Glenda Goodman
Biographic Data
| ID | 3833148 |
|---|---|
| NAME | Glenda Goodman |
| GIVEN NAMES | Glenda |
| FAMILY NAME | Goodman |
| SIGNATURE | GOODMAN G |
| AFFILIATIONS | California University of Pennsylvania |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 14 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
As Inaccessible as Ever”
This article examines the trajectory of two Native American songs transcribed by French Jesuits in the seventeenth century, their subsequent inclusion in printed books in the eighteenth and nineteenth centuries, and their use by historians and entertainers in the twentieth century. The study focuses on how these songs, initially part of Native American oral and aural tradition, were transformed into primary-source evidence for historical research…
Finding the “Frontier” in a Page of Music
A page with music printed on both sides is inserted between two pages of a 1722 book published in Paris about Native Americans in North America.1 The songs are likely from the Illinois people, possibly part of a Calumet ceremony.2 There are seven staff lines per page in treble clef with no bar lines, representing two songs, divided from one another by an unobtrusive double bar line on the first page. The first song features a predominantly quarte…
Bound Together
This article is a microhistory of music collecting in eighteenth-century America. It focuses on the life and collection of an elite white woman, Sally Brown, who gathered an amount of music that was unusual for women in the USA at that time. She was able to do so because her family had a successful mercantile business, one that included the slave trade. Sally's experiences shed light on the gendered history of amateur music-making, which this art…
Joseph Johnson's Lost Gamuts
In the winter of 1772–1773, Joseph Johnson (Mohegan/Brothertown) copied musical notation into eight books for Christian Native Americans in Farmington, Connecticut, a town established by English settler colonists on the land known as Tunxis Sepus. Johnson did so because, as he wrote in his diary, “The indians are all desireous of haveing Gamuts.” Johnson's “gamuts” have not survived, but their erstwhile existence reveals hymnody's important role …
Introduction by the Guest Editor
Research Article| October 01 2015 Introduction by the Guest Editor Glenda Goodman Glenda Goodman Search for other works by this author on: This Site Google American Music (2015) 33 (3): 281–282. https://doi.org/10.5406/americanmusic.33.3.0281 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Glenda Goodman; Introduction by the Guest Editor. American Music 1 October 2015; 33 (3): 281–282. doi: https:/…
Society for American Music
But they differ from us in sound
Joseph Johnson's Lost Gamuts
In the winter of 1772–1773, Joseph Johnson (Mohegan/Brothertown) copied musical notation into eight books for Christian Native Americans in Farmington, Connecticut, a town established by English settler colonists on the land known as Tunxis Sepus. Johnson did so because, as he wrote in his diary, “The indians are all desireous of haveing Gamuts.” Johnson's “gamuts” have not survived, but their erstwhile existence reveals hymnody's important role …
But they differ from us in sound
Bound Together
This article is a microhistory of music collecting in eighteenth-century America. It focuses on the life and collection of an elite white woman, Sally Brown, who gathered an amount of music that was unusual for women in the USA at that time. She was able to do so because her family had a successful mercantile business, one that included the slave trade. Sally's experiences shed light on the gendered history of amateur music-making, which this art…
But they differ from us in sound
Society for American Music
Introduction by the Guest Editor
Research Article| October 01 2015 Introduction by the Guest Editor Glenda Goodman Glenda Goodman Search for other works by this author on: This Site Google American Music (2015) 33 (3): 281–282. https://doi.org/10.5406/americanmusic.33.3.0281 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Glenda Goodman; Introduction by the Guest Editor. American Music 1 October 2015; 33 (3): 281–282. doi: https:/…
Joseph Johnson's Lost Gamuts
In the winter of 1772–1773, Joseph Johnson (Mohegan/Brothertown) copied musical notation into eight books for Christian Native Americans in Farmington, Connecticut, a town established by English settler colonists on the land known as Tunxis Sepus. Johnson did so because, as he wrote in his diary, “The indians are all desireous of haveing Gamuts.” Johnson's “gamuts” have not survived, but their erstwhile existence reveals hymnody's important role …
Bound Together
This article is a microhistory of music collecting in eighteenth-century America. It focuses on the life and collection of an elite white woman, Sally Brown, who gathered an amount of music that was unusual for women in the USA at that time. She was able to do so because her family had a successful mercantile business, one that included the slave trade. Sally's experiences shed light on the gendered history of amateur music-making, which this art…
Finding the “Frontier” in a Page of Music
A page with music printed on both sides is inserted between two pages of a 1722 book published in Paris about Native Americans in North America.1 The songs are likely from the Illinois people, possibly part of a Calumet ceremony.2 There are seven staff lines per page in treble clef with no bar lines, representing two songs, divided from one another by an unobtrusive double bar line on the first page. The first song features a predominantly quarte…
As Inaccessible as Ever”
This article examines the trajectory of two Native American songs transcribed by French Jesuits in the seventeenth century, their subsequent inclusion in printed books in the eighteenth and nineteenth centuries, and their use by historians and entertainers in the twentieth century. The study focuses on how these songs, initially part of Native American oral and aural tradition, were transformed into primary-source evidence for historical research…
Art (5 works) · Music History and Culture (4 works) · Diverse Musicological Studies (3 works) · History (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Computer Science (2 works) · Law (2 works) · Meaning (existential (2 works) · Musical (2 works)