Cristina Marinetti
Biographic Data
| ID | 3823860 |
|---|---|
| NAME | Cristina Marinetti |
| GIVEN NAMES | Cristina |
| FAMILY NAME | Marinetti |
| SIGNATURE | MARINETTI C |
| AFFILIATIONS | Cardiff University |
| ORCID | 0000-0002-5877-280X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Doubly invisible
Drawing on censored manuscripts and personal writing, the article uncovers the invisible role played by Anna Larpent, the wife of John Larpent (Royal Theatre Censor 1777–1824), in shaping foreign drama and opera in Georgian Britain. Anna's journals demonstrate that, as a more attentive theatregoer and critic than her husband, she took on many aspects of the role of reviser and curator of the submitted plays and became an important mediator betwee…
Introduction
This introduction to the special issue opens up a dialogue between Theatre and Performance Studies and translation sociology, focusing simultaneously on the importance of developing performance-sensitive forms of knowledge and highlighting performance cultures as fruitful contexts for studying translation as a social practice and the multiple forms of agency shaping it. In particular, it challenges the “ideology of print” as the prevalent epistem…
Invisible agents in translation history
In dialogue with the social turn in translation studies, this article uncovers the work of invisible agents shaping the translation of performed drama in eighteenth-century England. Unlike other genres, performed drama was subject to a system of state censorship that shaped translation practices in ways that have not been fully accounted for by translation historiography. Using Carlo Goldoni as a case study, the article reveals the intervention o…
Translating Identities on Stage and Screen
Staging and Performing Translation
This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion o
Staging and Performing Translation
This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion o
Translating Identities on Stage and Screen
Invisible agents in translation history
In dialogue with the social turn in translation studies, this article uncovers the work of invisible agents shaping the translation of performed drama in eighteenth-century England. Unlike other genres, performed drama was subject to a system of state censorship that shaped translation practices in ways that have not been fully accounted for by translation historiography. Using Carlo Goldoni as a case study, the article reveals the intervention o…
Doubly invisible
Drawing on censored manuscripts and personal writing, the article uncovers the invisible role played by Anna Larpent, the wife of John Larpent (Royal Theatre Censor 1777–1824), in shaping foreign drama and opera in Georgian Britain. Anna's journals demonstrate that, as a more attentive theatregoer and critic than her husband, she took on many aspects of the role of reviser and curator of the submitted plays and became an important mediator betwee…
Introduction
This introduction to the special issue opens up a dialogue between Theatre and Performance Studies and translation sociology, focusing simultaneously on the importance of developing performance-sensitive forms of knowledge and highlighting performance cultures as fruitful contexts for studying translation as a social practice and the multiple forms of agency shaping it. In particular, it challenges the “ideology of print” as the prevalent epistem…
Translation Studies and Practices (5 works) · Sociology (4 works) · Linguistics (3 works) · Philosophy (3 works) · Political science (3 works) · Art (2 works) · Censorship (2 works) · Computer Science (2 works) · Drama (2 works) · History (2 works)