Muzna Rahman
Biographic Data
| ID | 3823583 |
|---|---|
| NAME | Muzna Rahman |
| GIVEN NAMES | Muzna |
| FAMILY NAME | Rahman |
| SIGNATURE | RAHMAN M |
| AFFILIATIONS | Lincoln, UK |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Indigestible performances
This article examines the political potential and limits of Muslim punk feminism within the context of multicultural Britain through a reading of the first season of Channel 4’s 2021 dramedy We Are Lady Parts. The show explores how the religious and cultural beliefs of Muslim communities are represented as incompatible with contemporary British values. To situate the cultural politics of the text, the article considers the characters in relation …
Climb to the sky
Vintage Chughtai
Vintage Chughtai: a selection of her best stories." Journal of Postcolonial Writing, 50(2), pp. 249–250
Blood on the page
Blood on the page: Interviews with African authors writing about HIV/AIDS." Journal of Postcolonial Writing, 48(3), pp. 330–331
Blood on the page
Blood on the page: Interviews with African authors writing about HIV/AIDS." Journal of Postcolonial Writing, 48(3), pp. 330–331
Indigestible performances
This article examines the political potential and limits of Muslim punk feminism within the context of multicultural Britain through a reading of the first season of Channel 4’s 2021 dramedy We Are Lady Parts. The show explores how the religious and cultural beliefs of Muslim communities are represented as incompatible with contemporary British values. To situate the cultural politics of the text, the article considers the characters in relation …
Blood on the page
Blood on the page: Interviews with African authors writing about HIV/AIDS." Journal of Postcolonial Writing, 48(3), pp. 330–331
Climb to the sky
Vintage Chughtai
Vintage Chughtai: a selection of her best stories." Journal of Postcolonial Writing, 50(2), pp. 249–250
Indigestible performances
This article examines the political potential and limits of Muslim punk feminism within the context of multicultural Britain through a reading of the first season of Channel 4’s 2021 dramedy We Are Lady Parts. The show explores how the religious and cultural beliefs of Muslim communities are represented as incompatible with contemporary British values. To situate the cultural politics of the text, the article considers the characters in relation …
History (4 works) · Postcolonial and Cultural Literary Studies (3 works) · Art (2 works) · Aerospace Engineering (1 work) · African Sexualities and LGBTQ+ Issues (1 work) · Archaeology (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Climb (1 work) · Computer Science (1 work)