Wai-Yee Li
Biographic Data
| ID | 3831813 |
|---|---|
| NAME | Wai-Yee Li |
| GIVEN NAMES | Wai-Yee |
| FAMILY NAME | Li |
| SIGNATURE | LI W |
| AFFILIATIONS | Harvard University Press |
| ORCID | 0000-0002-0608-9857 |
| VERIFIED | Yes |
| TOTAL WORKS | 32 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 27 |
| WORKS AS EDITOR | 5 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
The Hsu-Tang Library of Classical Chinese Literature
The Promise and Peril of Things
Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She considers core oppositions—people and things, elegance and vulgarity, real and fake, lost and found—to tease out the ambiguities of material culture.
Keywords in Chinese Culture
Introduction
Who are "cultural others"? While the question often has broad ethnic reverberations, the articles in this special issue deal with cultural difference from various perspectives. In "Closer to Home, " Ronald Egan shows us how the scholar-official Hong Mai's (1123-1202) stories about merchants, con artists, or singing girls amount to a conscious effort to explore terrains beyond "this culture of ours. " The negotiation of social and political bounda…
Cultural Identity and Cultural Difference in Zuozhuan
There is no fixed categorical term for barbarians in Chinese. Specific groups are identified as “aliens” or “cultural others” through words like Man 蠻, Yi 夷, Rong 戎, and Di 狄, but all four terms can be specific or categorical. It is often said that the us-versus-them formula in Zuozhuan (and early Chinese texts in general) is cultural rather than ethnic, but precise definitions of cultural difference can be elusive. This article begins with a dis…
Keywords in Chinese Culture
The China Questions
The Oxford Handbook of Classical Chinese Literature
This handbook of Classical Chinese literature from 1000 bce through 900 ce aims to provide a solid introduction to the field, inspire scholars in Chinese Studies to explore innovative conceptual frameworks and pedagogical approaches in the studying and teaching of classical Chinese literature, and facilitate a comparative dialogue with scholars of premodern East Asia and other classical and medieval literary traditions around the world. The handb…
The Oxford handbook of classical Chinese literature (1000 BCE-900 CE)
The Letter to Ren An and Sima Qian’s Legacy
Sima Qian (first century BCE), the author of Record of the Historian (Shiji), is China’s earliest and best-known historian, and his “Letter to Ren An” is the most famous letter in Chinese history. In the letter, Sima Qian explains his decision to finish his life’s work, the first comprehensive history of China, instead of honorably committing suicide following his castration for “deceiving the emperor.” In the twentieth and twenty-first centuries…
The Columbia Anthology of Yuan Drama
This anthology features translations of ten seminal plays written during the Yuan dynasty (1279–1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of China's culture of performa…
Women and National Trauma in Late Imperial Chinese Literature
The Ming Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well a…
Poetry and Diplomacy in the Zuozhuan
Zuozhuan (ca. fourth century BC) records many instances of statesmen who recite or chant odes ( fushi), mostly from the extant Shijing, to convey their political vision, policy recommendation, or diplomatic finesse. This essay examines the implications of this confluence of poetry and diplomacy. Scholars have focused on fushi as seamless political communication, the celebration of a common cultural heritage, and the formalization of ritual judgme…
The Cambridge History of Chinese Literature
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The Readability of the Past in Early Chinese Historiography
Trauma and Transcendence in Early Qing Literature
Languages of Love and Parameters of Culture in Peony Pavilion and The Story of the Stone
The Limits of Historiography
This volume explores the intersection between historiography and related genres in antiquity. Papers cover the geographical range from China through the near east to the classical period in the Mediterranean. Topics addressed include the place in ancient Chinese historiography of philosophical argument; the nature and kind of historical text in the Hittite, Babylonian, Persian and biblical periods, including (for the first time) a full transliter…
Dreams of Interpretation in Early Chinese Historical and Philosophical Writings
