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Michael Marcuzzi

Biographic Data

ID3826335
NAMEMichael Marcuzzi
GIVEN NAMESMichael
FAMILY NAMEMarcuzzi
SIGNATUREMARCUZZI M
AFFILIATIONSDepartment of Music, York University4700 Keele St. Toronto, ON M3J 1P3Canada
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Ring-Around-the-Rosie Atlantic

    Michael Marcuzzi•ARTICLE•Journal of Religion in Africa•2013•Cited by: 2•References: 9

    In the preparation of the bata drums of Cuba and Yorubaland, ritual specialists affix a small iron ring near the smaller of the two heads of these drums. The ring is the material marker that the drums are consecrated, imbued with the power of Ayan, the orisha of drumming. This study looks to other appearances of iron rings and iron idiophones along sub-Saharan trade routes connected to the Oyo Empire, the 'source' of bata drumming. The study link…

  • The Bullroarer Cult in Cuba

    Michael Marcuzzi•ARTICLE•Latin American Music Review•2010•Cited by: 1

    This study investigates the importance of the bullroarer cult in Cuban orisha worship. Though the cult was one of the most feared collectives of precolonial Yorubaland, carrying out the executions of criminals and witches on behalf of the state councils, the cult that came to be recreated in Cuba after the transatlantic separation took on a quality that was more devotional, though equally secretive. Given that so much change has occurred among th…

  • Havana & Matanzas, Cuba, ca. 1957

    Michael Marcuzzi, Michael Marcuzzi Michael Marcuzzi•ARTICLE•Latin American Music Review•2008

    Reviewed by: Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs Michael Marcuzzi Lydia Cabrera And Josefina Tarafa. Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs. Notes by Morton Marks. Washington, DC: Smithsonian Folkways Recordings, SFW CD 40434, 2003, 28 pp., notes, photos, compact disc, 74 min. $16.98. This compilation is the third installment in a series of Afro-Cuban music that has been remastered and commercial…

  • Ring-Around-the-Rosie Atlantic

    Michael Marcuzzi•ARTICLE•Journal of Religion in Africa•2013•Cited by: 2•References: 9

    In the preparation of the bata drums of Cuba and Yorubaland, ritual specialists affix a small iron ring near the smaller of the two heads of these drums. The ring is the material marker that the drums are consecrated, imbued with the power of Ayan, the orisha of drumming. This study looks to other appearances of iron rings and iron idiophones along sub-Saharan trade routes connected to the Oyo Empire, the 'source' of bata drumming. The study link…

  • The Bullroarer Cult in Cuba

    Michael Marcuzzi•ARTICLE•Latin American Music Review•2010•Cited by: 1

    This study investigates the importance of the bullroarer cult in Cuban orisha worship. Though the cult was one of the most feared collectives of precolonial Yorubaland, carrying out the executions of criminals and witches on behalf of the state councils, the cult that came to be recreated in Cuba after the transatlantic separation took on a quality that was more devotional, though equally secretive. Given that so much change has occurred among th…

  • Havana & Matanzas, Cuba, ca. 1957

    Michael Marcuzzi, Michael Marcuzzi Michael Marcuzzi•ARTICLE•Latin American Music Review•2008

    Reviewed by: Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs Michael Marcuzzi Lydia Cabrera And Josefina Tarafa. Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs. Notes by Morton Marks. Washington, DC: Smithsonian Folkways Recordings, SFW CD 40434, 2003, 28 pp., notes, photos, compact disc, 74 min. $16.98. This compilation is the third installment in a series of Afro-Cuban music that has been remastered and commercial…

  • The Bullroarer Cult in Cuba

    Michael Marcuzzi•ARTICLE•Latin American Music Review•2010•Cited by: 1

    This study investigates the importance of the bullroarer cult in Cuban orisha worship. Though the cult was one of the most feared collectives of precolonial Yorubaland, carrying out the executions of criminals and witches on behalf of the state councils, the cult that came to be recreated in Cuba after the transatlantic separation took on a quality that was more devotional, though equally secretive. Given that so much change has occurred among th…

  • Ring-Around-the-Rosie Atlantic

    Michael Marcuzzi•ARTICLE•Journal of Religion in Africa•2013•Cited by: 2•References: 9

    In the preparation of the bata drums of Cuba and Yorubaland, ritual specialists affix a small iron ring near the smaller of the two heads of these drums. The ring is the material marker that the drums are consecrated, imbued with the power of Ayan, the orisha of drumming. This study looks to other appearances of iron rings and iron idiophones along sub-Saharan trade routes connected to the Oyo Empire, the 'source' of bata drumming. The study link…

Art (3 works) · Caribbean history, culture, and politics (3 works) · History (3 works) · Ancient history (2 works) · Worship (2 works) · Archaeology (1 work) · Art history (1 work) · Caribbean and African Literature and Culture (1 work) · Cartography (1 work) · Colonialism, slavery, and trade (1 work)

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