Lewis Lockwood
Biographic Data
| ID | 3833149 |
|---|---|
| NAME | Lewis Lockwood |
| GIVEN NAMES | Lewis |
| FAMILY NAME | Lockwood |
| SIGNATURE | LOCKWOOD L |
| AFFILIATIONS | Harvard University Press |
| VERIFIED | No |
| TOTAL WORKS | 32 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 32 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1961 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Beethoven and His World
Beethoven's Leonore and Fidelio
Ludwig van Beethoven's 1805/6 Leonore and its 1814 revision, Fidelio, had contrasting political, biographical, and cultural contexts. Leonore took form against the background of contemporary French rescue operas and of Beethoven's commitment to heroism as a personal and social ideal. The 1814 version shifted its perspective to celebrate the benevolence of rulers, in anticipation of the impending Congress of Vienna and the restoration of monarchie…
Borromeo, Carlo
Mass
Danckerts, Ghiselin
Martini, Johannes
Pietrobono [Petrus Bonus] de Burzellis
Animuccia, Giovanni
Animuccia, Paolo
Palestrina [Prenestino, etc.], Giovanni Pierluigi da
Ferrara
Este
Ruffo, Vincenzo
Renaissance
Willaert [Vuigliart, etc.], Adrian
Beethoven Forum, Vol. 2
Know What I Mean
Beethoven: Studies in the Creative Processes
Robert Schumann and the Study of Orchestral Composition: The Genesis of the First Symphony, Op. 38. Studies in Musical Genesis and Structure
Adrian Willaert and Cardinal Ippolito I d'Este: New light on Willaert's early career in Italy, 1515–21
In 1971, at the International Josquin Festival-Conference, I mentioned for the first time a group of newly discovered documents on the early career of Adrian Willaert in Italy, drawn mainly from the account books of his patron, Cardinal Ippolito i d'Este (1479–1520). In several articles since then I have briefly described these findings but until now have not been able to furnish the full particulars on which they depend. This article aims to do …
La Corte e lo Spazio: Ferrara estense
Giuseppe Papagno and Amedeo Quondam , eds. La Corte e lo Spazio: Ferrara estense. Rome: Bulzoni Editore, 1982. Vols. 1 and 2: Text; Vol. 3: Illustrazioni. 3 vols.: 1,110 pp. L.35,000. - Volume 38 Issue 4
Music and Patronage in Sixteenth-Century Mantua, Vol. I
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The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century
Isabel Pope and Masakata Kanazawa, eds. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century. Oxford: Clarendon Press, 1978. xxiv + 676 pp. $65. - Volume 33 Issue 4
Music in the Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ferrara: The Style of a Renaissance Despotism
Beethoven's Leonore and Fidelio
Ludwig van Beethoven's 1805/6 Leonore and its 1814 revision, Fidelio, had contrasting political, biographical, and cultural contexts. Leonore took form against the background of contemporary French rescue operas and of Beethoven's commitment to heroism as a personal and social ideal. The 1814 version shifted its perspective to celebrate the benevolence of rulers, in anticipation of the impending Congress of Vienna and the restoration of monarchie…
Aspects of the ‘L'Homme armé’ Tradition
The tune called ‘L'Homme armé’ has long been famous as the structural basis for more than 30 Mass settings ranging from Dufay to Palestrina and even beyond, ending anachronistically with Carissimi. Yet many questions that were raised by pioneering scholars 40 and 50 years ago about the melody and its elaborations are as open now as when they were first proposed, and it seems likely that a review of several major problems—in so far as this is poss…
A Continental Mass and Motet in a Tudor Manuscript
On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation
Lewis Lockwood, On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation, Acta Musicologica, Vol. 42, Fasc. 1/2, Numéro spécial. Actes préliminaires du Colloque de Saint-Germain-en-Laye (septembre 1970) / Special Issue. Preliminary Papers of the Colloque at Saint-Germain-en-Laye (September 1970) / Sonderheft. Vorberichte zum Kolloquium von Saint-Germain-en-Laye (September 1970) (Jan. - Jun., 1970), pp. 32-47
Addendum: On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation
Lewis Lockwood, Addendum: On Beethoven's Sketches and Autographs: Some Problems of Definition and Interpretation, Acta Musicologica, Vol. 43, Fasc. 3/4, Actes du Colloque de Saint-Germain-en-Laye (septembre 1970). Études dur la Musique du XIXe siècle / Papers of the Colloque at Saint-Germain-en-Laye (September 1970). Studies on 19th-Century Music / Berichte über das Kolloquium von Saint-Germain-en-Laye (September 1970). Studien zur Musik des 19. …
Palestrina Perspectives
Art and Life at the Court of Ercole I d'Este: The `De triumphis religionis' of Giovanni Sabadino degli Arienti
Werner L. Gundersheimer, Ed. Art and Life at the Court of Ercole I d'Este: The 'De triumphis religionis of Giovanni Sabadino degli Arienti. Geneve: Librairie Droz, 1972. 119 pp. 44 Fr.S. - Volume 26 Issue 4
Aspects of the ‘L'Homme armé’ Tradition
The tune called ‘L'Homme armé’ has long been famous as the structural basis for more than 30 Mass settings ranging from Dufay to Palestrina and even beyond, ending anachronistically with Carissimi. Yet many questions that were raised by pioneering scholars 40 and 50 years ago about the melody and its elaborations are as open now as when they were first proposed, and it seems likely that a review of several major problems—in so far as this is poss…
L'Aria di Fiorenza, id est, Il Ballo del Gran Duca
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Ferrara: The Style of a Renaissance Despotism
Music in the Renaissance
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century
Isabel Pope and Masakata Kanazawa, eds. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century. Oxford: Clarendon Press, 1978. xxiv + 676 pp. $65. - Volume 33 Issue 4
Music and Patronage in Sixteenth-Century Mantua, Vol. I
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Adrian Willaert and Cardinal Ippolito I d'Este: New light on Willaert's early career in Italy, 1515–21
In 1971, at the International Josquin Festival-Conference, I mentioned for the first time a group of newly discovered documents on the early career of Adrian Willaert in Italy, drawn mainly from the account books of his patron, Cardinal Ippolito i d'Este (1479–1520). In several articles since then I have briefly described these findings but until now have not been able to furnish the full particulars on which they depend. This article aims to do …
La Corte e lo Spazio: Ferrara estense
Giuseppe Papagno and Amedeo Quondam , eds. La Corte e lo Spazio: Ferrara estense. Rome: Bulzoni Editore, 1982. Vols. 1 and 2: Text; Vol. 3: Illustrazioni. 3 vols.: 1,110 pp. L.35,000. - Volume 38 Issue 4
Robert Schumann and the Study of Orchestral Composition: The Genesis of the First Symphony, Op. 38. Studies in Musical Genesis and Structure
Beethoven: Studies in the Creative Processes
Know What I Mean
Beethoven Forum, Vol. 2
Borromeo, Carlo
Mass
Danckerts, Ghiselin
Martini, Johannes
Pietrobono [Petrus Bonus] de Burzellis
Animuccia, Giovanni
Animuccia, Paolo
Palestrina [Prenestino, etc.], Giovanni Pierluigi da
Art (22 works) · Art history (9 works) · Computer Science (9 works) · Musicology and Musical Analysis (9 works) · Renaissance and Early Modern Studies (8 works) · History (7 works) · History and Developments in Astronomy (5 works) · Humanities (4 works) · Political science (4 works) · Aesthetics (3 works)