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Jamie Novotny

Biographic Data

ID3830087
NAMEJamie Novotny
GIVEN NAMESJamie
FAMILY NAMENovotny
SIGNATURENOVOTNÝ J
AFFILIATIONSCalifornia University of Pennsylvania
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS4
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2018
H-INDEX1
  • A Previously Unrecognized Version of Esarhaddon’s ‘Annals’

    Jamie Novotny•ARTICLE•Zeitschrift für Assyriologie und…•2018

    This paper provides evidence for the existence of a new inscription of Esarhaddon from Nineveh: A 16926, a piece now in the Oriental Institute (University of Chicago), is not an exemplar of Nineveh B, but rather part of an edition of Esarhaddon’s ‘annals’ from Nineveh that was composed before Esarhaddon’s 5th year (676). The paper will also present evidence for reassigning 83-1-18,601, a small fragment in the British Museum, as an exemplar of Nin…

  • New Proposed Chronological Sequence and Dates of Composition of Esarhaddon's Babylon Inscriptions

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2015•Cited by: 1•References: 2

    The Babylon Inscriptions of Esarhaddon, perhaps the best-known group of texts in the extant corpus this seventh-century Assyrian king, have for decades presented a real challenge in cracking the various levels of ideology imbedded in their contents, as well as the chronological order in which they were written. The latter issue is closely tied to the fact that several clay prisms inscribed with these texts are all dated by the formula šanat rēš š…

  • I Did Not Alter the Site Where That Temple Stood

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2014•Cited by: 2

  • After the fall of Babylon

    Open Access•Jamie Novotny, Chikako E Watanabe•ARTICLE•Iraq•2008

    BM ME 124945–6, a relief of Assurbanipal, was discovered in the ruins of Room M (the so-called ‘Throne Room’) of the North Palace in the Assyrian capital of Nineveh, and is now on display in the British Museum (Fig. 1). The slabs are divided into two registers: an upper register and a lower register, which are separated by a broad wavy band, each side of which forms the bank of a river. Two rivers flow horizontally in parallel in the centre of th…

  • A 8003

    Jamie R Novotny, Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2004•Cited by: 1

  • The Standard Babylonian Etana Epic

    Benjamin R Foster, Jamie R Novotny et al.•ARTICLE•Journal of the American Oriental…•2003

  • Were there Seven or Fourteen Gates of the Netherworld

    Jamie R Novotny, Jamie Novotny•ARTICLE•Zeitschrift für Assyriologie und…•1999

    Were there Seven or Fourteen Gates of the Netherworld

  • I Did Not Alter the Site Where That Temple Stood

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2014•Cited by: 2

  • New Proposed Chronological Sequence and Dates of Composition of Esarhaddon's Babylon Inscriptions

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2015•Cited by: 1•References: 2

    The Babylon Inscriptions of Esarhaddon, perhaps the best-known group of texts in the extant corpus this seventh-century Assyrian king, have for decades presented a real challenge in cracking the various levels of ideology imbedded in their contents, as well as the chronological order in which they were written. The latter issue is closely tied to the fact that several clay prisms inscribed with these texts are all dated by the formula šanat rēš š…

  • A 8003

    Jamie R Novotny, Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2004•Cited by: 1

  • Were there Seven or Fourteen Gates of the Netherworld

    Jamie R Novotny, Jamie Novotny•ARTICLE•Zeitschrift für Assyriologie und…•1999

    Were there Seven or Fourteen Gates of the Netherworld

  • The Standard Babylonian Etana Epic

    Benjamin R Foster, Jamie R Novotny et al.•ARTICLE•Journal of the American Oriental…•2003

  • A 8003

    Jamie R Novotny, Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2004•Cited by: 1

  • After the fall of Babylon

    Open Access•Jamie Novotny, Chikako E Watanabe•ARTICLE•Iraq•2008

    BM ME 124945–6, a relief of Assurbanipal, was discovered in the ruins of Room M (the so-called ‘Throne Room’) of the North Palace in the Assyrian capital of Nineveh, and is now on display in the British Museum (Fig. 1). The slabs are divided into two registers: an upper register and a lower register, which are separated by a broad wavy band, each side of which forms the bank of a river. Two rivers flow horizontally in parallel in the centre of th…

  • I Did Not Alter the Site Where That Temple Stood

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2014•Cited by: 2

  • New Proposed Chronological Sequence and Dates of Composition of Esarhaddon's Babylon Inscriptions

    Jamie Novotny•ARTICLE•Journal of Cuneiform Studies•2015•Cited by: 1•References: 2

    The Babylon Inscriptions of Esarhaddon, perhaps the best-known group of texts in the extant corpus this seventh-century Assyrian king, have for decades presented a real challenge in cracking the various levels of ideology imbedded in their contents, as well as the chronological order in which they were written. The latter issue is closely tied to the fact that several clay prisms inscribed with these texts are all dated by the formula šanat rēš š…

  • A Previously Unrecognized Version of Esarhaddon’s ‘Annals’

    Jamie Novotny•ARTICLE•Zeitschrift für Assyriologie und…•2018

    This paper provides evidence for the existence of a new inscription of Esarhaddon from Nineveh: A 16926, a piece now in the Oriental Institute (University of Chicago), is not an exemplar of Nineveh B, but rather part of an edition of Esarhaddon’s ‘annals’ from Nineveh that was composed before Esarhaddon’s 5th year (676). The paper will also present evidence for reassigning 83-1-18,601, a small fragment in the British Museum, as an exemplar of Nin…

Ancient Near East History (7 works) · History (7 works) · Ancient history (6 works) · Art (6 works) · Ancient Egypt and Archaeology (5 works) · Linguistics and language evolution (5 works) · Classics (4 works) · Classics (3 works) · History (3 works) · Literature (3 works)

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