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Sara Mack

Biographic Data

ID3821669
NAMESara Mack
GIVEN NAMESSara
FAMILY NAMEMack
SIGNATUREMACK S
AFFILIATIONSUniversity of Minnesota
ORCID0000-0002-4004-3799
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS28
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2013
H-INDEX2
  • Explicit and Implicit Methods in Quantitative Analyses of Sociophonetic Variation

    Sara Mack•ARTICLE•Studies in Hispanic and Lusophone…•2013

    This viewpoint paper provides an overview of explicit and implicit methods in sociophonetic perception studies, illustrates how they can be used to measure the relationship between social factors and phonetic variation, and demonstrates how they can prove useful complements to more traditional sociolinguistic methods. The first section addresses explicit measures and gives an example of an explicit measures task exploring the relationships betwee…

  • The influence of /s/ quality on ratings of men's sexual orientation

    Open Access•Sara Mack, Benjamin Munson•ARTICLE•Journal of Phonetics•2012•Cited by: 26•References: 41

  • Qué feíto estás tú también, cariño

    Sara Mack, Julie M Sykes•ARTICLE•Studies in Hispanic and Lusophone…•2009

    Previous work examining irony has indicated that positive irony can be used to convey praise and build solidarity in both compliments and compliment responses. However, systematic, cross-dialectal work in this area is still relatively scarce. Using an e-DCT (i.e. an electronically delivered discourse completion task that includes a verbal report component), this study compares compliment-response sequences, which include the presence and absence …

  • Public and Private in Vergil's Aeneid

    Sara Mack, Susan Ford Wiltshire•ARTICLE•The American Journal of Philology•1990

  • Ovid

    Norma Goldman, Sara Mack•ARTICLE•The Classical World•1989

  • Vergil, Aeneid 2. 250–2

    Open Access•Sara Mack•ARTICLE•The Classical Quarterly•1980•Cited by: 2

    These lines from the second book of the Aeneid introduce the night on which Troy falls. They have always been felt to be impressive: rich in allusion, noteworthy for the monosyllabic ending of the first line, and memorable for the majestic zeugma of the last two lines. Line 250 opens by incorporating a half line from Ennius: vertitur interea caelum cum ingentibus signis (Ann. 211) and closes with a near-translation of the substance (as well as th…

  • Patterns of Time in Vergil

    A G Mckay, Sara Mack•ARTICLE•Phoenix•1980

  • Patterns of Time in Vergil

    Michael C J Putnam, Sara Mack•ARTICLE•The Classical World•1979

  • The influence of /s/ quality on ratings of men's sexual orientation

    Open Access•Sara Mack, Benjamin Munson•ARTICLE•Journal of Phonetics•2012•Cited by: 26•References: 41

  • Vergil, Aeneid 2. 250–2

    Open Access•Sara Mack•ARTICLE•The Classical Quarterly•1980•Cited by: 2

    These lines from the second book of the Aeneid introduce the night on which Troy falls. They have always been felt to be impressive: rich in allusion, noteworthy for the monosyllabic ending of the first line, and memorable for the majestic zeugma of the last two lines. Line 250 opens by incorporating a half line from Ennius: vertitur interea caelum cum ingentibus signis (Ann. 211) and closes with a near-translation of the substance (as well as th…

  • Patterns of Time in Vergil

    Michael C J Putnam, Sara Mack•ARTICLE•The Classical World•1979

  • Vergil, Aeneid 2. 250–2

    Open Access•Sara Mack•ARTICLE•The Classical Quarterly•1980•Cited by: 2

    These lines from the second book of the Aeneid introduce the night on which Troy falls. They have always been felt to be impressive: rich in allusion, noteworthy for the monosyllabic ending of the first line, and memorable for the majestic zeugma of the last two lines. Line 250 opens by incorporating a half line from Ennius: vertitur interea caelum cum ingentibus signis (Ann. 211) and closes with a near-translation of the substance (as well as th…

  • Patterns of Time in Vergil

    A G Mckay, Sara Mack•ARTICLE•Phoenix•1980

  • Ovid

    Norma Goldman, Sara Mack•ARTICLE•The Classical World•1989

  • Public and Private in Vergil's Aeneid

    Sara Mack, Susan Ford Wiltshire•ARTICLE•The American Journal of Philology•1990

  • Qué feíto estás tú también, cariño

    Sara Mack, Julie M Sykes•ARTICLE•Studies in Hispanic and Lusophone…•2009

    Previous work examining irony has indicated that positive irony can be used to convey praise and build solidarity in both compliments and compliment responses. However, systematic, cross-dialectal work in this area is still relatively scarce. Using an e-DCT (i.e. an electronically delivered discourse completion task that includes a verbal report component), this study compares compliment-response sequences, which include the presence and absence …

  • The influence of /s/ quality on ratings of men's sexual orientation

    Open Access•Sara Mack, Benjamin Munson•ARTICLE•Journal of Phonetics•2012•Cited by: 26•References: 41

  • Explicit and Implicit Methods in Quantitative Analyses of Sociophonetic Variation

    Sara Mack•ARTICLE•Studies in Hispanic and Lusophone…•2013

    This viewpoint paper provides an overview of explicit and implicit methods in sociophonetic perception studies, illustrates how they can be used to measure the relationship between social factors and phonetic variation, and demonstrates how they can prove useful complements to more traditional sociolinguistic methods. The first section addresses explicit measures and gives an example of an explicit measures task exploring the relationships betwee…

Computer Science (4 works) · Art (3 works) · Classical Philosophy and Thought (3 works) · Psychology (3 works) · Artificial Intelligence (2 works) · History (2 works) · Linguistics (2 works) · Mathematics (2 works) · Philosophy (2 works) · Political science (2 works)

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