In the Zuo zhuan1 (Zuo Commentary Tradition, ca. fifth to fourth centuries B.c.?), the earliest narrative history in China, the representation of dreams emerges as one way to structure events and to impose order on human experience. Dreams establish causality-on the symbolic level, as a sign that is fulfilled, unravelled, or betrayed; on the literal level, as advice or warning heeded or defied. The representation of dreams is motivated by the nee…
Heroic Transformations
Dans le contexte du debut de la dynastie Qing, les critiques de la sensibilite Ming, la reevalutaion du domaine romantique et esthetique ainsi que les representations litteraires des femmes heroiques sont presentes chez les auteurs de litterature tout autant que l'apologie, la nostalgie, les regrets et le jugement historique, inseparables de la memoire de la transition dynastique Ming traumatique. C'est ce spectre d'attitudes culturelles exprimee…
Paradoxes of Traditional Chinese Literature
The Late Ming Courtesan
The Collector, the Connoisseur, and Late-Ming Sensibility
In the Record of Famous Through the Ages (Li-tai ming hua chi tet*e [847], hereafter LTMHC), the art historian and painter ChangYen-yuan W§2 (ca. 815-after 875) justifies his passion for collecting and restoring paintings: Yet if I dc) not do that which is useless, how can I take pleasure in this life which does have a limit?''1 phrase wu-i Q (useless, profitless) rings with echoes of the praise of non-action (wu-wei $$EA) and the uses of ( wuyun…
The Rheotoric of Spontaneity in Late-Ming Literature
(1995). The Rheotoric of Spontaneity in Late-Ming Literature. Ming Studies: Vol. 1995, No. 1, pp. 32-52
The Representation of History in the Peach Blossom Fan
Etude des considerations esthetiques et des reflexions philosophiques sur l'approche de l'histoire en general et de la chute de la dynastie des Ming en particulier, telles qu'elles appparaissent dans L'eventail en fleurs de pecher de K'ung Shang-jen (1648-1718), piece de theâtre unique en son genre, puisqu'elle est la seule du theâtre chinois ancien a traiter de faits historiques reels et de leur interpretation
Enchantment and Disenchantment
In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber , the goddess Disenchantment introduces the hero, Pao-yü, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yü that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through…
Heroic Transformations
Dans le contexte du debut de la dynastie Qing, les critiques de la sensibilite Ming, la reevalutaion du domaine romantique et esthetique ainsi que les representations litteraires des femmes heroiques sont presentes chez les auteurs de litterature tout autant que l'apologie, la nostalgie, les regrets et le jugement historique, inseparables de la memoire de la transition dynastique Ming traumatique. C'est ce spectre d'attitudes culturelles exprimee…
The Idea of Authority in the Shih chi (Records of the Historian)
Classical Chinese Tales of the Supernatural and the Fantastic
Chuang-Tzu for Spiritual Transformation
Enchantment and Disenchantment
In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber , the goddess Disenchantment introduces the hero, Pao-yü, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yü that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through…
Enchantment and Disenchantment
Enchantment and Disenchantment
The Idea of Authority in the Shih chi (Records of the Historian)
The Tao and the Logos
The Collector, the Connoisseur, and Late-Ming Sensibility
In the Record of Famous Through the Ages (Li-tai ming hua chi tet*e [847], hereafter LTMHC), the art historian and painter ChangYen-yuan W§2 (ca. 815-after 875) justifies his passion for collecting and restoring paintings: Yet if I dc) not do that which is useless, how can I take pleasure in this life which does have a limit?''1 phrase wu-i Q (useless, profitless) rings with echoes of the praise of non-action (wu-wei $$EA) and the uses of ( wuyun…
The Rheotoric of Spontaneity in Late-Ming Literature
(1995). The Rheotoric of Spontaneity in Late-Ming Literature. Ming Studies: Vol. 1995, No. 1, pp. 32-52
The Representation of History in the Peach Blossom Fan
Etude des considerations esthetiques et des reflexions philosophiques sur l'approche de l'histoire en general et de la chute de la dynastie des Ming en particulier, telles qu'elles appparaissent dans L'eventail en fleurs de pecher de K'ung Shang-jen (1648-1718), piece de theâtre unique en son genre, puisqu'elle est la seule du theâtre chinois ancien a traiter de faits historiques reels et de leur interpretation
Paradoxes of Traditional Chinese Literature
The Late Ming Courtesan
The Limits of Historiography
