, Bettina Burger et al.•ARTICLE•Psychology of Music•2023

    We explored the hypothesis that musical emotions are embodied differentially by people according to their personality. Nine hundred and fifty two individuals completed the Big Five personality inventory. A subset of 60 participants were asked to spontaneously move to 30 short musical stimuli while being recorded with a motion-capture system. The musical stimuli were separately rated for perceived emotions. Embodied musical emotions were evaluated…

  • The algorithmic nature of song-sequencing

    Open Access•Pedro A S O Neto, Pedro Neto et al.•ARTICLE•Journal of New Music Research•2023

    Based on a review of anecdotal beliefs, we explored statistical patterns of track-sequencing within a large set of released music albums. We found that songs with high levels of valence, energy and loudness are more likely to be positioned at the beginning of each album. We also found that transitions between consecutive tracks tend to alternate between increases and decreases of valence and energy. These findings were used to build a system whic…

  • Groove as a multidimensional participatory experience

    Open Access•Deniz Duman, Nerdinga Snape et al.•ARTICLE•Psychology of Music•2024

    Groove is a popular and widely used concept in the field of music. Yet, its precise definition remains elusive. Upon closer inspection, groove appears to be used as an umbrella term with various connotations depending on the musical era, the musical context, and the individual using the term. Our aim in this article was to explore different definitions and connotations of the term groove so as to reach a more detailed understanding of it. Consequ…

  • Memory bumps across the lifespan in personally meaningful music

    Open Access•Iballa Burunat, Anastasios Mavrolampados et al.•ARTICLE•Memory•2025•References: 62

    Some songs stay with us for a lifetime. Even decades later, a few familiar notes can unlock vivid memories. Yet the life periods from which these songs originate and their prominence across age and gender remain underexplored. This study examines lifespan patterns in music-related memory, focusing on age trends, gender differences, and the global presence of the "reminiscence bump", a peak in emotional connection to music from adolescence and ear…

  • Age Against the Machine

    Open Access•Juho Leppänen, Alessandro Ansani et al.•ARTICLE•Psychology of Music•2026

    Music artists play a crucial role in shaping both regional and global sonic trends. While technological and cultural shifts are often credited with driving musical change, less is known about how an artist’s age influences stylistic evolution. Here, we examine how acousticness, that is, the extent to which a track features acoustic instrumentation, varies across an artist’s career. Using data from Spotify’s API, we analyse 45,478 tracks from 190 …

  • The ageing musician

    Open Access•Geoff Luck, Alessandro Ansani•ARTICLE•Musicae Scientiae•2026

    Correspondences between the timing of motor behaviour and that of musical performance are well-established. Motor behaviour, however, is known to degrade across the adult lifespan due to neurobiological decay. In particular, performance on speed-dependent motor tasks deteriorates, spontaneous motor tempo (SMT) slows, and upper motor rate limit falls. Here, we examine whether this slowdown in motor behaviour impacts the tempo of musical performanc…

Neuroscience and Music Perception (10 works) · Cognitive psychology (7 works) · Musical (7 works) · Psychology (7 works) · Art (5 works) · Computer Science (5 works) · Social Psychology (5 works) · Visual arts (5 works) · Diverse Music Education Insights (4 works) · Music Therapy and Health (4 works)

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