Patricia Berger
Biographic Data
| ID | 3831901 |
|---|---|
| NAME | Patricia Berger |
| GIVEN NAMES | Patricia |
| FAMILY NAME | Berger |
| SIGNATURE | BERGER P |
| AFFILIATIONS | University of California, Berkeley |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Naomi Noble Richard
Just as this issue was going to press, we received word that Naomi Noble Richard, editor extraordinaire of Archives of Asian Art from 1997 to 2012, had passed away in Denver. She was eighty-eight years old. Naomi's expertise in the arts of Asia, her exceptional eye for detail, attention to the course of an argument, and constructive engagement with her charges combined to win her a reputation as the very best interlocutor and editor that an autho…
Empire of Emptiness
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows…
Cultural Intersections in Later Chinese Buddhism
In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…
Conducting Research with Tribal Communities
The Great Statuary of China
The “Battle at the Bridge” at Wu Liang Tz'u
The iconography of Han Dynasty pictorial cycles has become a subject of some interest to historians of early Chinese art. Such pictorial cycles or programs consist of series of related or unrelated scenes from history, legend, and daily life. The problem posed by such iconographic cycles is one of interpretive method. Should these scenes be taken as relating specifically to the lives of the persons they honor or should they be viewed more simply …
No prominent works on this page.
The “Battle at the Bridge” at Wu Liang Tz'u
The iconography of Han Dynasty pictorial cycles has become a subject of some interest to historians of early Chinese art. Such pictorial cycles or programs consist of series of related or unrelated scenes from history, legend, and daily life. The problem posed by such iconographic cycles is one of interpretive method. Should these scenes be taken as relating specifically to the lives of the persons they honor or should they be viewed more simply …
The Great Statuary of China
Conducting Research with Tribal Communities
Empire of Emptiness
Imperial Manchu support and patronage of Buddhism, particularly in Mongolia and Tibet, has often been dismissed as cynical political manipulation. Empire of Emptiness questions this generalization by taking a fresh look at the huge outpouring of Buddhist painting, sculpture, and decorative arts Qing court artists produced for distribution throughout the empire. It examines some of the Buddhist underpinnings of the Qing view of rulership and shows…
Cultural Intersections in Later Chinese Buddhism
In a demonstration of the value of interdisciplinary, culture-based approaches, this collection of essays on "later" Chinese Buddhism takes us beyond the bedrock subjects of traditional Buddhist historiography--scriptures and commentaries, sectarian developments, lives of notable monks--to examine a wide range of extracanonical materials that illuminate cultural manifestations of Buddhism from the Song dynasty (960-1279) through the modern period…
Naomi Noble Richard
Just as this issue was going to press, we received word that Naomi Noble Richard, editor extraordinaire of Archives of Asian Art from 1997 to 2012, had passed away in Denver. She was eighty-eight years old. Naomi's expertise in the arts of Asia, her exceptional eye for detail, attention to the course of an argument, and constructive engagement with her charges combined to win her a reputation as the very best interlocutor and editor that an autho…
History (4 works) · Ancient history (3 works) · Archaeology (3 works) · Art (3 works) · Chinese history and philosophy (3 works) · Philosophy (3 works) · Art history (2 works) · Epistemology (2 works) · Vietnamese History and Culture Studies (2 works) · Battle (1 work)