Tonglin Lu
Biographic Data
| ID | 3831783 |
|---|---|
| NAME | Tonglin Lu |
| GIVEN NAMES | Tonglin |
| FAMILY NAME | Lu |
| SIGNATURE | LU T |
| AFFILIATIONS | University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Zhu Shenghao
In 1998, fifty-four years after Zhu Shenghao's death at the age of thirty-two, Li Funing, well-known literary critic and translator, began his introduction to the eight volumes of the Complete Works of Shakespeare with the following remarks: 译林出版社筹划出版一套增订本《莎士比亚全集》,前后共用 了近五年时间。这套全集仍以朱生豪先生译本为基础,这是恰 当的,因为朱译本最受读者欢迎... ... 朱先生的译文既能紧扣 原文,把原文的意思准确,充分地表达出来,又能再创造,保 持译文的通畅,自然。尤其它优美,灵动和风格化的语言更是 为人称道。1(The Yilin Press has spent five years preparing the publi…
Guest Editor's Introduction
As China emerges from its Maoist isolationism and rapidly integrates into the global capitalist market, it is no longer possible to preserve the rigid boundaries between these sides — a theorist with international standing can no longer grasp today's world while closing his (or her) eyes to China; a Chinese scholar can no longer take refuge in the mystery of oriental culture, because intensified globalization has made the distinction between East…
A Cinematic Parallax View: Taiwanese Identity and the Japanese Colonial Past
This essay uses a Žižekian concept of parallax view to examine the connection between the formation of Taiwanese identity and the imposed meanings on suffering caused by Japanese colonial history. Taiwanese politicians from different ideological spectra have “parallactically” imposed meanings on this history of suffering to serve their own interests. This has contributed to keeping alive the division between Taiwanese and mainlanders. These two g…
Fantasy and Ideology in a Chinese Film: A Zizekian Reading of the Cultural Revolution
Research Article| May 01 2004 Fantasy and Ideology in a Chinese Film: A Žižekian Reading of the Cultural Revolution Tonglin Lu Tonglin Lu Search for other works by this author on: This Site Google positions (2004) 12 (2): 539–564. https://doi.org/10.1215/10679847-12-2-539 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tonglin Lu; Fantasy and Ideology in a Chinese Film: A Žižekian Reading of the C…
A Postcolonial Reflection
The Indian Aboriginal did not flourish in pre-British India. ...There is something Eurocentric about assuming that imperialism began with Europe.–Gayatri Chakravorty Spivak
Confronting Modernity in the Cinemas of Taiwan and Mainland China
This book is a cultural study of New Wave cinema that considers the experience of modernity and modernization in Taiwan and mainland China. While following separate paths, Taiwan and China have rapidly modernized, economically and culturally, since 1949. Despite differences in the political, social and economic systems of these countries, the process of modernization in both have challenged traditional cultural norms. Tonglin Lu examines how diff…
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction
Introduction 1. Revolution: hope without future or future without hope? 2. Red Sorghum: limits of transgression 3. Can Xue: what is so paranoid in her writings? 4. Quest in time and space as a new history of ancient and modern Tibet 5. Femininity and masculinity in Su Tong's trilogy 6. Violence and cultural nihilism Conclusion.
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
Rose and Lotus: Narrative of Desire in France and China
Rose and Lotus: Narrative of Desire in France and China
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
A Cinematic Parallax View: Taiwanese Identity and the Japanese Colonial Past
This essay uses a Žižekian concept of parallax view to examine the connection between the formation of Taiwanese identity and the imposed meanings on suffering caused by Japanese colonial history. Taiwanese politicians from different ideological spectra have “parallactically” imposed meanings on this history of suffering to serve their own interests. This has contributed to keeping alive the division between Taiwanese and mainlanders. These two g…
Rose and Lotus: Narrative of Desire in France and China
Rose and Lotus: Narrative of Desire in France and China
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
Misogyny, Cultural Nihilism, and Oppositional Politics: Contemporary Chinese Experimental Fiction
Introduction 1. Revolution: hope without future or future without hope? 2. Red Sorghum: limits of transgression 3. Can Xue: what is so paranoid in her writings? 4. Quest in time and space as a new history of ancient and modern Tibet 5. Femininity and masculinity in Su Tong's trilogy 6. Violence and cultural nihilism Conclusion.
Gender and Sexuality in Twentieth-Century Chinese Literature and Society
A Postcolonial Reflection
The Indian Aboriginal did not flourish in pre-British India. ...There is something Eurocentric about assuming that imperialism began with Europe.–Gayatri Chakravorty Spivak
Confronting Modernity in the Cinemas of Taiwan and Mainland China
This book is a cultural study of New Wave cinema that considers the experience of modernity and modernization in Taiwan and mainland China. While following separate paths, Taiwan and China have rapidly modernized, economically and culturally, since 1949. Despite differences in the political, social and economic systems of these countries, the process of modernization in both have challenged traditional cultural norms. Tonglin Lu examines how diff…
Fantasy and Ideology in a Chinese Film: A Zizekian Reading of the Cultural Revolution
Research Article| May 01 2004 Fantasy and Ideology in a Chinese Film: A Žižekian Reading of the Cultural Revolution Tonglin Lu Tonglin Lu Search for other works by this author on: This Site Google positions (2004) 12 (2): 539–564. https://doi.org/10.1215/10679847-12-2-539 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tonglin Lu; Fantasy and Ideology in a Chinese Film: A Žižekian Reading of the C…
Guest Editor's Introduction
As China emerges from its Maoist isolationism and rapidly integrates into the global capitalist market, it is no longer possible to preserve the rigid boundaries between these sides — a theorist with international standing can no longer grasp today's world while closing his (or her) eyes to China; a Chinese scholar can no longer take refuge in the mystery of oriental culture, because intensified globalization has made the distinction between East…
A Cinematic Parallax View: Taiwanese Identity and the Japanese Colonial Past
This essay uses a Žižekian concept of parallax view to examine the connection between the formation of Taiwanese identity and the imposed meanings on suffering caused by Japanese colonial history. Taiwanese politicians from different ideological spectra have “parallactically” imposed meanings on this history of suffering to serve their own interests. This has contributed to keeping alive the division between Taiwanese and mainlanders. These two g…
Zhu Shenghao
In 1998, fifty-four years after Zhu Shenghao's death at the age of thirty-two, Li Funing, well-known literary critic and translator, began his introduction to the eight volumes of the Complete Works of Shakespeare with the following remarks: 译林出版社筹划出版一套增订本《莎士比亚全集》,前后共用 了近五年时间。这套全集仍以朱生豪先生译本为基础,这是恰 当的,因为朱译本最受读者欢迎... ... 朱先生的译文既能紧扣 原文,把原文的意思准确,充分地表达出来,又能再创造,保 持译文的通畅,自然。尤其它优美,灵动和风格化的语言更是 为人称道。1(The Yilin Press has spent five years preparing the publi…
History (9 works) · Sociology (7 works) · Art (6 works) · Aesthetics (5 works) · Chinese history and philosophy (5 works) · Gender Studies (5 works) · Japanese History and Culture (5 works) · Law (5 works) · Literature (5 works) · Political science (5 works)