This volume explores the intersection between historiography and related genres in antiquity. Papers cover the geographical range from China through the near east to the classical period in the Mediterranean. Topics addressed include the place in ancient Chinese historiography of philosophical argument; the nature and kind of historical text in the Hittite, Babylonian, Persian and biblical periods, including (for the first time) a full transliter…
Dreams of Interpretation in Early Chinese Historical and Philosophical Writings
In the Zuo zhuan1 (Zuo Commentary Tradition, ca. fifth to fourth centuries B.c.?), the earliest narrative history in China, the representation of dreams emerges as one way to structure events and to impose order on human experience. Dreams establish causality-on the symbolic level, as a sign that is fulfilled, unravelled, or betrayed; on the literal level, as advice or warning heeded or defied. The representation of dreams is motivated by the nee…
Heroic Transformations
Dans le contexte du debut de la dynastie Qing, les critiques de la sensibilite Ming, la reevalutaion du domaine romantique et esthetique ainsi que les representations litteraires des femmes heroiques sont presentes chez les auteurs de litterature tout autant que l'apologie, la nostalgie, les regrets et le jugement historique, inseparables de la memoire de la transition dynastique Ming traumatique. C'est ce spectre d'attitudes culturelles exprimee…
Languages of Love and Parameters of Culture in Peony Pavilion and The Story of the Stone
Trauma and Transcendence in Early Qing Literature
The Readability of the Past in Early Chinese Historiography
The Cambridge History of Chinese Literature
Book summary page views Book summary page views help Close Book summary page views help Book summary views reflect the number of visits to the book and chapter landing pages. Total views: 0 * Loading metrics
The Columbia Anthology of Yuan Drama
This anthology features translations of ten seminal plays written during the Yuan dynasty (1279–1368), a period considered the golden age of Chinese theater. By turns lyrical and earthy, sentimental and ironic, Yuan drama spans a broad emotional, linguistic, and stylistic range. Combining sung arias with declaimed verses and doggerels, dialogues and mime, and jokes and acrobatic feats, Yuan drama formed a vital part of China's culture of performa…
Women and National Trauma in Late Imperial Chinese Literature
The Ming Qing dynastic transition in seventeenth-century China was an epochal event that reverberated in Qing writings and beyond; political disorder was bound up with vibrant literary and cultural production. Women and National Trauma in Late Imperial Chinese Literature focuses on the discursive and imaginative space commanded by women. Encompassing writings by women and by men writing in a feminine voice or assuming a female identity, as well a…
Poetry and Diplomacy in the Zuozhuan
Zuozhuan (ca. fourth century BC) records many instances of statesmen who recite or chant odes ( fushi), mostly from the extant Shijing, to convey their political vision, policy recommendation, or diplomatic finesse. This essay examines the implications of this confluence of poetry and diplomacy. Scholars have focused on fushi as seamless political communication, the celebration of a common cultural heritage, and the formalization of ritual judgme…
The Letter to Ren An and Sima Qian’s Legacy
Sima Qian (first century BCE), the author of Record of the Historian (Shiji), is China’s earliest and best-known historian, and his “Letter to Ren An” is the most famous letter in Chinese history. In the letter, Sima Qian explains his decision to finish his life’s work, the first comprehensive history of China, instead of honorably committing suicide following his castration for “deceiving the emperor.” In the twentieth and twenty-first centuries…
The Oxford Handbook of Classical Chinese Literature
This handbook of Classical Chinese literature from 1000 bce through 900 ce aims to provide a solid introduction to the field, inspire scholars in Chinese Studies to explore innovative conceptual frameworks and pedagogical approaches in the studying and teaching of classical Chinese literature, and facilitate a comparative dialogue with scholars of premodern East Asia and other classical and medieval literary traditions around the world. The handb…
The Oxford handbook of classical Chinese literature (1000 BCE-900 CE)
Chinese history and philosophy (27 works) · History (21 works) · Art (19 works) · Philosophy (15 works) · Literature (12 works) · Archaeology (9 works) · Law (8 works) · Political science (8 works) · Politics (7 works) · History (6 works)